Related

Adolph Heinrich Joseph Sutro

John F. Gray

Schuyler Colfax

Unidentified Man

Alfred W. Ely

Alexander Campbell

Edward L. Davenport

Henri-Charles Maniglier

Thomas Stone

Unidentified Man

Unidentified Man

James Longstreet

Charles Meigs

James H. Lane

Unidentified Man

Unidentified Man

Lilliputian King, with John Drummond and Professor Cromwell

Unidentified Man

Son of Prince de Joinville (Pierre Philippe Jean Marie d'Orleans)

General Nathaniel Lyon

Frontispiece to "A Narrative of the Adventures and Escape of Moses Roper, from American Slavery"

John J. Crittenden

Charles Kean

Unidentified Man

The great Jewish bride

James H. Lane

John Reynolds

Coonley family

Lyman Trumbull

John Samuel Sherburne

Edward Sheriff Curtis Self-Portrait

Abraham Lincoln

Jessie Benton Frémont

Abraham Lincoln and Family

Thomas Jonathan Jackson

Unidentified Man

Frederick Douglass

Unidentified Man

Unidentified Woman

The great Jewish bride

Phineas T. Barnum

John Curzon Seton

Unidentified Man

Clara Louise Kellogg

Henry B. Nones

Japan; Illustrated book; Illustrated Books

The great Jewish bride

Unidentified Man

Jean Marie Soulier

Unidentified Woman

Fox, from The Picture Book of Realistic Paintings of Hokusai (Hokusai shashin gafu)

Estérel Village

Shown from the waist up, an older man with pale, peachy skin looks out at us with deep-set, gray eyes under a furrowed brow, in front of a sable-brown background in this vertical portrait painting. His body is angled to our left, and his face turns to us. He has a faintly pink, bulbous nose, and his slightly sunken cheeks are shaded with gray. His peach-colored lips are framed with a wispy, gray mustache and goatee. Bronze-orange lines are incised within the battleship gray of his hair to create soft curls under his brown beret, which has gold trim around the base. The dark collar of his fawn-brown coat is turned up so his neck is covered. He is lit from the upper left, so his body and the right side of the painting are deeply shadowed. On our left, the canvas is painted with blended strokes of tawny and dark brown. His dark coat blends into the background, and his folded hands are in shadow in the lower left corner. The brushstrokes are visible in some areas, especially in the man’s face. The painting is signed and dated next to his shoulder, to our left, “Rembrandt f. 1659.”

Alexander Hamilton

J. B. Loir

Charles and Lavinia Stratton

Shown from the chest up, an older, pale-skinned man dressed in scarlet red faces us in this vertical portrait painting. His slender body is turned slightly to our right, but his head turns back to our left so he gazes at a point just over our left shoulder. His large, deep-set dark blue eyes are lined with crow’s feet over high, angular cheekbones. His dark brown beard is shot through with silvery gray, and he has brown, chin-length hair and bangs across his lined forehead. His red garment has a high neck, and the opening down the front is lined with white, perhaps fur. A black sash drapes over his left shoulder, to our right. He is illuminated with warm light from the upper left and set against a dark brown background. A portion of an inscribed plaque is visible just over his right shoulder. It reads, “…TIS …OIX.”

Enclosed Valley

Unidentified Men

Miles King Jr.

Mary Todd Lincoln

Study for the Nude Youth over the Prophet Daniel (recto); Figure Studies for the Sistine Ceiling (verso)

Unidentified Man

Robert E. Lee and Staff [G.W.C. Lee and Walter H. Taylor]

Sand Dunes, Carson Desert, Nevada

William H. Maxwell

William Lee

Saint Sebastian

George U. Morris

Mme. Bidetrenoulleau

Invocation to Love

Shown from the waist up, a light-skinned man sits sideways in a wooden chair so the arm closer to us rests along the chair’s back in this vertical portrait painting. Brushstrokes are visible throughout, especially in the clothing and hair. The man’s right arm, to our left, drapes across the back of the chair. His face turns slightly to our right, and he looks at us with gray eyes under black, curving brows. He has an oval face with high cheekbones and a snub nose. His coral-pink lips are closed and framed by a mustache and pointed patch of hair under his lower lip. He is lit from our left so the far side of his face is in shadow. His loose, curly brown hair cascades over his shoulders. He wears a tall black hat with a stiff, wide brim with a black rosette or pompom on the brim to our right side. The hat is tipped slightly to one side so it angles away from us. A flat, stiff, white collar extends from his chin down to his shoulders, and two tassels hang at this throat. The voluminous sleeve along the back of the chair has a gold pattern picked out in loosely painted, swirling, feathered, and flaring lines against a black background. The jacket is unbuttoned along the forearm to reveal a stark white undershirt that is gathered with a narrow ruffle at the wrist. The chair has a crimson-red center framed by wooden rails to each side and along the top. The background is earth brown to our right of the man, and deepens to dark shadows along the left. A coat of arms, the size of the man’s palm, hangs from the back wall. Three black cow heads create an inverted triangle on a gold field. Under the coat of arms the artist inscribed, “AETA SVAE.22 1645.”

Samuel L. Breese

Pungwuni

After the Hurricane, Bahamas

Thomas Tingey

Charles and Lavinia Stratton

Solomon Robert Guggenheim

Lincoln with Major Union Figures

James Latimer

Unidentified Woman

Sun Bird

Acteur in een Noh-theaterstuk, Tokyo

Youth Playing a Pipe for a Satyr

Unidentified Woman

Figure 45: Contraction électrique forte des triangulaires des lèvres et des sourciliers: douleur et déspoir

Morgan Dix

Thomas Jefferson

Portrait of a Young Unemployed Couple, Hengelo

John Milton Hay

Koning Willem III in de Frans-Duitse Oorlog 1870

Hawk, from The Picture Book of Realistic Paintings of Hokusai (Hokusai shashin gafu)

George Washington

G.W.M. Nutt and Minnie Warren

Gedicht op de zilveren bruiloft van Ludolph Simon de With en Maria de Wit, 15 augustus 1771

G.W.M. Nutt and Minnie Warren

[Entrance to the Port of Boulogne]

Charles and Lavinia Stratton

François Tronchin

Shown from the chest up, a clean shaven, young man with pale, rosy skin and curly, mahogany-red hair, looks at or toward us against a black background in this vertical portrait painting. His body is angled to our left, and he turns his face slightly to look our way with sienna-brown eyes under curved eyebrows. He has a long, prominent nose and small thin pink lips. His shoulder length hair curls tightly around his face and covers his ears. He wears a tomato-red shirt with a high collar trimmed with white.