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John Reynolds

John Samuel Sherburne

Miles King Jr.

Thomas Tingey

J. B. Loir

John Curzon Seton

Jean Marie Soulier

Dudrenec

Alexander Hamilton

Thomas Stone

James Latimer

Eliza Barclay Livingston

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1st Earl Charles Grey

Unidentified Woman

Unidentified Man

Unidentified Man

Unidentified Man

Unidentified Man

Frontispiece to "A Narrative of the Adventures and Escape of Moses Roper, from American Slavery"

James Madison

George Washington

Unidentified Woman

Philip Key

Unidentified Man

Charles Kean

Edward L. Davenport

Mrs. Brumaud

Mr. Coombs

Mme. Bidetrenoulleau

Unidentified Man

Pungwuni

Gloves

Unidentified Woman

Adolph Heinrich Joseph Sutro

François Tronchin

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Zachary Taylor

Unidentified Man

James H. Lane

John J. Crittenden

Portraits of Surinamese Girls

Portraits of Surinamese Girls

Charles Meigs

Man of the Djard Family

Thomas Jefferson

William Henry Harrison

Lyman Trumbull

David G. Farragut

Unidentified Woman

Son of Prince de Joinville (Pierre Philippe Jean Marie d'Orleans)

Unidentified Woman

Abraham Lincoln

Unidentified Man

John F. Gray

James H. Lane

Alexander Campbell

This painting is a portrait of a man from the chest upwards, his body and head turned slightly to the left. The man has pale skin, blue eyes, high cheekbones, slightly furrowed brows, a straight nose, and pink lips in a neutral expression. He has shoulder-length wavy brown hair and wears a dark green jacket with a white-and-yellow fur collar and a floppy black hat with a brim that curves around his forehead. The background is plain black. A monogram is visible in the top left corner, and the date "1507" is inscribed in the top right corner.

Arm of Eve

Coonley family

Unidentified Man

Portraits of Surinamese Girls

DeWitt Clinton

Schuyler Colfax

Charles Sherwood Stratton

This painting shows a man standing upright, his body slightly turned to the right. He has pale skin and curled white hair under a large black hat, and he wears a long brown jacket over a yellow vest with a white ruffled neck and a wide blue-and-white striped sash over his torso. His pants are black, and he wears tall black boots with brown tops. His hands are covered by yellow gloves, and he is holding a tall, thin rifle on the left, its bottom on the ground. Next to him on the right is a white dog with brown spots and large brown ears. The dog is sitting, looking up at the man. The background features an outdoor setting, with a landscape of hazy hills in shades of pale green and blue below a white and gray sky. There is a tall, dark green tree behind the man, and the ground he stands on is brown.

Grafmonument met alliantiewapen en vier kwartierwapens

Jessie Benton Frémont

A Young Woman Buying a Pink from a Young Man

Samuel L. Breese

Alfred W. Ely

Study for the Nude Youth over the Prophet Daniel (recto); Figure Studies for the Sistine Ceiling (verso)

The great Jewish bride

The Connoisseur

Lincoln with Major Union Figures

The Kaunitz Sisters (Leopoldine, Caroline, and Ferdinandine)

Thomas Hicks

Shown from the chest up, a clean shaven, young man with pale, rosy skin and curly, mahogany-red hair, looks at or toward us against a black background in this vertical portrait painting. His body is angled to our left, and he turns his face slightly to look our way with sienna-brown eyes under curved eyebrows. He has a long, prominent nose and small thin pink lips. His shoulder length hair curls tightly around his face and covers his ears. He wears a tomato-red shirt with a high collar trimmed with white.

Enclosed Valley

Unidentified Men

Charles Esteve Latil

Coat

Frank Johnson, Leader of the Brass Band of the 128th Regiment in Saratoga, with his wife, Helen

Saint Sebastian

Interieur van een timmermanswerkplaats

James Longstreet

Frederick Douglass

General Nathaniel Lyon

Robert E. Lee and Staff [G.W.C. Lee and Walter H. Taylor]

John Milton Hay

Abraham Lincoln and Family

Unidentified Man

Brandspuitpenning van Amsterdam, wijk 7 nummer D4

Unidentified Man

Shown from the shoulders up, a man with peachy skin looks off to our left as he holds the feathered end of an arrow up in a hand resting along the bottom edge of this vertical portrait painting. Shown against a marine-blue background, he looks into the distance with hazel eyes under bushy eyebrows. He has a long, bumped nose, and his full, pale pink lips are closed. His round cheeks are tinged with pink, and there is a hint of a five-o-clock shadow around his mouth and jawline. Chestnut-brown, curly hair hangs to the base of his neck, and wispy curls fall across his forehead from under his tall, chocolate-brown cap. The cap has a small gold pin high over the ear we can see. The man wears a garnet-red jacket with a black collar over a white collarless shirt decorated with five black, narrow bands below the neckline. The fingers of his right hand, to our left, rest with the fingertips braced along on the bottom edge of the painting, as if along a ledge. He pinches the shaft of an arrow with his index finger and thumb, so we see the sienna-brown feathers. He wears a gold ring embedded with a small blue gem near the first knuckle of his ring finger.

Shown from the waist up, an older man with pale, peachy skin looks out at us with deep-set, gray eyes under a furrowed brow, in front of a sable-brown background in this vertical portrait painting. His body is angled to our left, and his face turns to us. He has a faintly pink, bulbous nose, and his slightly sunken cheeks are shaded with gray. His peach-colored lips are framed with a wispy, gray mustache and goatee. Bronze-orange lines are incised within the battleship gray of his hair to create soft curls under his brown beret, which has gold trim around the base. The dark collar of his fawn-brown coat is turned up so his neck is covered. He is lit from the upper left, so his body and the right side of the painting are deeply shadowed. On our left, the canvas is painted with blended strokes of tawny and dark brown. His dark coat blends into the background, and his folded hands are in shadow in the lower left corner. The brushstrokes are visible in some areas, especially in the man’s face. The painting is signed and dated next to his shoulder, to our left, “Rembrandt f. 1659.”

The Night Watch by Rembrandt van Rijn

De Kroonprins van Oranje in de Slag bij Waterloo 1815

Phineas T. Barnum