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Wilhelmina Koningin der Nederlanden
Vijfentwintigjarig regeringsjubileum van Koning Willem III 1874
Vijfentwintigjarig regeringsjubileum van Koning Willem III 1874
Internationale Koloniale en Uitvoerhandel-Tentoonstelling te Amsterdam 1883
Koning Willem III in de Frans-Duitse Oorlog 1870
De Kroonprins van Oranje in de Slag bij Waterloo 1815
Brandspuitpenning van Amsterdam, wijk 7 nummer D4
The Night Watch by Rembrandt van Rijn
Engelse penning op het huwelijk van de Prince of Wales met Alexandra van Denemarken 1863
The Night Watch by Rembrandt van Rijn
Grensafbakening in Yperen 1777
Draagteken van de Illustere Lieve Vrouwen Broederschap te 's Hertogenbosch
Hanger
Unidentified Woman
Grafmonument met alliantiewapen en vier kwartierwapens
Imperial Red Cross Easter Egg
The great Jewish bride
Duits liefdespenninkje
Franse button voor juryleden bij onbekende gelegenheid, 1900
Coonley family
Ornament voor de houten steel van een ge
Donderbus buitgemaakt op Lombok in 1894
Satyress and Child
Margaret of Austria
Unidentified Woman
Pendants and beads
Portraits of Surinamese Girls
Portraits of Surinamese Girls
Helmet with divine figures beneath a bird with outstretched wings
Memorial head (nsodie)
Tánggǔ (堂鼓)
Guitar
Covered box decorated with chrysanthemums and waterfowl among lotus
Manuscript Cover with Prajnaparamita Attended by Sadakshari Lokeshvara and a Tara
Mme. Bidetrenoulleau
Uma
The Wade Cup with Animated Script
Unidentified Man
Hanger in de vorm van een reukbal
Hanger met ruiter op postament
Center table
The Merry Family
Strand of Beads
Study for the Nude Youth over the Prophet Daniel (recto); Figure Studies for the Sistine Ceiling (verso)
Hanger in de vorm van een kruis
Gloves
Invocation to Love
Cape
Jessie Benton Frémont
Rosewater ewer
Gedicht op de zilveren bruiloft van Ludolph Simon de With en Maria de Wit, 15 augustus 1771
Textile Fragment
Headdress
Portraits of Surinamese Girls
Jewelry Elements
Dagger-axe
Knife Sheath
Hanger met cachet met de Dood
Relief: two servants bearing food and drink
Fragment (Dress Fabric)
Helmet (Spangenhelm)
Ghanti (bell)
Cabinet Decorated with Episodes from the Parable of the Prodigal Son
Swivel Gun and Two Charges of Grape Shot
Swivel musketoon
Apothecary jar
Walbus met vuursteenslot
Stoel van kersen(?)hout, met beklede zitting, rechthoekig rugraam met opengewerkte vaas met guirlandes en rozetten
John Samuel Sherburne
Plaque with horned lion-griffins
Portret van Dirk III, graaf van Holland
Makara-shaped Pendant
The Milkmaid
Edward L. Davenport
The great Jewish bride
Unidentified Man
L'Européenne
Siermes
Ceremonial Cross of Countess Gertrude
Avatamsaka Sutra No. 78
Cylinder seal with cultic scene
Belt clasp
Shown from the chest up on the far side of a narrow ledge, a woman wearing an elaborate headdress and gown faces our left in profile in this vertical portrait painting. Her pale-peach skin is smooth with little shading around the features. The hazel eye we see is heavy-lidded under a thin, arched brow. The woman has a notably high forehead and a sloped nose. Her lips are closed over a knobby chin and fleshy jawline. Her hair is gathered up in a fine gold net under a twisted, ring-like headdress held in place with long gold pins. The fabric of the headdress alternates between twists of parchment brown or light brown patterned with red or darker brown leaf patterns. A network of muted blue dots encircled with gold does not quite line up with the headdress it overlays. The high collar of the woman’s peacock-blue dress flares up the back of her head over a white collar that curls away along either side of her chin. The garment is covered with flowers and stems outlined in gold. There are thick gold bands at her neck and around her waist. A chain made up of two strands of gold orbs like oversized beads hangs from the shoulder closer to us and then wraps around her body. A gold pendant near her neck may be two chain links or a thin letter B. Light glints off the ledge along the bottom of the painting, and the background is inky black.
John F. Gray
Bell (Lai Zhong)
Youth Playing a Pipe for a Satyr
Seated Amitayus
Sickle sword
Pichhwai for the Festival of Cows
Reukflacon
Corset
A man hangs from a wooden cross at the top center of this vertical painting, with a woman standing at the foot of the cross to our left and a man to our right, all in front of a deep landscape with mountains along a river. All the people have light skin. The feet of the man on the cross, Jesus, line up with the tops of the heads of the people standing below. Jesus hangs by a nail driven through each palm, and his overlapping feet are nailed into a short platform that angles downward. He has shoulder-length brown hair and a short brown beard. His head tips forward, and his eyes are downcast or closed. He has a straight nose, high cheekbones, and his lips are closed. Blood trickles down his forehead from a ring of thorns around his head, from the nails in his hands and feet, and from a short gash over his right ribs, on our left. A white loincloth is wrapped around his hips, and the end of it flutters as if in a breeze to our left. The man’s body is lean but muscular. A slip of paper with the letters “INRI” has been affixed to a small panel on the cross above Jesus’s head. Below and to our left of the cross, a woman stands with her head bowed, looking down with her hands clasped in prayer. Her hair is covered with a tan-colored veil and she wears a gold-edged, navy-blue robe that covers her head and body. She and the cleanshaven, blond man standing to our right of the cross both have bare feet. The man looks up at the cross with his lips parted. His fingers are intertwined and then flipped, palms-down, with his arms straight. His raspberry pink-robe falls over one shoulder and around his hips, over a topaz-blue, ankle-length tunic. The dirt-packed ground on which they stand is lined along the bottom edge of the panel with plants and flowers. The golden-brown land dips beyond the people, leading down to a river that winds into the distance. A castle-like structure perches on cliff-like outcroppings high along the left edge of the painting, and buildings at the foot of that outcropping line the river. Two people walk and one person fishes off a bridge near the town. A few boats, one with full sails unfurled and another possibly with oars out to row, float in the river beyond, which is flanked in the deep distance by mountains painted blue in the haze. The horizon comes about halfway up the composition, crossing the painting just beneath Jesus’s feet. The sky above deepens from pale yellow along the horizon to robin’s egg blue where a few wispy clouds create streaks along the top edge.
Graven en gravinnen van Holland
Palampore
Watch
Fragment of a bowl with a frieze of bulls in relief
Saint Sebastian
Unidentified Man
Unidentified Woman
The Adoration of the Magi