The Siesta
Colors in this work
Details
- Date
- c. 1890 – 1920
- Medium
- oil on board
- Dimensions
- framed: height 0.952 m, width 0.848 m, depth 0.07 m; unframed: height 0.655 m, width 0.537 m
- Origin
- France, 19th century
- Department
- Modern European Painting and Sculpture
- Holding institution
- Cleveland Museum of Art
- Palette
-
Select a color to find related artworks.
- Image provider
- cleveland-museum-of-art
- License
- CC0-1.0
- Credit
- In memory of Ralph King, gift of Mrs. Ralph King; Ralph T. Woods, Charles G. King; and Frances King Schafer
Art Genome Taxonomy
12 tags
Subject Matter
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Nude Visual · 97%
A reclining, apparently unclothed male figure is clearly visible in the lower-right foreground.
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Figures in Nature Both · 90%
The figure is visibly placed within dense vegetation and a natural outdoor setting; the title The Siesta supports the depiction of a person resting in nature.
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Leisure Both · 96%
The title The Siesta and the figure’s reclining pose directly support a scene of rest or leisure.
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Landscapes Visual · 86%
Vegetation, open ground, pale birds, and a possible waterside area dominate the composition rather than an interior or architectural setting.
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Animals Visual · 90%
Several pale, swan-like bird forms are visible in the lower-left and central portions of the image.
Visual Qualities
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Blurred Visual · 90%
Contours and spatial boundaries soften and dissolve into an atmospheric field of green and blue-green paint, particularly in the middle and upper areas.
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Dark Colors Visual · 87%
Deep greens, blue-greens, muted browns, and ochres dominate the image, despite brighter yellow and pale accents.
Medium and Techniques
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Painting Metadata · 99%
The Cleveland Museum of Art classifies the work as a painting and identifies its medium as oil on board.
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Oil Painting Metadata · 99%
The catalog identifies the medium as oil on board.
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Large Brushstrokes/Loose Brushwork Visual · 95%
The painted surface shows conspicuous, energetic, directional strokes throughout the foliage, ground, water-like areas, and figure.
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Impasto Visual · 82%
Raised, thickly applied passages are visible in parts of the sky, birds, foliage, and foreground figure, consistent with an impasto-like surface treatment.
Geographic Regions
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French Art Metadata · 99%
The artist and place of origin are recorded as French and France, respectively.
Source & rights
Albert Besnard (French, 1849–1934). The Siesta. Cleveland Museum of Art.
High-resolution sources
- Original TIFF ↗ 5,708 × 6,971 · Cleveland Museum Of Art · Available