Birds and Flowers

Birds and Flowers

Kano Mitsunobu (attributed)

The landscape depicted in this pair of screens follows a seasonal progression from right to left, starting with the blossoming plum of early spring and ending with late autumn peonies. A variety of smaller birds are positioned throughout the scene, and a trio of swimming ducks is bracketed by early summer irises and early autumn bellflowers at the center. While some raptors (birds of prey) terrorize a pheasant and an egret (a waterfowl) to the right, a peacock and peahen converse to the left. Hawks are associated with military prowess, while the peafowl suggest cultural prestige.

Colors in this work

Details

Date
late 1500s
Dimensions
image: height 1.559 m, width 3.394 m; overall: height 1.685 m, width 3.522 m; closed: height 1.725 m, width 0.61 m, depth 0.113 m; panel: height 1.685 m, width 0.587 m; with frame: height 1.717 m, width 3.554 m
Department
Japanese Art
Holding institution
Cleveland Museum of Art
Image provider
cleveland-museum-of-art
License
CC0-1.0
Credit
Gift of William G. Mather

Art Genome Taxonomy

11 tags

Subject Matter

  • Animals Both · 99%

    Birds are the principal visible subject, including peafowl, ducks, smaller birds, and other waterfowl or raptor-like birds; the museum description likewise emphasizes a variety of birds throughout the scene.

  • Flora Both · 99%

    Flowering plants, bamboo, reeds, and other vegetation occupy substantial areas of the composition, corresponding to the cataloged progression through plum, irises, bellflowers, and peonies.

  • Landscapes Both · 98%

    Rocks, trees, bamboo, open ground, and distant mountain forms create a natural landscape setting, which the museum record explicitly describes as a landscape.

Styles and Movements

  • Kanō School Metadata · 89%

    The attributed artist is Kano Mitsunobu, a painter of the Kano lineage, supporting the Kano School designation.

Visual Qualities

  • Earth Tones Visual · 90%

    The composition uses a predominantly muted palette of ochres, browns, gray-greens, subdued reds, and blue-green accents against a warm gold-toned ground.

Medium and Techniques

  • Screen Format Both · 99%

    The museum identifies the object as one of a pair of six-panel folding screens, and six vertical panels with folding seams are clearly visible in the image.

  • Painting Both · 99%

    The object is cataloged as a painting made with ink, color, and gold on paper, and the image visibly presents painted imagery across the screen surface.

Time Periods

  • 16th Century Art Metadata · 96%

    The work is dated to the late 1500s and associated with Japan's Momoyama period, placing it within the sixteenth-century category.

Geographic Regions

  • Japanese Art Metadata · 99%

    The artist is identified as Japanese, the work is classified within Japanese Art, and its place of origin is listed as Japan.

Materials

  • Use of Paper Metadata · 99%

    Paper is explicitly identified as the support in the cataloged medium.

  • Gold Both · 98%

    Gold is explicitly included in the cataloged medium, while the image shows a broad warm gold-colored ground surrounding the painted forms.

Source & rights

Kano Mitsunobu (Japanese, 1565–1608). Birds and Flowers. Cleveland Museum of Art.

High-resolution sources