Niccolò Mauruzi da Tolentino unseats Bernardino della Ciarda at the Battle of San Romano
Uccello — the Battle of San Romano
Colors in this work
Details
- Artist
- Paolo Uccello
- Date
- c. 1435–1440
- Medium
- panel; tempera
- Holding institution
- Uffizi Gallery
- Palette
-
Select a color to find related artworks.
- Image provider
- wikimedia-commons
- License
- CC0
- Credit
- Uffizi Gallery
Art Genome Taxonomy
10 tags
Subject Matter
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War and Military Both · 100%
The title identifies a battle, and the image visibly depicts armed combatants, armor, lances, banners, and fallen figures.
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Equestrian Both · 100%
The title describes one mounted combatant unseating another, while the image prominently shows multiple horses and mounted warriors in combat.
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Narrative Both · 97%
The title identifies a specific battle episode, and the image presents a clearly legible historical action involving opposing groups of riders.
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Movement Visual · 98%
Rearing and falling horses, tilted bodies, overlapping combatants, and intersecting lances create a strongly animated scene.
Styles and Movements
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Renaissance Art Interpretive · 88%
The fifteenth-century date, pictorial organization, and association with Paolo Uccello support a Renaissance-art classification, although no formal style is supplied in the catalog metadata.
Visual Qualities
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Dark Colors Visual · 94%
Dark brown, black, and earth-toned passages dominate the image, with accents of red, white, ocher, and blue.
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Dense Composition Visual · 99%
The foreground is densely occupied by horses, soldiers, weapons, armor, and fallen bodies, with little unoccupied space across the battle zone.
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Emphasis on Linear Perspective Visual · 88%
Rows of lances and the receding divisions of the cultivated fields establish strong directional lines and a perceptible spatial recession.
Medium and Techniques
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Painting Metadata · 100%
The catalog classifies the work as a painting and identifies its medium as tempera on panel.
Time Periods
-
15th Century Art Metadata · 100%
The catalog dates the work to approximately 1435–1440, placing it in the fifteenth century.
Source & rights
Gleb Simonov. Own work
High-resolution sources
- Original image ↗ 11,305 × 6,351 · Wikimedia Commons · Availability not yet probed