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William Henry Harrison

Thomas Jefferson

Zachary Taylor

David G. Farragut

Thomas Stone

Frontispiece to "A Narrative of the Adventures and Escape of Moses Roper, from American Slavery"

John F. Gray

1st Earl Charles Grey

Gloves

Alexander Hamilton

Unidentified Man

John Curzon Seton

Alexander Campbell

John J. Crittenden

John Samuel Sherburne

Charles Sherwood Stratton

Unidentified Man

William Lee

James H. Lane

Edward L. Davenport

Charles Kean

Thomas Tingey

Pungwuni

Charles Meigs

Portraits of Surinamese Girls

Portraits of Surinamese Girls

Hakodadi Conference Room

DeWitt Clinton

Mary Todd Lincoln

Lincoln with Major Union Figures

James Madison

John Reynolds

Hawk, from The Picture Book of Realistic Paintings of Hokusai (Hokusai shashin gafu)

Adolph Heinrich Joseph Sutro

Son of Prince de Joinville (Pierre Philippe Jean Marie d'Orleans)

Unidentified Man

Unidentified Woman

Unidentified Man

The great Jewish bride

Jean Marie Soulier

A Philosopher Watching a Pair of Butterflies, from The Picture Book of Realistic Paintings of Hokusai (Hokusai shashin gafu)

Alfred W. Ely

Miles King Jr.

James Longstreet

Unidentified Man

John Milton Hay

Unidentified Man

James H. Lane

Shown from the chest up, a clean-shaven, pale-skinned man holds one hand to his chest and rests the other on a rug-covered ledge with the other in this vertical portrait painting. The man’s body is angled to our left, and he looks down in that direction with dark eyes under thick brows. Crow’s feet crinkle at the corners of his eyes, and there are dark hollows underneath. Soft jowls hang to create a slight double chin. His thin lips are set in a line over a wide, round chin, which is darkened with a five o’clock shadow. He has chin-length, reddish-blond hair, and straight, wispy bangs sweep loosely across his high forehead. He wears a white chemise under a gold, brocade garment, which is mostly hidden by a slate-blue cloak. The cloak is lined with spotted fur, which is turned over to create a wide collar across his shoulders. The sleeve on his left arm, to our right and closer to us, splits over a dusky-pink sleeve. Two gold buttons on the cloak there are decorated with thistle plants and blossoms. The fingers of his right hand, to our left, are gathered like a closed rose bud at his chest. He wears a gold ring on the index finger of the other hand, which rests on the end of the gray stone ledge so his fingertips brush the tapestry draped there. The man is lit from our left against a black background.

Unidentified Man

Coat

Samuel L. Breese

George Washington

A Stallion

Abraham Lincoln

Japan; Illustrated book; Illustrated Books

Unidentified Woman

Unidentified Man

Saint Sebastian

Portrait de l'artiste tenant un chardon

Eliza Barclay Livingston

James Latimer

Hunting and fishing scenes

Unidentified Woman

Feast Ladle

Grafmonument met alliantiewapen en vier kwartierwapens

Japan; Illustrated book; Illustrated Books

Relief: two servants bearing food and drink

William H. Maxwell

Unidentified Man

In the Omnibus

James Weldon Johnson

J. B. Loir

Study for the Nude Youth over the Prophet Daniel (recto); Figure Studies for the Sistine Ceiling (verso)

The great Jewish bride

Interieur van een timmermanswerkplaats

Fox, from The Picture Book of Realistic Paintings of Hokusai (Hokusai shashin gafu)

Sun Bird

Henri-Charles Maniglier

Shown from the waist up, a woman with pale skin and brown hair, wearing a dark corset and white fabric over her shoulders, looks down at needlework in her hands in this vertical painting. Her cheeks are rosy and her dark hair is pulled back, though it seems looser down the sides of her face. A small, coral-red, crescent shape at the back of her head could be covering her hair or holding it in place. White, nearly translucent fabric lies loosely across her shoulders over a dark, moss-brown, long-sleeved dress. Her breasts swell over the squared, lace-trimmed neckline. She holds white fabric and perhaps a needle in her hands, which rest on a tan cushion on her lap. The scene is loosely painted throughout so some of the details are difficult to make out. A darker spot along her right index finger could be a thimble. The background is the same olive-tan of the cushion.

Frederick Douglass

Thomas Hicks

Lyman Trumbull

Dress

Abraham Lincoln and Family

The great Jewish bride

Hotei Smoking his Pipe, from The Picture Book of Realistic Paintings of Hokusai (Hokusai shashin gafu)

Standing Officer Holding a Boar's Spear

Cranes on snow-covered pine

Philip Key

Henry B. Nones

Hide Shirt

Figure 45: Contraction électrique forte des triangulaires des lèvres et des sourciliers: douleur et déspoir

Enclosed Valley

Unidentified Man

The Connoisseur

Two Rabbits, from The Picture Book of Realistic Paintings of Hokusai (Hokusai shashin gafu)

Shown from about the hips up, a young, pale-skinned man with curly brown hair stands facing and looking at us, wearing a plum-purple coat under a golden yellow cape in this vertical portrait painting. The man’s oval face is angled a little to our left so he looks out from the corners of his gray eyes. His left eyebrow, on our right, is slightly arched. His skin is smooth and his cheeks lightly flushed. He has a long, straight nose, his pink lips are closed, and there is a faintly painted suggestion of a goatee. Wavy bangs fall across his forehead, and he has curly, chin-length hair. He stands with his right hand, on our left, on his hip, and in his other arm, he holds a wooden staff with a pewter-gray, metal, scoop-like hook at the top. White lace trims the high neck of his garment and the cuffs of his sleeves. Light reflecting off the plum-purple coat suggests a soft material, possibly velvet. Crisp reflections on the deep, butter-yellow cape fastened over one shoulder suggest satin. An emerald-green cloth hanging from the top right corner of the painting falls behind the man’s shoulder. Behind the cloth and to our left, a craggy, rocky outcropping opens to a view of a landscape with a green valley and topaz-blue mountains in the distance. Bands of golden light illuminate the cloudy sky above. The work is inscribed with yellow lettering in the lower right corner to read, “Philip Lord Wharton 1632 about ye age of 19.” The artist’s name is painted in the lower left: “P. Sr Ant: vandike.”

Margaret Fuller

Presentation Drawing of "The Statue of Liberty Illuminating the World"