Uccello — the Battle of San Romano 

Niccolò Mauruzi da Tolentino unseats Bernardino della Ciarda at the Battle of San Romano

Paolo Uccello

Uccello — the Battle of San Romano 

Colors in this work

Details

Artist
Paolo Uccello
Holding institution
Uffizi Gallery
Image provider
wikimedia-commons
License
CC0
Credit
Uffizi Gallery

Art Genome Taxonomy

10 tags

Subject Matter

  • War and Military Both · 100%

    The title identifies a battle, and the image visibly depicts armed combatants, armor, lances, banners, and fallen figures.

  • Equestrian Both · 100%

    The title describes one mounted combatant unseating another, while the image prominently shows multiple horses and mounted warriors in combat.

  • Narrative Both · 97%

    The title identifies a specific battle episode, and the image presents a clearly legible historical action involving opposing groups of riders.

  • Movement Visual · 98%

    Rearing and falling horses, tilted bodies, overlapping combatants, and intersecting lances create a strongly animated scene.

Styles and Movements

  • Renaissance Art Interpretive · 88%

    The fifteenth-century date, pictorial organization, and association with Paolo Uccello support a Renaissance-art classification, although no formal style is supplied in the catalog metadata.

Visual Qualities

  • Dark Colors Visual · 94%

    Dark brown, black, and earth-toned passages dominate the image, with accents of red, white, ocher, and blue.

  • Dense Composition Visual · 99%

    The foreground is densely occupied by horses, soldiers, weapons, armor, and fallen bodies, with little unoccupied space across the battle zone.

  • Rows of lances and the receding divisions of the cultivated fields establish strong directional lines and a perceptible spatial recession.

Medium and Techniques

  • Painting Metadata · 100%

    The catalog classifies the work as a painting and identifies its medium as tempera on panel.

Time Periods

  • 15th Century Art Metadata · 100%

    The catalog dates the work to approximately 1435–1440, placing it in the fifteenth century.

Source & rights

Gleb Simonov. Own work

High-resolution sources