Muster Day
Approximately two dozen people gather around a man standing with his mouth wide open and holding up two objects in a scarlet-red structure on a horse-drawn cart in this horizontal painting. The people appear to all have pale skin and most are men. Near the center of the composition, the man in the cart wears a white robe over a black, high-collared garment and a tall charcoal-gray hat. A hatch on the red structure appears to be open, and he holds up what might be books or pamphlets. A ginger-brown horse stands behind him with its head bowed. In the crowd, the men wear black, brown, gray, dark blue, or olive-green clothing and hats. Two women are to the left. One wears a green gown with a pumpkin-orange shawl and a wide-brimmed bonnet. She faces away from us. She and two men talk near a stand where another man and woman sell food and drink. More people gather around a second stand or structure beyond this, and, in the lower left corner of the painting, a man with white hair and a hooked nose and chin sits by an open cart with a sign reading, “Bear O! Pi Aiggs.” A few men dance and others mill about to the right of the cart. Closer to us, one boy runs toward another as a soldier lies belly-down on the ground, holding a bayoneted rifle out toward a brown dog. The dog crouches with its mouth open. Beyond the dancers and onlookers, a field stretches back to wooded hills. In the field, more than a hundred people stand or march in lines. Lavender-tinged clouds pile up in the blue sky over the horizon, which comes about halfway up this composition.
Colors in this work
Details
- Artist
- Charles Henry Granger
- Date
- 1843 or after
- Medium
- oil on canvas
- Dimensions
- overall: 55.9 x 83.9 cm (22 x 33 1/16 in.) framed: 68.3 x 97.2 x 8.6 cm (26 7/8 x 38 1/4 x 3 3/8 in.)
- Department
- CAB
- Holding institution
- National Gallery of Art
- Palette
-
Select a color to find related artworks.
- Image provider
- national-gallery-of-art
- License
- CC0-1.0
- Credit
- Gift of Edgar William and Bernice Chrysler Garbisch
Art Genome Taxonomy
12 tags
Subject Matter
-
War and Military Both · 94%
The title refers to a muster, and the image includes a soldier with a bayoneted rifle and numerous people arranged in lines across the field.
-
Crowds Both · 99%
A large foreground gathering surrounds the cart, with additional groups extending across the background field.
-
Scenes of Everyday Life Both · 92%
The scene includes vendors, conversation, dancing, children, and other communal activities in an outdoor setting.
-
Rural Life Both · 97%
The event takes place in an open field bordered by trees and hills, with a horse-drawn cart and rural surroundings.
-
Landscapes Both · 95%
The field, wooded hills, distant mountains, and expansive sky occupy much of the composition behind the gathering.
-
Modes of Transportation Both · 95%
A horse-drawn cart is the central vehicle, with another cart or vendor structure visible at the left.
-
Food Both · 91%
A left-side stand visibly offers food and drink to people gathered around it.
-
Movement Visual · 94%
Running children, dancing and gesturing figures, marching lines, and the active poses of the foreground figures create a visibly animated scene.
Visual Qualities
-
Earth Tones Visual · 91%
The palette is dominated by browns, ochers, muted greens, and grays, punctuated by vivid red and orange accents.
Medium and Techniques
-
Painting Metadata · 99%
The National Gallery of Art classifies the work as a painting in oil on canvas.
-
Oil Painting Metadata · 99%
The catalog explicitly identifies the medium as oil on canvas.
Time Periods
-
19th Century Art Metadata · 97%
The catalog dates the work as “1843 or after,” placing it in the nineteenth century.
Source & rights
Charles Henry Granger. Muster Day. Courtesy National Gallery of Art, Washington.
High-resolution sources
- IIIF image service ↗ 6,881 × 4,582 · National Gallery Of Art · Available