Related

Thomas Tingey
Alexander Hamilton
John Reynolds
John Samuel Sherburne
William Lee
James Latimer
John Curzon Seton
Thomas Stone
William Henry Harrison
Zachary Taylor
J. B. Loir
Jean Marie Soulier
George Washington
Thomas Jefferson
James Madison
Frontispiece to "A Narrative of the Adventures and Escape of Moses Roper, from American Slavery"
Dudrenec
David G. Farragut
Miles King Jr.
Eliza Barclay Livingston
Gloves
Pungwuni
Philip Key
Portraits of Surinamese Girls
Unidentified Man
Samuel L. Breese
Unidentified Man
John J. Crittenden
Edward L. Davenport
John F. Gray
Unidentified Man
Lincoln with Major Union Figures
Diego Sarmiento de Acuña, Count of Gondomar, Spain
Unidentified Man
Charles Kean
Alexander Campbell
Unidentified Man
Grafmonument met alliantiewapen en vier kwartierwapens
Son of Prince de Joinville (Pierre Philippe Jean Marie d'Orleans)
Unidentified Man
Charles Sherwood Stratton
George U. Morris
James H. Lane
Unidentified Woman
Henry B. Nones
General Nathaniel Lyon
Mrs. Brumaud
Unidentified Man
Charles Meigs
Robert E. Lee and Staff [G.W.C. Lee and Walter H. Taylor]
Meta-koosega
Abraham Lincoln
Unidentified Men
François Tronchin
Unidentified Man
Graven en gravinnen van Holland
Unidentified Man
Portraits of Surinamese Girls
The great Jewish bride
Adolph Heinrich Joseph Sutro
Lyman Trumbull
This painting shows a man standing upright, his body slightly turned to the right. He has pale skin and curled white hair under a large black hat, and he wears a long brown jacket over a yellow vest with a white ruffled neck and a wide blue-and-white striped sash over his torso. His pants are black, and he wears tall black boots with brown tops. His hands are covered by yellow gloves, and he is holding a tall, thin rifle on the left, its bottom on the ground. Next to him on the right is a white dog with brown spots and large brown ears. The dog is sitting, looking up at the man. The background features an outdoor setting, with a landscape of hazy hills in shades of pale green and blue below a white and gray sky. There is a tall, dark green tree behind the man, and the ground he stands on is brown.
DeWitt Clinton
Unidentified Woman
Abraham Lincoln and Family
Unidentified Man
Unidentified Man
Unidentified Woman
Standing Officer Holding a Boar's Spear
Portret van Dirk III, graaf van Holland
G.W.M. Nutt and Minnie Warren
Mme. Bidetrenoulleau
James H. Lane
A woman with pale, smooth skin stands wearing a loosely draped, champagne-peach dress in this vertical portrait painting. Her body faces us but she turns her head to look down and off to our right with brown eyes. She has dark brows, an upturned nose, and her carnation-red lips are closed in a slight smile. Her ash-brown hair is loosely pulled up so it sweeps back from her face, while thick curls cascade down her neck and over her shoulders. Her long sleeved, floor-length dress is tied at her waist with a sage-green sash. Gossamer-white fabric drapes around her upper arms, and she holds the long ends in both hands. Her right elbow, to our left, rests on the high base of columns that rise behind her and off the top edge of the canvas. A rust-red curtain drapes down from the top of the painting, over the columns. To our right, beyond the columns, the landscape opens to a view of trees beneath a blue sky with white puffy clouds.
Japan; Illustrated book; Illustrated Books
Hakodadi Conference Room
The Battle of Waterloo
Ensemble
Mary Todd Lincoln
Jessie Benton Frémont
Charles and Lavinia Stratton
The great Jewish bride
Portrait of Catherine Grey, Lady Manners
A pale-skinned woman wearing a long, rose-pink gown sits amid a lush landscape in this vertical portrait painting. The woman’s body is angled to our left, but she turns her head to look at us with green eyes under dark brows. She has a long, straight nose, smooth, flushed cheeks, and her carnation-pink lips are closed. Her long, curly, ash-brown hair is loosely pulled back in an emerald-green ribbon, but tendrils floating around her face seem to lift as in a breeze. A ponytail or thick tendril drapes over her far shoulder, almost reaching her waist. The low neckline of her gown is wrapped with translucent, gold cloth, and the elbow-length sleeves are gauzy white. The gown has a pale pink bodice and long, full skirt. Ribbons the same green as the one in her hair wrap around her waist and around the elbow we can see. She crosses her ankles so delicate, high-heeled, charcoal-gray slippers peek out from the bottom hem of her skirt. She sits on a gray boulder, her hands folded in her lap as she holds the ends of her translucent scarf. A tall tree grows along the right edge of the composition to arc up and over with olive-green and harvest-gold leaves. Beyond the woman, the land dips down to our left back into a tree-filled valley. Swipes of slate blue in the distance could be mountains. A short distance from us, to our left, one tree with a narrow, pale green canopy grows up against the sky. Behind that tree, yellow sunlight breaks through light blue, lavender-purple, and silver clouds that fill the rest of the sky. Parts of the scene are loosely painted with swirling, fluttering strokes, especially in the woman’s costume and the trees around her.
Unidentified Woman
Interieur van een timmermanswerkplaats
Enclosed Valley
Coonley family
Hawk, from The Picture Book of Realistic Paintings of Hokusai (Hokusai shashin gafu)
James Longstreet
Coat
Mr. Coombs
Shown from the thighs up against a dark background, a man with light skin, wearing a black satin jerkin with puffed breeches, stands with his hand on the neck of a dog by his side in this vertical portrait painting. The man stands with his body angled to our right but looks at us from the corners of his dark eyes. His brows are subtly raised, and his cheeks are slightly sunken under high cheekbones. His red hair is cut short, and his red mustache and beard are trimmed. The high collar of his black jacket is lined with a white ruffle along his chin line. Light from our left glints off the long sleeves of his tight-fitting jacket, creating the impression that it is made of heavy silk. Two thick gold chains hang down his chest, and a sword hangs from a belt around his waist, the hilt on the hip farther from us. His pants puff out and gather on the mid-thigh over stockings. He hooks the thumb of his right hand, on our left, around his hip and he rests his other hand on the neck of the dog standing by his left side, to our right. The dark brown dog has a white stripe down its nose. It faces our left in profile but its brown eyes look toward us. On the collar, ornate metal bosses alternate with low spikes, set in a wide black band. A ring hangs from the front of the collar. Barely legible, the painting is signed and dated in the upper left corner with dark paint: “Antonius mor pingebat a. 1569.”
Alfred W. Ely
Schuyler Colfax
Brandspuitpenning van Amsterdam, wijk 7 nummer D4
William H. Maxwell
Lilliputian King, with John Drummond and Professor Cromwell
Charles and Lavinia Stratton
De Kroonprins van Oranje in de Slag bij Waterloo 1815