A Virtuous Woman Placates the King by Plucking Out Her Eyes

A Virtuous Woman Placates the King by Plucking Out Her Eyes

Unknown artist (work associated with Amir Khusrau)

Colors in this work

Details

Holding institution
Walters Art Museum
Image provider
wikimedia-commons
License
Public domain
Credit
Walters Art Museum

Art Genome Taxonomy

12 tags

Artistic Disciplines

  • Written Word Both · 99%

    The leaf visibly presents extensive calligraphic writing alongside a pictorial miniature, and the catalog classifies it as manuscript or decorative art.

Subject Matter

  • Human Figure Visual · 99%

    Numerous human figures in varied poses and brightly colored courtly garments occupy the architectural and garden settings.

  • Narrative Both · 96%

    The catalog title identifies a specific dramatic episode, while the assembled figures, architecture, and spatial compartments form a pictorial narrative.

  • Figures in Nature Visual · 90%

    Figures are shown within a planted courtyard or garden containing trees, shrubs, flowers, and a fountain basin.

  • Animals Visual · 99%

    Two peacocks are clearly visible in the lower portion of the miniature.

Visual Qualities

  • Patterns Visual · 94%

    Repeated borders, column divisions, patterned garments, and extensive floral and vegetal ornament organize the page surface.

  • Highly Detailed Visual · 97%

    Fine-scale rendering is visible in the calligraphy, figures, clothing, architecture, foliage, fountain, and birds.

Medium and Techniques

  • Painting Both · 98%

    The central pictorial scene is visibly painted and is integrated with the written page; the title and classification support its role as a manuscript image.

  • Manuscript Metadata · 99%

    The catalog explicitly classifies the work as “Manuscript or decorative art.”

  • Illustration Both · 92%

    The image functions as a pictorial episode accompanying and embedded within the surrounding calligraphic text.

  • Gold Leaf and Gilding Visual · 73%

    Gold-colored linear ornament and floral decoration are visibly applied across the broad upper field and surrounding borders, although the precise material cannot be established from the image alone.

Time Periods

  • 16th Century Art Metadata · 99%

    The catalog dates the work to 1597–1598, placing it in the sixteenth century.

Source & rights

Amir Khusrau. OgGu33OCYTiIRw at Google Cultural Institute maximum zoom level

High-resolution sources