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A Young Woman Buying a Pink from a Young Man
In the Omnibus
The great Jewish bride
Gloves
Unidentified Woman
The great Jewish bride
Invocation to Love
Unidentified Woman
Jessie Benton Frémont
Mrs. Brumaud
Grafmonument met alliantiewapen en vier kwartierwapens
Interieur van een timmermanswerkplaats
Thomas Stone
Presentation Drawing of "The Statue of Liberty Illuminating the World"
Coonley family
The Merry Family
Zachary Taylor
The great Jewish bride
Study for the Nude Youth over the Prophet Daniel (recto); Figure Studies for the Sistine Ceiling (verso)
Youth Playing a Pipe for a Satyr
Mary Todd Lincoln
Portraits of Surinamese Girls
Clara Louise Kellogg
Seated Female Nude (Self-Portrait?)
Farmhouse on the Slope of a Hill
Charles and Lavinia Stratton
Unidentified Woman
Twee vrouwen tussen publiek tijdens paardenraces, Hippodrome de Longchamp in het Bois de Boulogne
Portraits of Surinamese Girls
The Cathedral
Une odalisque, dite La grande odalisque
Son of Prince de Joinville (Pierre Philippe Jean Marie d'Orleans)
Unidentified Man
John Samuel Sherburne
An older girl and a younger child, both with pale skin, bend toward each other as they look at a book spread open on a wooden cupboard in this nearly square painting. Shown from the hips up to our right, the girl leans over the cupboard with her body facing our left in profile. She looks at the child peering over the low ledge at the back of the cupboard with her head tilted slightly in that direction. The older girl has a straight, delicate nose, her smooth cheeks are flushed, and her rosy-red lips are pursed. Her brown hair is tucked under a bright white, ruffled cap encircled with a gold and cranberry-red ribbon. The long sleeves of the muted sapphire-blue dress seem to have been rolled back along the forearms to reveal cascading, white cuffs. A translucent white neckerchief, like a short, full scarf, is tucked into an ivory-white apron that also covers the flaring skirt. With both hands on the open book, she points to one page with a metal pointer like a knitting needle. Facing us, the smaller child looks at the book from behind the wood cupboard, eyes downcast, resting one forearm on the surface and pointing to a detail in the book. The child has delicate brows, a short, wide nose, and full raspberry-red lips are closed. The padded cap the child wears covers the ears and is loosely painted with a pattern of honey brown, silvery white, and slate blue. The nutmeg-brown sleeves are pushed back along the forearm and there are white cuffs or sleeves beneath. The cupboard has two diamond-shaped, iron-gray metal pulls in front. Light illuminating the pair from our left creates a greenish glow on the tawny-brown background behind them.
G.W.M. Nutt and Minnie Warren
Enclosed Valley
Portraits of Surinamese Girls
[Large Figures on the North Porch, Chartres Cathedral]
Miles King Jr.
Unidentified Man
Japan; Illustrated book; Illustrated Books
Charles and Lavinia Stratton
Unidentified Man
Saint Sebastian
William Henry Harrison
Alexander Campbell
Abraham Lincoln and Family
G.W.M. Nutt and Minnie Warren
Charles and Lavinia Stratton
After the Bath
Unidentified Woman
A woman with pale skin, wearing a silvery-gray dress adorned with white ribbons and light pink roses, stands looking out at us with a small, pug dog by her feet in this vertical portrait painting. The woman’s body is angled slightly to our right but she looks at us with dark eyes under faint, arched brows. Her nose is rounded, her cheeks smooth and flushed, and her pale pink lips are closed. Her face is framed in a cloud of nickel-gray hair, and tendrils curl down over her shoulders. She wears a wide-brimmed straw hat with a white ribbon set on the back of her head and slightly off to one side. The bodice of her dress has a low, curving neck. This area is loosely painted to create the impression of layers of lace. A band of intertwined pale pink roses and delicate green leaves borders the outer edge of the lace. The dress has long, tight sleeves with lace at the cuffs and the notably narrow waist is tied with a blush-pink ribbon. The full, silver skirt is picked up to create a row of puffs, like the top of a muffin, around her knees. Bunches of pink roses and white ribbons are nestled into the puffs, and below, the skirt falls in long, vertical pleats to her ankles. She wears white stockings and pointed, petal-pink shoes. In her left arm, on our right, she holds a closed fan loosely at her side, almost lost behind the skirt. She holds a pink carnation with a full bloom and a bud on a long, curving stem in her other hand, by her hip. A caramel-brown pug with a black face, wearing a pink collar lined with three bells, stands facing us with one front paw lifted, to our right of the woman's feet. The landscape is painted in tones of mint and sage green for grass beneath trees enclosing the space the woman stands in, sand brown for the ground, and icy blue for the sky above.
Edward L. Davenport
Margaret of Austria
Unidentified Woman
Margaret Fuller
Jean Marie Soulier
Tomb with Sphinxes and an Owl
Funerary relief
Round gown
John Reynolds
Unidentified Man
François Tronchin
Thomas Tingey
J. B. Loir
William Lee
John F. Gray
English Horn
Satyress and Child
Grand Piano
Dress
Unidentified Man
La Dentellière
Portrait of Catherine Grey, Lady Manners
Charles Meigs
Shown from the waist up, a woman with pale skin and brown hair, wearing a dark corset and white fabric over her shoulders, looks down at needlework in her hands in this vertical painting. Her cheeks are rosy and her dark hair is pulled back, though it seems looser down the sides of her face. A small, coral-red, crescent shape at the back of her head could be covering her hair or holding it in place. White, nearly translucent fabric lies loosely across her shoulders over a dark, moss-brown, long-sleeved dress. Her breasts swell over the squared, lace-trimmed neckline. She holds white fabric and perhaps a needle in her hands, which rest on a tan cushion on her lap. The scene is loosely painted throughout so some of the details are difficult to make out. A darker spot along her right index finger could be a thimble. The background is the same olive-tan of the cushion.
Dress
Alexander Hamilton
Painted almost entirely in tones of golden, mustard, and pale yellows, a young woman is shown from the lap up having turned to face us while making lace on a wooden frame in this vertical portrait painting. Her body faces our left almost in profile, but she turns her face to look at us with large, hazel-gray eyes. Her skin has a yellow cast but her smooth cheeks are lightly flushed, and her coral-red lips are parted. Her cinnamon-brown hair is parted down the middle and pulled back under a slate-blue ribbon, and she wears a teardrop-shaped earring in the ear we can see. Her burnt-orange shirt has pale yellow, wide cuffs at the elbow-length sleeves and a wide collar that rests across her chest and shoulders. The cuffs and collar are textured, suggesting fur. She rests her bare forearms against the wood frame in front of her, to our left, which is about the height of a table. A parchment-yellow cloth is draped over the frame, and she holds two short, cylindrical bobbins in her hands. Two more thread-wrapped bobbins hang to one side. The woman’s tea-brown skirt is partially hidden by a table situated closer to us, in the lower right corner of the painting. The table is covered with a patterned rug in maroon red, black, and gold. On the table are a low, wide pewter-gray bowl and a dark indigo-blue pillow with gold tassels and gold stripes near the seams. The wall behind the woman is honey yellow.
A pale-skinned woman wearing a long, rose-pink gown sits amid a lush landscape in this vertical portrait painting. The woman’s body is angled to our left, but she turns her head to look at us with green eyes under dark brows. She has a long, straight nose, smooth, flushed cheeks, and her carnation-pink lips are closed. Her long, curly, ash-brown hair is loosely pulled back in an emerald-green ribbon, but tendrils floating around her face seem to lift as in a breeze. A ponytail or thick tendril drapes over her far shoulder, almost reaching her waist. The low neckline of her gown is wrapped with translucent, gold cloth, and the elbow-length sleeves are gauzy white. The gown has a pale pink bodice and long, full skirt. Ribbons the same green as the one in her hair wrap around her waist and around the elbow we can see. She crosses her ankles so delicate, high-heeled, charcoal-gray slippers peek out from the bottom hem of her skirt. She sits on a gray boulder, her hands folded in her lap as she holds the ends of her translucent scarf. A tall tree grows along the right edge of the composition to arc up and over with olive-green and harvest-gold leaves. Beyond the woman, the land dips down to our left back into a tree-filled valley. Swipes of slate blue in the distance could be mountains. A short distance from us, to our left, one tree with a narrow, pale green canopy grows up against the sky. Behind that tree, yellow sunlight breaks through light blue, lavender-purple, and silver clouds that fill the rest of the sky. Parts of the scene are loosely painted with swirling, fluttering strokes, especially in the woman’s costume and the trees around her.
Unidentified Woman
A woman with pale, smooth skin stands wearing a loosely draped, champagne-peach dress in this vertical portrait painting. Her body faces us but she turns her head to look down and off to our right with brown eyes. She has dark brows, an upturned nose, and her carnation-red lips are closed in a slight smile. Her ash-brown hair is loosely pulled up so it sweeps back from her face, while thick curls cascade down her neck and over her shoulders. Her long sleeved, floor-length dress is tied at her waist with a sage-green sash. Gossamer-white fabric drapes around her upper arms, and she holds the long ends in both hands. Her right elbow, to our left, rests on the high base of columns that rise behind her and off the top edge of the canvas. A rust-red curtain drapes down from the top of the painting, over the columns. To our right, beyond the columns, the landscape opens to a view of trees beneath a blue sky with white puffy clouds.
Woman at Her Toilette
Corset
Robert E. Lee and Staff [G.W.C. Lee and Walter H. Taylor]
Unidentified Man
Hunting and fishing scenes
Eliza Barclay Livingston
Shown from about the lap up, a young person with brown hair and a peachy complexion faces our left in profile as he leans onto a table and sets folded playing cards up in a row in this vertical painting. Shown against a dark background, his long, brown hair curls by his ears and is pulled back with a navy-blue ribbon at the nape of his neck. He has a delicately sloping nose, his pink lips are closed, the cheek facing us is flushed, and he looks down at the tabletop under lowered lids. He wears a chestnut-brown, long-sleeved coat with a dark blue sash across his chest and tied around his waist. The white of his undershirt peeks out at the high neck and wrists, and the brick-red lining of the sleeve of his jacket rolls back at his right wrist. The wooden table is lined with teal-blue fabric on its surface, and three coins lie near his left hand, closer to us. In that hand he holds three nested, vertically folded playing cards. With his right hand he places the last in a line of ten cards, standing vertically but close together like dominoes, in a curving row in front of him. Scarlet-red diamonds and hearts and the edges of some black shapes are visible within the bent cards. A jack of hearts and a piece of paper or the back of another card sit in a drawer that opens toward us along the side of the table. The artist signed the work in dark brown paint in the lower right corner: “J. Chardin.”
Robe à la française
Lincoln with Major Union Figures
Mme. Bidetrenoulleau
James H. Lane
A young woman with smooth, pale skin wearing a fog-gray gown stands in shadowy outdoor setting in this vertical portrait painting. Her body faces our right almost in profile. Her head turns toward us though she looks off to our left with brown eyes under arched brows. Auburn-brown hair frames her heart-shaped face, which has a slender nose over closed, coral-red lips and a dimpled chin. Her long, curly hair is gathered at the back of her head and tied with a sand-brown ribbon. Long tendrils hang down her shoulders and back. Her iridescent gown has a deep neckline and a wide, harvest-gold sash around her waist with matching bands on the upper arms. A shimmering, laurel-green cape bordered in gold falls from her shoulders in deep folds down her back. The woman has pulled some of the cape forward with both hands to hang down her left side, farther from us. She wears delicate, translucent pearl bracelets on one wrist, and steps forward on silvery-gray shoes under the dress’s long hem. Bright light falls across the scene from the upper left so much of the background is in shadow. A stone wall behind the woman spans the right half of the painting. A tree grows up along its leftmost edge, just beyond the woman’s shoulders. A landscape along the left third of the composition opens onto trees under a sky filled with thick, off-white and steel-gray clouds.
Unidentified Man
Robe à l'anglaise
The Connoisseur
James Longstreet
Unidentified Man