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John Curzon Seton
John Reynolds
J. B. Loir
Jean Marie Soulier
Thomas Tingey
John Samuel Sherburne
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Alexander Hamilton
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1st Earl Charles Grey
Thomas Stone
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Frontispiece to "A Narrative of the Adventures and Escape of Moses Roper, from American Slavery"
Unidentified Man
James Madison
Unidentified Man
Unidentified Man
Mrs. Brumaud
George Washington
Unidentified Woman
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Adolph Heinrich Joseph Sutro
Thomas Jefferson
Zachary Taylor
Gloves
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Man of the Djard Family
Mme. Bidetrenoulleau
Portraits of Surinamese Girls
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François Tronchin
Edward L. Davenport
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William Henry Harrison
John J. Crittenden
Diego Sarmiento de Acuña, Count of Gondomar, Spain
Schuyler Colfax
John F. Gray
Charles Kean
Mr. Coombs
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Philip Key
Thomas Hicks
Frank Johnson, Leader of the Brass Band of the 128th Regiment in Saratoga, with his wife, Helen
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William H. Maxwell
Charles Esteve Latil
James H. Lane
General Nathaniel Lyon
The Connoisseur
Portraits of Surinamese Girls
David G. Farragut
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Charles Meigs
Grafmonument met alliantiewapen en vier kwartierwapens
Abraham Lincoln and Family
Jessie Benton Frémont
Coat
Portret van Dirk III, graaf van Holland
Graven en gravinnen van Holland
This painting shows a man standing upright, his body slightly turned to the right. He has pale skin and curled white hair under a large black hat, and he wears a long brown jacket over a yellow vest with a white ruffled neck and a wide blue-and-white striped sash over his torso. His pants are black, and he wears tall black boots with brown tops. His hands are covered by yellow gloves, and he is holding a tall, thin rifle on the left, its bottom on the ground. Next to him on the right is a white dog with brown spots and large brown ears. The dog is sitting, looking up at the man. The background features an outdoor setting, with a landscape of hazy hills in shades of pale green and blue below a white and gray sky. There is a tall, dark green tree behind the man, and the ground he stands on is brown.
Abraham Lincoln
Brandspuitpenning van Amsterdam, wijk 7 nummer D4
The great Jewish bride
Alexander Campbell
Unidentified Man
Lyman Trumbull
Lincoln with Major Union Figures
Son of Prince de Joinville (Pierre Philippe Jean Marie d'Orleans)
Shown from the waist up, an older man with pale, peachy skin looks out at us with deep-set, gray eyes under a furrowed brow, in front of a sable-brown background in this vertical portrait painting. His body is angled to our left, and his face turns to us. He has a faintly pink, bulbous nose, and his slightly sunken cheeks are shaded with gray. His peach-colored lips are framed with a wispy, gray mustache and goatee. Bronze-orange lines are incised within the battleship gray of his hair to create soft curls under his brown beret, which has gold trim around the base. The dark collar of his fawn-brown coat is turned up so his neck is covered. He is lit from the upper left, so his body and the right side of the painting are deeply shadowed. On our left, the canvas is painted with blended strokes of tawny and dark brown. His dark coat blends into the background, and his folded hands are in shadow in the lower left corner. The brushstrokes are visible in some areas, especially in the man’s face. The painting is signed and dated next to his shoulder, to our left, “Rembrandt f. 1659.”
Samuel L. Breese
James Longstreet
Charles Sherwood Stratton
Henry B. Nones
Coonley family
Sun Bird
James Weldon Johnson
Unidentified Man
Interieur van een timmermanswerkplaats
The great Jewish bride
De Kroonprins van Oranje in de Slag bij Waterloo 1815
Standing Officer Holding a Boar's Spear
The Kaunitz Sisters (Leopoldine, Caroline, and Ferdinandine)
Japan; Illustrated book; Illustrated Books
A Young Woman Buying a Pink from a Young Man
Portraits of Surinamese Girls
John Milton Hay
This vertical portrait painting shows a pale-skinned older woman wearing a full, long-sleeved black dress with a wide white ruff at her neck and white lace cuffs at her wrists. She sits in a curving, low-backed wood chair against a pale brown background. Her body and the chair are angled slightly to our left, and she looks directly at us. She has small eyes, pink, rounded cheeks, and a wide chin. Her lips are parted in a slight smile, and her hair is covered by a starched, sheer white cap that flares at the sides. The ruff around her neck is gathered in accordion-like, narrow figure-eight folds, and it extends flat and stiff, nearly to her shoulders. Close inspection reveals that the dress is woven with a black-on-black brocade pattern and has a line of small black buttons down the front. She holds a small brown leather book tooled with gold ornament in her right hand, on our left, and her other hand rests on the arm of the chair. She wears a gold ring on each hand. An inscription is painted to our left of her head: “AETAT SVAE 60 ANo 1633.”
Portrait de l'artiste tenant un chardon
Charles and Lavinia Stratton
Shown from the waist up, a light-skinned man sits sideways in a wooden chair so the arm closer to us rests along the chair’s back in this vertical portrait painting. Brushstrokes are visible throughout, especially in the clothing and hair. The man’s right arm, to our left, drapes across the back of the chair. His face turns slightly to our right, and he looks at us with gray eyes under black, curving brows. He has an oval face with high cheekbones and a snub nose. His coral-pink lips are closed and framed by a mustache and pointed patch of hair under his lower lip. He is lit from our left so the far side of his face is in shadow. His loose, curly brown hair cascades over his shoulders. He wears a tall black hat with a stiff, wide brim with a black rosette or pompom on the brim to our right side. The hat is tipped slightly to one side so it angles away from us. A flat, stiff, white collar extends from his chin down to his shoulders, and two tassels hang at this throat. The voluminous sleeve along the back of the chair has a gold pattern picked out in loosely painted, swirling, feathered, and flaring lines against a black background. The jacket is unbuttoned along the forearm to reveal a stark white undershirt that is gathered with a narrow ruffle at the wrist. The chair has a crimson-red center framed by wooden rails to each side and along the top. The background is earth brown to our right of the man, and deepens to dark shadows along the left. A coat of arms, the size of the man’s palm, hangs from the back wall. Three black cow heads create an inverted triangle on a gold field. Under the coat of arms the artist inscribed, “AETA SVAE.22 1645.”
Alfred W. Ely
Koning Willem III in de Frans-Duitse Oorlog 1870
Unidentified Man