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Lilliputian King, with John Drummond and Professor Cromwell

G.W.M. Nutt and Minnie Warren

Charles and Lavinia Stratton

Charles and Lavinia Stratton

Unidentified Man

Son of Prince de Joinville (Pierre Philippe Jean Marie d'Orleans)

G.W.M. Nutt and Minnie Warren

Unidentified Man

Unidentified Man

John Milton Hay

James Longstreet

Charles and Lavinia Stratton

Charles and Lavinia Stratton

James H. Lane

Unidentified Man

Edward L. Davenport

Lincoln with Major Union Figures

Alfred W. Ely

Charles Meigs

William Henry Harrison

Thomas Stone

Abraham Lincoln and Family

Alexander Hamilton

Alexander Campbell

Abraham Lincoln

Henry B. Nones

Lyman Trumbull

DeWitt Clinton

John F. Gray

Jessie Benton Frémont

Zachary Taylor

James H. Lane

Charles Kean

John J. Crittenden

The Connoisseur

Unidentified Men

Unidentified Man

David G. Farragut

Unidentified Man

Phineas T. Barnum

Gloves

Unidentified Woman

Coat

Unidentified Man

Robert E. Lee and Staff [G.W.C. Lee and Walter H. Taylor]

Thomas Jefferson

Samuel L. Breese

Interieur van een timmermanswerkplaats

John Samuel Sherburne

General Nathaniel Lyon

Clara Louise Kellogg

Unidentified Woman

Sun Bird

Frontispiece to "A Narrative of the Adventures and Escape of Moses Roper, from American Slavery"

Shown from the waist up, a light-skinned man sits sideways in a wooden chair so the arm closer to us rests along the chair’s back in this vertical portrait painting. Brushstrokes are visible throughout, especially in the clothing and hair. The man’s right arm, to our left, drapes across the back of the chair. His face turns slightly to our right, and he looks at us with gray eyes under black, curving brows. He has an oval face with high cheekbones and a snub nose. His coral-pink lips are closed and framed by a mustache and pointed patch of hair under his lower lip. He is lit from our left so the far side of his face is in shadow. His loose, curly brown hair cascades over his shoulders. He wears a tall black hat with a stiff, wide brim with a black rosette or pompom on the brim to our right side. The hat is tipped slightly to one side so it angles away from us. A flat, stiff, white collar extends from his chin down to his shoulders, and two tassels hang at this throat. The voluminous sleeve along the back of the chair has a gold pattern picked out in loosely painted, swirling, feathered, and flaring lines against a black background. The jacket is unbuttoned along the forearm to reveal a stark white undershirt that is gathered with a narrow ruffle at the wrist. The chair has a crimson-red center framed by wooden rails to each side and along the top. The background is earth brown to our right of the man, and deepens to dark shadows along the left. A coat of arms, the size of the man’s palm, hangs from the back wall. Three black cow heads create an inverted triangle on a gold field. Under the coat of arms the artist inscribed, “AETA SVAE.22 1645.”

Miles King Jr.

James Madison

Philip Key

George U. Morris

Thomas Tingey

Grafmonument met alliantiewapen en vier kwartierwapens

Coonley family

John Reynolds

Cat at Play

Unidentified Woman

In the Omnibus

James Weldon Johnson

Mary Todd Lincoln

William Lee

George Washington

Thomas Jonathan Jackson

Adolph Heinrich Joseph Sutro

Sir Anthony Mildmay, Knight of Apethorpe, Northamptonshire

Unidentified Woman

Henri-Charles Maniglier

A Philosopher Watching a Pair of Butterflies, from The Picture Book of Realistic Paintings of Hokusai (Hokusai shashin gafu)

The Merry Family

Study for the Nude Youth over the Prophet Daniel (recto); Figure Studies for the Sistine Ceiling (verso)

The great Jewish bride

Morgan Dix

Hotei Smoking his Pipe, from The Picture Book of Realistic Paintings of Hokusai (Hokusai shashin gafu)

This painting shows a man standing upright, his body slightly turned to the right. He has pale skin and curled white hair under a large black hat, and he wears a long brown jacket over a yellow vest with a white ruffled neck and a wide blue-and-white striped sash over his torso. His pants are black, and he wears tall black boots with brown tops. His hands are covered by yellow gloves, and he is holding a tall, thin rifle on the left, its bottom on the ground. Next to him on the right is a white dog with brown spots and large brown ears. The dog is sitting, looking up at the man. The background features an outdoor setting, with a landscape of hazy hills in shades of pale green and blue below a white and gray sky. There is a tall, dark green tree behind the man, and the ground he stands on is brown.

Unidentified Man

Unidentified Man

Graven en gravinnen van Holland

Unidentified Man

François Tronchin

Pungwuni

John Curzon Seton

Saint Sebastian

Frederick Douglass

Mme. Bidetrenoulleau

1st Earl Charles Grey

William H. Maxwell

Bassoon

The Battle of Waterloo

Shown from the waist up, a pale-skinned, round-cheeked young boy wears a brocade red and gold garment and hat in this vertical portrait painting. The boy’s body is angled to our left, but he turns his face toward us as he looks slightly down with gray eyes. He has a square face with a high forehead, faint brows, a small, rounded nose, bow-shaped pink lips, and a pointed chin. A fringe of pale blond hair lines the top of his head under a gold cap that ties under his chin. A white feather drops off the edge of a red disk around the top of the hat. His brilliant red garment is lined with gold bands, and the sleeves split over voluminous gold sleeves, which are lined with white ruffles at the wrists. The boy is behind a ledge draped with a crinkled, emerald-green cloth. He rests one hand on the ledge and holds a gold orb on a stick in that hand. His other hand hovers over the ledge with the palm facing out. The background is late gray. A strip of paper affixed to the front face of the ledge has eight lines of Latin text in all caps. It reads, “PARVVLE PATRISSA, PATRIÆ VIRTVTIS ET HÆRES ESTO, NIHIL MAIVS MAXIMVS ORBIS HABET. GNATVM VIX POSSVNT COELVM ET NATVRA DEDISSE, HVIVS QVEM PATRIS, VICTVS HONORET HONOS. ÆQVATO TANTVM, TANTI TV FACTA PARENTIS, VOTA HOMINVM, VIX QVO PROGREDIANTVR, HABENT VINCITO, VICISTI. QVOT REGES PRISCVS ADORAT ORBIS, NEC TE QVI VINCERE POSSIT, ERIT. Ricard: Morysini. Car:”