Chinese Bird on Snow-Laden Branch
Colors in this work
Details
- Date
- 1661
- Dimensions
- painting only: height 0.975 m, width 0.375 m; including mounting: height 1.819 m, width 0.54 m
- Department
- Japanese Art
- Holding institution
- Cleveland Museum of Art
- Palette
-
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- Image provider
- cleveland-museum-of-art
- License
- CC0-1.0
- Credit
- Bequest of Harley C. Lee and Elizabeth K. Lee
Art Genome Taxonomy
9 tags
Subject Matter
Visual Qualities
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Sparse Visual · 95%
A large, lightly washed area of the silk remains open above and around the branch, producing a notably spacious and sparse arrangement.
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Earth Tones Visual · 95%
The composition is dominated by subdued tan, beige, gray, brown, and cream tones, with restrained red and green accents.
Medium and Techniques
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Hanging Scroll Metadata · 99%
The Cleveland Museum of Art identifies the work as one of a triptych of hanging scrolls.
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East Asian Ink-and-Wash Painting Both · 98%
The catalog specifies ink and slight color on silk, while the image visibly relies on ink outlines, tonal washes, and limited muted color.
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Painting Metadata · 99%
The catalog classifies the object as a painting.
Time Periods
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17th Century Art Metadata · 99%
The catalog dates the work to 1661, placing it in the seventeenth century.
Geographic Regions
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Japanese Art Metadata · 99%
The catalog gives Japan as the place of origin and identifies the work with Japanese Art from the Edo period.
Source & rights
Kano Tan’yū (Japanese, 1602–1674). Chinese Bird on Snow-Laden Branch. Cleveland Museum of Art.
High-resolution sources
- Original TIFF ↗ 2,984 × 7,654 · Cleveland Museum Of Art · Available