Hunter Spying a Hawk

Exhibit in the Jordan Schnitzer Museum of Art, University of Oregon - Eugene, Oregon, USA.

Colors in this work

Artist: Kobayashi Kiyochika
Date: c. 1878–1880
Holding institution: Jordan Schnitzer Museum of Art
Palette: Sooted Timber · Brown family · #2F2214 · 36%

Etching Plate Gray · Gray family · #322F20 · 15%

Sooted Timber · Brown family · #4E3B29 · 11%

Sooted Timber · Brown family · #433120 · 10%

Olive Ground · Yellow family · #5D543D · 10%

Olive Ground · Yellow family · #827658 · 6%

Etching Plate Gray · Gray family · #373B2E · 5%

Marine Tempera · Blue family · #4A6673 · 3%

Kiln Ash · Gray family · #4F605E · 2%

Faded Gilt · Yellow family · #AA9B77 · 2%

Blue Rag Paper · Blue family · #7794A4 · <1%

Lampblack · Black family · #150D04 · <1%

Sooted Timber · Brown family · #4B2507 · <1%

Plaster Cast · Gray family · #CFD8E4 · <1%

Carbon Ground · Black family · #1E2227 · <1%

Burnt Umber Ground · Brown family · #662E04 · <1%

Charred Umber · Black family · #2A1D1B · <1%

Slate Night · Black family · #332A2A · <1%

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Image provider: wikimedia-commons
License: Public domain
Credit: Jordan Schnitzer Museum of Art, University of Oregon

10 tags

Animals Both · 99%

The title identifies a hawk and hunter, and the image visibly shows a large bird of prey and a concealed armed human figure.
Implied Narrative Both · 91%

The title and depicted interaction establish a hunting and observation scenario rather than a purely descriptive landscape.
Landscapes and Waterscapes Visual · 98%

Trees, dense vegetation, rocks, and a prominent stream occupy most of the composition.
Water Visual · 98%

A broad, visibly turbulent stream crosses the lower portion of the image.

Dark Colors Visual · 96%

The composition is dominated by deep brown, dark green, and charcoal tones, with blue and pale highlights.
Highly Detailed Visual · 94%

Fine linear marks describe the hawk’s feathers, tree bark, foliage, rocks, and moving water across the image.

Prints Metadata · 99%

The supplied classification identifies the object as a print.
Woodcut and Linocut Metadata · 95%

The classification as a Japanese woodblock print supports a woodcut-based printmaking technique.

19th Century Art Metadata · 99%

The date c. 1878–1880 places the work in the nineteenth century.

Japanese Art Metadata · 99%

The supplied museum metadata classifies the work as a Japanese woodblock print.

Daderot. Own work

Original image ↗ 4,787 × 3,086 · Wikimedia Commons · Availability not yet probed