The victory of the Olympic gods over the ancient race of giants was a perfect subject for Wtewael to showcase exaggerated athletic poses and striking contrasts of space and light. Painted on copper, this small work almost appears gem-like. Wtewael's self-conscious display of skills was a hallmark of the international style known as Mannerism, which was fashionable in Holland around 1600.

The Battle between the Gods and the Giants

Joachim Antonisz. Wtewael

The victory of the Olympic gods over the ancient race of giants was a perfect subject for Wtewael to showcase exaggerated athletic poses and striking contrasts of space and light. Painted on copper, this small work almost appears gem-like. Wtewael's self-conscious display of skills was a hallmark of the international style known as Mannerism, which was fashionable in Holland around 1600.

Colors in this work

Details

Date
c. 1608
Medium
Oil on copper
Dimensions
15.6 × 20.3 cm (6 1/8 × 8 in.); Framed: 24.1 × 27.3 × 3.5 cm (9 1/2 × 10 3/4 × 1 3/8 in.)
Origin
Netherlands
Holding institution
Art Institute of Chicago
Image provider
art-institute-chicago
License
CC0-1.0
Credit
Through prior acquisition of the George F. Harding Fund

Art Genome Taxonomy

12 tags

Subject Matter

  • Classical Mythology Both · 99%

    The title and catalog description identify the mythological victory of the Olympian gods over the ancient giants, while the image visibly depicts a mythic battle involving divine and giant figures.

  • The metadata identifies gods and goddesses, including Jupiter, Neptune, Mercury, and Minerva; the image shows elevated figures bearing recognizable attributes within the clouds.

  • Violence Both · 99%

    The catalog lists battles and violence as subjects, and the image visibly depicts armed combat, attacking figures, and fallen bodies.

  • Nude Both · 99%

    The catalog lists nudes, and the image prominently depicts numerous nude or partially nude bodies among both the giants and the divine figures.

  • Human Figure Both · 98%

    The composition is dominated by many anatomically posed human bodies, consistent with the catalog’s identification of mythological figures, gods, goddesses, and nudes.

Styles and Movements

  • Mannerism Both · 98%

    The catalog identifies Mannerism as the style and describes exaggerated athletic poses and a self-conscious display of skill; the image shows elongated, contorted figures arranged in theatrical poses.

Visual Qualities

  • Dense Composition Visual · 97%

    Overlapping bodies, clouds, weapons, drapery, and landscape elements occupy nearly the entire picture surface, producing a visibly crowded composition.

  • Dynamism Visual · 96%

    Diagonal gestures, airborne figures, twisting bodies, and falling forms create a strong sense of movement across the scene.

Medium and Techniques

  • Painting Metadata · 99%

    The catalog classifies the object as a painting.

  • Oil Painting Metadata · 99%

    The catalog specifies the medium as oil on copper.

  • Oil on Copper Metadata · 99%

    The catalog specifically identifies copper as the support.

Geographic Regions

  • Dutch Art Metadata · 99%

    The Art Institute of Chicago identifies the work as originating in the Netherlands and identifies Wtewael as Dutch.

Source & rights

Joachim Antonisz. Wtewael. The Battle between the Gods and the Giants. The Art Institute of Chicago.

High-resolution sources