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William Lee
John Reynolds
James Latimer
John Samuel Sherburne
Jean Marie Soulier
Alexander Hamilton
John Curzon Seton
1st Earl Charles Grey
J. B. Loir
Zachary Taylor
Eliza Barclay Livingston
Miles King Jr.
Dudrenec
Thomas Stone
George Washington
William Henry Harrison
Mrs. Brumaud
Unidentified Man
Unidentified Man
Unidentified Man
Unidentified Man
David G. Farragut
Gloves
Samuel L. Breese
Frontispiece to "A Narrative of the Adventures and Escape of Moses Roper, from American Slavery"
Adolph Heinrich Joseph Sutro
Unidentified Man
John J. Crittenden
Edward L. Davenport
Unidentified Woman
Henry B. Nones
Charles Kean
Unidentified Woman
Unidentified Man
Charles Meigs
Thomas Jefferson
Unidentified Man
Unidentified Woman
Grafmonument met alliantiewapen en vier kwartierwapens
Philip Key
James Madison
Portraits of Surinamese Girls
Unidentified Man
Unidentified Man
General Nathaniel Lyon
Lincoln with Major Union Figures
John F. Gray
François Tronchin
Mme. Bidetrenoulleau
Unidentified Men
This painting shows a man standing upright, his body slightly turned to the right. He has pale skin and curled white hair under a large black hat, and he wears a long brown jacket over a yellow vest with a white ruffled neck and a wide blue-and-white striped sash over his torso. His pants are black, and he wears tall black boots with brown tops. His hands are covered by yellow gloves, and he is holding a tall, thin rifle on the left, its bottom on the ground. Next to him on the right is a white dog with brown spots and large brown ears. The dog is sitting, looking up at the man. The background features an outdoor setting, with a landscape of hazy hills in shades of pale green and blue below a white and gray sky. There is a tall, dark green tree behind the man, and the ground he stands on is brown.
Pungwuni
James H. Lane
Unidentified Woman
Unidentified Woman
Portraits of Surinamese Girls
Abraham Lincoln
The great Jewish bride
Man of the Djard Family
Portret van Dirk III, graaf van Holland
George U. Morris
A Young Woman Buying a Pink from a Young Man
Graven en gravinnen van Holland
Robert E. Lee and Staff [G.W.C. Lee and Walter H. Taylor]
Charles Sherwood Stratton
Standing Officer Holding a Boar's Spear
Diego Sarmiento de Acuña, Count of Gondomar, Spain
Alexander Campbell
Coonley family
De Kroonprins van Oranje in de Slag bij Waterloo 1815
Thomas Jonathan Jackson
Unidentified Man
Coat
Son of Prince de Joinville (Pierre Philippe Jean Marie d'Orleans)
Jessie Benton Frémont
The Night Watch by Rembrandt van Rijn
Brandspuitpenning van Amsterdam, wijk 7 nummer D4
The Kaunitz Sisters (Leopoldine, Caroline, and Ferdinandine)
The Battle of Waterloo
Lyman Trumbull
Unidentified Man
Unidentified Man
Mr. Coombs
Interieur van een timmermanswerkplaats
Ensemble
James H. Lane
Alfred W. Ely
James Longstreet
Thomas Hicks
Lilliputian King, with John Drummond and Professor Cromwell
Unidentified Woman
Shown from the hips up, a man with peachy skin and long, brown curly hair and goatee stands in front of a window opening onto a moonlit sky in this vertical portrait painting. His body faces our right and his right fist, closer to us, rests on his hip so his elbow juts toward us. Wearing a dark, wide brimmed hat, he turns his head to look over his right shoulder directly at us. His eyebrows are slightly raised over brown eyes, and he has a bumpy nose, a slight double chin, and pale pink lips that curve in the suggestion of a smile. He wears a golden yellow jacket with buttons along the sleeve we can see. The wrist of the jacket is trimmed with a wide, lace-edged cuff and a similarly wide, lace-trimmed collar lies over the armor breastplate that covers his chest. A marigold-orange sash is tied around the breastplate as well near the waist, and the goldenrod-yellow jacket drapes from a portly belly over his hips. He stands in front of a gray wall pierced with a rectangular window. The view has a veil of dark gray clouds over the moonlit sky.
Japan; Illustrated book; Illustrated Books
Study for the Nude Youth over the Prophet Daniel (recto); Figure Studies for the Sistine Ceiling (verso)
Shown from the waist up, an older man with pale, peachy skin looks out at us with deep-set, gray eyes under a furrowed brow, in front of a sable-brown background in this vertical portrait painting. His body is angled to our left, and his face turns to us. He has a faintly pink, bulbous nose, and his slightly sunken cheeks are shaded with gray. His peach-colored lips are framed with a wispy, gray mustache and goatee. Bronze-orange lines are incised within the battleship gray of his hair to create soft curls under his brown beret, which has gold trim around the base. The dark collar of his fawn-brown coat is turned up so his neck is covered. He is lit from the upper left, so his body and the right side of the painting are deeply shadowed. On our left, the canvas is painted with blended strokes of tawny and dark brown. His dark coat blends into the background, and his folded hands are in shadow in the lower left corner. The brushstrokes are visible in some areas, especially in the man’s face. The painting is signed and dated next to his shoulder, to our left, “Rembrandt f. 1659.”
Hawk, from The Picture Book of Realistic Paintings of Hokusai (Hokusai shashin gafu)
G.W.M. Nutt and Minnie Warren
Copy of The Night Watch
Shown from the chest up, a clean-shaven, pale-skinned man holds one hand to his chest and rests the other on a rug-covered ledge with the other in this vertical portrait painting. The man’s body is angled to our left, and he looks down in that direction with dark eyes under thick brows. Crow’s feet crinkle at the corners of his eyes, and there are dark hollows underneath. Soft jowls hang to create a slight double chin. His thin lips are set in a line over a wide, round chin, which is darkened with a five o’clock shadow. He has chin-length, reddish-blond hair, and straight, wispy bangs sweep loosely across his high forehead. He wears a white chemise under a gold, brocade garment, which is mostly hidden by a slate-blue cloak. The cloak is lined with spotted fur, which is turned over to create a wide collar across his shoulders. The sleeve on his left arm, to our right and closer to us, splits over a dusky-pink sleeve. Two gold buttons on the cloak there are decorated with thistle plants and blossoms. The fingers of his right hand, to our left, are gathered like a closed rose bud at his chest. He wears a gold ring on the index finger of the other hand, which rests on the end of the gray stone ledge so his fingertips brush the tapestry draped there. The man is lit from our left against a black background.
Shown from the chest up on the far side of a narrow ledge, a woman wearing an elaborate headdress and gown faces our left in profile in this vertical portrait painting. Her pale-peach skin is smooth with little shading around the features. The hazel eye we see is heavy-lidded under a thin, arched brow. The woman has a notably high forehead and a sloped nose. Her lips are closed over a knobby chin and fleshy jawline. Her hair is gathered up in a fine gold net under a twisted, ring-like headdress held in place with long gold pins. The fabric of the headdress alternates between twists of parchment brown or light brown patterned with red or darker brown leaf patterns. A network of muted blue dots encircled with gold does not quite line up with the headdress it overlays. The high collar of the woman’s peacock-blue dress flares up the back of her head over a white collar that curls away along either side of her chin. The garment is covered with flowers and stems outlined in gold. There are thick gold bands at her neck and around her waist. A chain made up of two strands of gold orbs like oversized beads hangs from the shoulder closer to us and then wraps around her body. A gold pendant near her neck may be two chain links or a thin letter B. Light glints off the ledge along the bottom of the painting, and the background is inky black.