Suido Bridge and Surugadai, from One Hundred Famous Views of Edo

Suido Bridge and Surugadai, from One Hundred Famous Views of Edo

Utagawa Hiroshige

Colors in this work

Details

Date
1857
Holding institution
Freer Gallery of Art
Image provider
wikimedia-commons
License
Public domain
Credit
Freer Gallery of Art

Art Genome Taxonomy

10 tags

Subject Matter

  • Cityscapes and City Scenes Metadata · 98%

    The title identifies a view of Edo, and the image presents an inhabited urban setting with bridges, waterways, buildings, and distant Mount Fuji-like terrain.

  • Water occupies much of the lower portion of the composition, with bridges, shorelines, and reflected or open blue areas structuring the scene.

  • Text Visual · 99%

    Vertical Japanese inscriptions and colored cartouches are visibly integrated into the print at the left and upper-right edges.

Styles and Movements

  • Ukiyo-e Metadata · 99%

    The supplied catalog identifies the work as a Japanese woodblock print by Utagawa Hiroshige from One Hundred Famous Views of Edo, a landmark ukiyo-e series.

Visual Qualities

  • Patterns Visual · 99%

    A very large cropped carp streamer dominates the foreground, while several smaller patterned streamers repeat across the distant view.

  • Asymmetrical Visual · 99%

    The massive streamer cuts diagonally across the sheet and is strongly offset against the open background, producing an asymmetrical composition.

Medium and Techniques

  • Woodcut and Linocut Metadata · 96%

    The catalog classifies the object as a Japanese woodblock print; woodcut-and-linocut is the closest available catalog category for the printmaking process.

  • The foreground streamer is shown at an extreme scale in relation to the tiny figures, bridges, buildings, and distant streamers, making scale a conspicuous compositional device.

Time Periods

  • 19th Century Art Metadata · 100%

    The work is dated 1857, placing it in the nineteenth century.

Geographic Regions

  • Japanese Art Both · 99%

    The catalog identifies Hiroshige and a view of Edo, while the image visibly uses Japanese inscriptions, architecture, clothing, and pictorial conventions.

Source & rights

Utagawa Hiroshige. 4wHcySD213IaJw at Google Cultural Institute maximum zoom level

High-resolution sources