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Tokyo National Museum

Works

暮れて月いとおもしろきに、宮の亮、女房にあひて、とりわきたるよろこびも啓せさせむとにやあらむ、妻戸のわたりも御湯殿のけはひに濡れ、人の音もせざりければ、この渡殿の東のつまなる宮の内侍の局に立ち寄りて、「ここにや」と案内したまふ。宰相は中の間に寄りて、まだ鎖さぬ格子の上押し上げて、「おはすや」などあれど、いらへもせぬに、な大夫の、「ここにや」とのたまふにさへ、聞きしのばむもことごとしきやうなれば、はかなきいらへなどす。いと思ふことなげなる御けしきどもなり。

Alauddin Khilji Conquering Ranthamore Fort, Kangra school, India, late 18th century, opaque watercolor on paper, Tokyo National Museum

Yoroboshi, by Shimomura Kanzan, Tokyo National Museum, Japan

马远《寒江独钓图》（图片经过较温和的亮化处理）

Excellent Ox, Tokyo National Museum, Japan

Part of the series "Portraits of actors at three theaters in Edo". This print depicts the actor Sakata Hangoro III as the villain Fujikawa Mizuemon. This is a first period print and designated collectively together with 26 other prints from the series as Important Cultural Property of Japan.

Sceneries in the Tropical Land, by Imamura Shiko, Tokyo National Museum, Japan

Insects and Flowers, Ming dynasty, 14th-15th century, color on silk, Tokyo National Museum

Amitabha Triad, Tokyo National Museum

screen by Fukae Roshu "Narrow ivy road". Six-fold screen, color on gold leafed paper, Important Cultural Property

暮れて月いとおもしろきに、宮の亮、女房にあひて、とりわきたるよろこびも啓せさせむとにやあらむ、妻戸のわたりも御湯殿のけはひに濡れ、人の音もせざりければ、この渡殿の東のつまなる宮の内侍の局に立ち寄りて、「ここにや」と案内したまふ。宰相は中の間に寄りて、まだ鎖さぬ格子の上押し上げて、「おはすや」などあれど、いらへもせぬに、な大夫の、「ここにや」とのたまふにさへ、聞きしのばむもことごとしきやうなれば、はかなきいらへなどす。いと思ふことなげなる御けしきどもなり。

『新三十六歌仙図帖』より

Hen and Bamboo, by Luo Chuang, Tokyo National Museum, Japan

Mount Asama, byobu by Aodo Denzen, Tokyo National Museum, Japan

慈眼大師像

Part of the series "Portraits of actors at three theaters in Edo". This print depicts the actor Sawamura Sojuro III as Ogishi Kurando. This is a first period print and designated collectively together with 26 other prints from the series as Important Cultural Property of Japan.

Sixteenth Arhat, Cūḍapanthaka (from the Sixteen Arhats)

Depicts Zen monk Huike (慧可) thinking. By painter Shi Ke (Chinese: 石恪), from Five Dynasties and Ten Kingdoms Period to Northern Song (about 10th century)

Spring Ridge, by Asai Chu, Tokyo National Museum, Japan

Portrait of Momonoi Naoaki

Heer Ranjha: Lady with Water Jug on her Head and Lady Holding out her Arms, Jodhpur school, India, c. mid-18th century, opaque watercolor on paper, Tokyo National Museum

牡丹花肖柏像（重要文化財、東京国立博物館蔵）

這幅作品被命名為《昆侖松鶴》。昆侖是指神仙們居住的神山——昆侖山。據推測位於中國西部，是中國的大河——黃河的源頭。松和鶴都是長壽的象徵，是和神仙故事頗有關聯的題材。畫面右上方有畫家的署名，並寫著送給一位叫做李懷素的人。以昆侖山上的松樹以及聚集在此的仙鶴為繪畫題材的這幅作品主題極為吉祥，作為賀壽之禮極為相稱。作者呂健是活躍於十六世紀到十七世紀的人物。其曾祖父呂紀是一位著名的宮廷畫家。呂紀有很多構圖周密的大型花鳥圖作品，其華麗的色彩和細膩的筆法不僅在中國，也在朝鮮半島和日本大受追捧，呂紀的繪畫風格在東亞地區到了廣泛傳播。呂健不僅認真學習呂紀的花鳥畫，似乎還將其轉化成了更加瀟灑而又惹人憐愛的表現。這幅作品中姿態優美地彎曲著長頸的仙鶴以及以淡綠色輕輕暈開的松葉都充分表現出了呂健的審美觀。淡淡的墨影巧妙地表現出水面上湧起的波浪，以極具透明感的白色顏料細緻描繪的羽毛線條等卓越的描寫技術也是看點所在。

松下達摩図

Reiko Smiling, by Kishida Ryusei, Tokyo National Museum, Japan

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