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Jar with Lion-Head Handles
Apothecary jar
Bottle with Birds and Peony Scroll
Cylindrical covered jar on foot with precious objects and antiquities
Tile with Floral and Cloud-band Design
Ovoid covered jar with flower scrolls in lappet borders
Ovoid covered jar with a woman reading a letter and finial in the shape of a shishi
Palampore
Covered cylindrical beaker with leaf-motif
Conical coffee pot with flowering lotus
Ovoid covered jar with a woman reading a letter and finial in the shape of a shishi
Grafmonument met alliantiewapen en vier kwartierwapens
Cravat end
Dragon in foliage with lion and phoenix heads
Center table
Textile Fragment
Rosewater ewer
Belt clasp
Guitar
Goblet
Buddhist Priest's Ceremonial Robe
Wainscoting with chimneypiece, wallpanels and a portico
Ovoid jar with women with a yoke in scalloped panels
Manuscript Cover with Prajnaparamita Attended by Sadakshari Lokeshvara and a Tara
Feuillet de diptyque en cinq parties : l'Empereur triomphant (Justinien ?)
Carpet with Scrolling Vines and Blossoms
Ewer
Potpourri vase (pot-pourri gondole)
Pair of Candelabra
Terracotta dinos (mixing bowl)
Cylinder seal with cultic scene
Wall fountain
Covered box decorated with chrysanthemums and waterfowl among lotus
Bowl with Inscription, "Sovereignty is God's"
Openwork furniture plaque with a grazing oryx in a forest of fronds
Jewelry Elements
Hanger in de vorm van een reukbal
Lontslotmusket met vuursteenslot uit latere periode
Accordion
The Vicarello Goblet
Fragment (Dress Fabric)
Hanger op voetstuk met Amphitrite op een dolfijn
Gedicht op de zilveren bruiloft van Ludolph Simon de With en Maria de Wit, 15 augustus 1771
Hunting and fishing scenes
Green Tara
Waistcoat
Raft Cup
Congressional Presentation Sword with Scabbard of Colonel Marinus Willett (1740–1830)
The Wade Cup with Animated Script
Ceremonial Cross of Countess Gertrude
Cabinet
Bronze rod tripod stand
Nautilus Cup
Charles and Lavinia Stratton
Pichhwai for the Festival of Cows
The Holy Family with Saint John the Baptist and Saint Margaret
Cabinet of a Militia Company
Dagger-axe
Processional cross
Set of Four Armchairs and Settee
Hinds House Window
Hanger met cachet met de Dood
Under the Wave off Kanagawa (Kanagawa oki nami ura), also known as The Great Wave, from the series "Thirty-Six Views of Mount Fuji (Fugaku sanjūrokkei)"
Quilt
Cupboard
Red-Figure Calyx-Krater (Mixing Vessel): Medea in Chariot (A); Telephos with Baby Orestes (B)
Covered Tureen on Stand (Pot-à-oille)
Siermes
A man, woman, and four winged angels gather and kneel around a nude infant lying on the ground under a stone arched opening set in front of a landscape in this vertical painting. All of the people have pale white or lightly tanned skin. To our left, the woman wears gold-edged, royal-blue robes and has long, curly brown hair. The baby lies on the hem of her robe, his body facing her. An older, balding and bearded man kneels to the right, leaning on a walking stick. He wears a red garment under a green robe, and he holds a hat in his hands as he gazes at the baby. About a third the size of the man and woman, two of the angels kneel between the man and woman and another pair kneel to our left of the woman, seeming close to us. The angels wear colorful gold, pink, red, or yellow robes and all have long wavy blond hair. Their hands touch in prayer and all look down toward the baby. The people are sheltered in front of a crumbling stone wall under a wooden structure. To our left, a cow and donkey are penned in a stable. Two pairs of men stand near or lean on the other side of the rock wall that encloses the scene. A landscape with green rolling hills and a distant town with towers and buildings fills the background beneath a clear blue sky. A triangular structure made of wood beams is framed within the carved archway, which seems to separate us from the space of the painting. The face of the arch looks like it is carved with a nude man atop a column to the left and a similar woman to the right, and with miniature scenes stacked on tiny platforms curving upward to the apex of the arch.
Writing Box (Suzuribako) with Phoenix in Paulownia
Panel with the god Zeus/Serapis/Ohrmazd and worshiper
Hanger met ruiter op postament
About three dozen people gather in a grassy field to either side of a crumbling structure to kneel and pray before a woman and baby in the center of this horizontal painting. The woman, Mary, and baby, Jesus, have smooth, pale skin while the others have light or tanned skin. The structure has sand-colored stone pillars, a wooden triangular, pitched roof, and a straw floor. Mary, who has an elongated torso, sits facing us with her knees apart. She wears an azure-blue robe over a rose-pink dress. A shell-pink veil covers her head and body. Jesus sits on her left knee, his pudgy body angled to our left. He is nude except for a transparent cloth wrapped over one shoulder and the opposite hip. Mary’s left hand braces his torso. On Mary’s right, our left, Joseph, an older man, stands facing us. He clasps his hands at his chest and leans on a long stick. He has wrinkled skin, long, gray curly hair, and a full beard. Both Mary and Joseph tilt their heads to their right, our left, as they look down at Jesus. Joseph wears a golden yellow robe over a blue tunic. Joseph, Mary, and Jesus have faint gold halos. Behind them, a brown cow and gray donkey rest on the straw. People closest to Mary and Jesus kneel and bow their heads while the people to the left and right sides mostly stand. Three men kneeling closest to Mary and Jesus offer gifts, including a bronze vessel and a gold jar. One man has long dark brown hair and a beard, and wears a gold crown. Another man is bald with long gray hair and beard, while the third is cleanshaven with shoulder-length brown hair. These men wear robes in powder blue, carnation pink, or celery green with delicate silver and gold embelishments. Others in the crowd range in age from young and cleanshaven to older and bearded. They wear robes and tunics in shades of raspberry pink, butterscotch yellow, lapis blue, plum purple, or forest green. Several horses, their coats white or cinnamon brown, stand among the crowd, a few with riders. To our right, one horse rears its head and two others stand facing each other. Beyond the crowd, grassy green meadows and hills dotted with trees lead back to the horizon. A pale blue sky fills the top third of the composition.
Fire Screen
The Milkmaid
Foliate-Shaped Tray with Mother-of-Pearl Inlay
Tánggǔ (堂鼓)
Dung-Chen
Mirror with Phoenixes, Birds, Butterflies, and Floral Sprays
A partially nude woman with pale, peachy skin sits to our left looking into a mirror held up by a nearly nude, winged child to our right in this vertical painting. The woman’s body is angled to our left but she looks across her body to our right. She holds her left hand to her chest, and her right hand grips the fur-lined edge of the scarlet-red, velvet fabric that drapes over that upper arm and around her hips. Her blond hair is coiled up in rows of pearls, and she has dark eyes, a straight nose, and her pale pink lips turn up in a subtle smile. A teardrop pearl earring hangs from the ear we can see, and she wears rings and gold bracelets. The child-like figure to the right stands on a gold-striped cushion facing away from us as he holds up the rectangular, black-framed mirror. He has small silver wings and a sash of golden yellow hangs from one shoulder around the opposite hip. A second child reaches from behind the mirror to hold up a ring of laurel leaves. A forest-green curtain is gathered in the upper left corner and the beige wall beyond falls into shadow to our right.
Jar with Dragon and Clouds Design
Youth Playing a Pipe for a Satyr
The great Jewish bride
Ensemble
Shown under an ornately carved stone arch, a young woman holds a baby on her lap as she sits on a curving gold chair flanked by two kneeling angels in this vertical painting. All of the people have pale skin. The woman has long blond hair, a straight nose, and a small pink mouth. Her body faces us but she gazes down. She wears a gold-trimmed, deep blue robe under a crimson-red mantle that covers her shoulders and drapes over her lap and to the floor. She holds an open book with her left hand, on our right, and supports the sitting baby’s body with her other hand. The baby is nude except for a piece of white fabric across one thigh. The baby touches the open book with one hand and reaches toward a small, round piece of fruit the angel on our left offers. That angel has blond hair and sapphire-blue wings, and wears a pale blue garment under a red and gold patterned robe. The angel holds out the fruit with the right hand and in the other, holds an instrument like a violin and bow. The angel to our right has similar hair and facial features, and has blue wings and a sky-blue robe. Both hands strum a harp as the angel gazes to our left almost in profile. Behind the chair, a cloth patterned in pine green and gold hangs vertically from a curving red overhang between tall, narrow archways that open onto a landscape. In the distance, people move through green fields and along a river winding toward a castle to our left beneath a clear blue sky. The angels' wings overlap with the stone archway that frames the scene. It is carved along the inner edge of the arch with vines, lizards, and snails. Two columns flank the arch and atop each is a bearded man, as if carved from the same cream-colored stone of the arch. The man to our left holds a harp and the one to our right holds a saw. Winged, nude, child-like people, putti, hold orbs aloft in the upper corners.
Icon of the Virgin and Child
Sarcophagus
Length of velvet
Kast met het wapen Alberda
Corset
Under the Wave off Kanagawa (Kanagawa oki nami ura), also known as The Great Wave, from the series "Thirty-Six Views of Mount Fuji (Fugaku sanjurokkei)"
Tea Table
Door lintel with lion-griffins and vase with lotus leaf
Hanger
Cabinet
Mechanical table
Les Noces de Cana
The Triumph of Fame
Animal-Spouted Pitcher
Heavenly beauty