In this portrait, Gauguin depicts the 13-year-old Tahitian girl Tehamana in a missionary dress holding a Samoan fan. A ripe mango alludes to fertility. In the background, Gauguin combined various non-European emblems—glyphs derived from an Easter Island tablet and a female deity inspired by Polynesian and Hindu sources—to build a generic sense of foreignness, transforming Tehamana into the embodiment of his own imagination.

Merahi metua no Tehamana (Tehamana Has Many Parents or The Ancestors of Tehamana)

Paul Gauguin

In this portrait, Gauguin depicts the 13-year-old Tahitian girl Tehamana in a missionary dress holding a Samoan fan. A ripe mango alludes to fertility. In the background, Gauguin combined various non-European emblems—glyphs derived from an Easter Island tablet and a female deity inspired by Polynesian and Hindu sources—to build a generic sense of foreignness, transforming Tehamana into the embodiment of his own imagination.

Colors in this work

Details

Artist
Paul Gauguin
Date
1893
Dimensions
75 × 53 cm (29 1/2 × 20 7/8 in.); Framed: 98.8 × 76.6 × 8.3 cm (38 7/8 × 30 1/8 × 3 1/4 in.)
Origin
France
Holding institution
Art Institute of Chicago
Image provider
art-institute-chicago
License
CC0-1.0
Credit
Gift of Mr. and Mrs. Charles Deering McCormick

Art Genome Taxonomy

11 tags

Subject Matter

  • Individual Portrait Both · 99%

    A single, specifically identified sitter occupies the composition, and the museum classifies the work as a portrait.

  • Adolescence Both · 98%

    The museum identifies Tehamana as 13 years old, while the image presents a visibly young female sitter.

  • Face Visual · 99%

    The sitter’s face is a primary visual focus, shown frontally with a direct, steady gaze.

  • Fertility/Pregnancy/Birth Metadata · 90%

    The canonical museum description states that the ripe mango beside Tehamana alludes to fertility.

  • Flora Both · 99%

    White flowers are visibly arranged in the sitter’s hair, and flowers are listed among the cataloged subjects.

  • Food Both · 98%

    Several fruits are visible at the lower left, and the catalog identifies fruit, including a ripe mango, as part of the subject matter.

  • Text Both · 98%

    Gold glyph-like marks and painted lettering are visible in the background and lower-left area; the catalog describes glyphs and lists text among the subjects.

  • Deities and Holy Figures Metadata · 95%

    The museum identifies a background female figure as a deity inspired by Polynesian and Hindu sources.

Styles and Movements

  • Post-Impressionism Both · 97%

    The canonical metadata identifies the style as Post-Impressionism, and the image shows flattened forms, saturated color areas, and emphatic painterly handling consistent with that classification.

Medium and Techniques

  • Oil Painting Both · 99%

    The work is visibly an oil painting, and the canonical metadata identifies the medium as oil on jute canvas.

Time Periods

  • Late 19th Century Art Metadata · 99%

    The work is dated 1893 in the canonical metadata, placing it in the late nineteenth century.

Source & rights

Paul Gauguin. Merahi metua no Tehamana (Tehamana Has Many Parents or The Ancestors of Tehamana). The Art Institute of Chicago.

High-resolution sources