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Night Rain at the Double-Shelf Stand, from the series Eight Parlor Views (Zashiki hakkei)
Sazai Hall at the Temple of the Five Hundred Arhats (Gohyakurakanji Sazaido), from the series "Thirty-six Views of Mount Fuji (Fugaku sanjurokkei)"
Mount Fuji with Cherry Trees in Bloom
The Tea Plantation of Katakura in Suruga Province (Sunshu Katakura chaen no Fuji), from the series "Thirty-six Views of Mount Fuji (Fugaku sanjurokkei)"
A Philosopher Watching a Pair of Butterflies, from The Picture Book of Realistic Paintings of Hokusai (Hokusai shashin gafu)
Japan; Illustrated book; Illustrated Books
Ejiri in Suruga Province (Sunshu Ejiri), from the series "Thirty-six Views of Mount Fuji (Fugaku sanjurokkei)"
Hell Courtesan
Mishima Pass in Kai Province (Koshu Mishimagoe), from the series "Thirty-six Views of Mount Fuji (Fugaku sanjurokkei)"
Ingelijste muurschildering voorstellende Xiwangmu en dienaressen
Goten Hill at Shinagawa on the Tokaido (Tokaido Shinagawa Gotenyama), from the series "Thirty-six Views of Mount Fuji (Fugaku sanjurokkei)"
Japan; Illustrated book; Illustrated Books
Iris and Grasshopper, from an untitled series of large flowers
Umezawa Marsh in Sagami Province (Soshu Umezawa hidari), from the series "Thirty-six Views of Mount Fuji (Fugaku sanjurokkei)"
Ushibori in Hitachi Province (Joshu Ushibori), from the series "Thirty-six Views of Mount Fuji (Fugaku sanjurokkei)"
Fan painting with river landscape
Cranes on snow-covered pine
Blooming Plum Tree, from The Picture Book of Realistic Paintings of Hokusai (Hokusai shashin gafu)
Ono Falls on the Kisokaidō Road (Kisokaidō Ono no bakufu), from the series Tour of the Waterfalls in Various Provinces (Shokoku taki meguri)
Fishing Boats at Choshi in Shimosa (Soshu Choshi) from the series "One Thousand Pictures of the Ocean (Chie no umi)"
Morning Glories and Tree-frog, from an untitled series of Large Flowers
Acteurs tijdens een kabuki-voorstelling in Kabukiza, Tokyo
Chrysanthemum and Horsefly, from an untitled series of Large Flowers
Tagonoura Bay near Ejiri on the Tōkaidō (Tōkaidō Ejiri Tagonoura ryakuzu), from the series Thirty-Six Views of Mount Fuji (Fugaku sanjūrokkei)
Cotton Roses and Sparrow, from an untitled series of Large Flowers
Viewing Sunset over the Ryogoku Bridge from the Onmaya Embankment (Onmayagashi yori Ryogokubashi sekiyo o miru), from the series "Thirty-six Views of Mount Fuji (Fugaku sanjurokkei)"
Bell-Flower and Dragonfly, from an untitled series of large flowers
The Merry Family
Japan; Illustrated book; Illustrated Books
Armorer (Yoroi takumi), from the illustrated book "Picture Book of the Amusements of the East (Ehon Azuma asobi)"
Iris, from The Picture Book of Realistic Paintings of Hokusai (Hokusai shashin gafu)
Fujimigahara in Owari Province (Bishu Fujimigahara), from the series "Thirty-six views of Mount Fuji (Fugaku sanjurokkei)"
Mandala of the Three Shrines at Kumano
Poppies, from an untitled series of flowers
Beneath Mannen Bridge in Fukagawa (Fukagawa Mannenbashi shita) from the series "Thirty-six Views of Mount Fuji (Fugaku sanjurokkei)"
Tatekawa River Lumberyard at Honjo (Honjo Tatekawa), from the series "Thirty-six Views of Mount Fuji (Fugaku sanjurokkei)"
Tama River in Musashi Province (Bushu Tamagawa), from the series "Thirty-six Views of Mount Fuji (Fugaku sanjurokkei)"
Japan; Illustrated book; Illustrated Books
Lilies, from an untitled series of Large Flowers
Togetsu Bridge at Arashiyama in Yamashiro Province (Yamashiro Arashiyama no Togetsukyo), from the series "Unusual Views of Famous Bridges in Various Provinces (Shokoku meikyo kiran)"
Hotei Smoking his Pipe, from The Picture Book of Realistic Paintings of Hokusai (Hokusai shashin gafu)
Amida Falls in the Far Reaches of the Kisokaido (Kisoji no oku Amidagataki), from the series "A Tour of Waterfalls in Various Provinces (Shokoku taki meguri)"
Japan; Illustrated book; Illustrated Books
Fragment van een muurschildering
Bullfinch and Weeping Cherry (Uso, shidarezakura), from an untitled series of flowers and birds
Acteurs tijdens een kabuki-voorstelling in Kabukiza, Tokyo
A young, smiling man bursts through the door of a dimly lit bedroom occupied by three women in this vertical painting. All four people have pale skin. The arched door is to our right and the man faces our left with his arms spread wide. He leans slightly forward as he holds the wide brim of his hat out by his left side, to our right. Shoulder-length chestnut-brown hair frames his face, and he wears a velvety brown jacket trimmed with tan stripes and pompoms down the front and along the sleeve we can see. A broad sash crosses his chest and tassels hang from his wide, white collar. Between us and him, a wooden chair is draped with a crimson-red cloak trimmed with white fur and bands of gold. A pewter pitcher and candlestick rest on the pine floor in front of it, near the lower right corner of the painting. The man is stopped at the door by a woman wearing a sable-brown gown with a tight-fitting bodice and a white cap on the back of her head. Her body faces the man as she leans toward him with her outstretched right hand resting on his shoulder, and she turns her smiling face back over her shoulder. Light from an open window on the left illuminates the woman in the center, who steps down from a bed enclosed by forest-green, velvet curtains trimmed with gold fringe and tassels. The curtains are parted behind her to reveal white pillows. She wears a long, gleaming white satin skirt topped by a tight-fitting coral-red bodice stitched with thin lines of gold. A white neckerchief covers her shoulders and is partially tucked into the bodice. Her head is covered by a white kerchief knotted under her chin. Her body faces us with one foot on a step stool, and the other foot reaches down to a gold and red shoe on the floor. Its mate lies nearby, pointing away from us. Her head is turned to our right to look at the man. She has a thin face with a high forehead, and small mouth is closed or pursed. Closest to us and near the lower left corner of the painting, the third woman sits alongside a small table under the open window. She wears a long, pine-green jacket trimmed with white fur over a brown skirt. Her auburn hair is partially coiled around her head, while some locks fall in bunched curls. She sits facing our right in profile with her back to the window, so her smiling face is mostly in shadow. Her left arm rests on the table, which is draped with a red and copper patterned cloth, and she holds a white comb in that hand. A mirror and round silver box sit on the table next to her. A small brown and white dog stands by her feet, its head tilted up to look at the others. The far wall of the room is covered with a faint pattern of golden brown vines and leaves against a forest-green background. The artist signed the painting on the face of the step leading up to the bed, “G. Metsu.”
Japan; Illustrated book; Illustrated Books
Hawk, from The Picture Book of Realistic Paintings of Hokusai (Hokusai shashin gafu)
About three dozen people gather in a grassy field to either side of a crumbling structure to kneel and pray before a woman and baby in the center of this horizontal painting. The woman, Mary, and baby, Jesus, have smooth, pale skin while the others have light or tanned skin. The structure has sand-colored stone pillars, a wooden triangular, pitched roof, and a straw floor. Mary, who has an elongated torso, sits facing us with her knees apart. She wears an azure-blue robe over a rose-pink dress. A shell-pink veil covers her head and body. Jesus sits on her left knee, his pudgy body angled to our left. He is nude except for a transparent cloth wrapped over one shoulder and the opposite hip. Mary’s left hand braces his torso. On Mary’s right, our left, Joseph, an older man, stands facing us. He clasps his hands at his chest and leans on a long stick. He has wrinkled skin, long, gray curly hair, and a full beard. Both Mary and Joseph tilt their heads to their right, our left, as they look down at Jesus. Joseph wears a golden yellow robe over a blue tunic. Joseph, Mary, and Jesus have faint gold halos. Behind them, a brown cow and gray donkey rest on the straw. People closest to Mary and Jesus kneel and bow their heads while the people to the left and right sides mostly stand. Three men kneeling closest to Mary and Jesus offer gifts, including a bronze vessel and a gold jar. One man has long dark brown hair and a beard, and wears a gold crown. Another man is bald with long gray hair and beard, while the third is cleanshaven with shoulder-length brown hair. These men wear robes in powder blue, carnation pink, or celery green with delicate silver and gold embelishments. Others in the crowd range in age from young and cleanshaven to older and bearded. They wear robes and tunics in shades of raspberry pink, butterscotch yellow, lapis blue, plum purple, or forest green. Several horses, their coats white or cinnamon brown, stand among the crowd, a few with riders. To our right, one horse rears its head and two others stand facing each other. Beyond the crowd, grassy green meadows and hills dotted with trees lead back to the horizon. A pale blue sky fills the top third of the composition.
Two Rabbits, from The Picture Book of Realistic Paintings of Hokusai (Hokusai shashin gafu)
Kajikazawa in Kai Province (Koshu Kajikazawa), from the series "Thirty-six Views of Mount Fuji (Fugaku sanjurokkei)"
Yoro Waterfall in Mino Province (Mino no kuni Yoro no taki), from the series Tour of the Waterfalls in Various Provinces (Shokoku Takimeguri)
Goddess Riding a Dragon, from The Picture Book of Realistic Paintings of Hokusai (Hokusai shashin gafu)
Japan; Illustrated book; Illustrated Books
Whaling off the Coast of the Goto Islands (Goto kujira tsuki), from the series "One Thousand Pictures of the Ocean (Chie no umi)"
Twee fragmenten textiel
Hunting and fishing scenes
Hydrangea and Swallow, from an untitled series of large flowers
Grapevine
Woman Reading a Letter
Under the Wave off Kanagawa (Kanagawa oki nami ura), also known as The Great Wave, from the series "Thirty-Six Views of Mount Fuji (Fugaku sanjūrokkei)"
Fishing by Torch in Kai Province (Koshu hiburi) from the series "One Thousand Pictures of the Ocean (Chie no umi)"
Tánggǔ (堂鼓)
Wine Cup with Children at Play
Stela of Amenemhat and Hemet
"Dancing Dervishes", Folio from a Divan of Hafiz
Interieur van een timmermanswerkplaats
Under the Wave off Kanagawa (Kanagawa oki nami ura), also known as The Great Wave, from the series "Thirty-Six Views of Mount Fuji (Fugaku sanjurokkei)"
Fox, from The Picture Book of Realistic Paintings of Hokusai (Hokusai shashin gafu)
Armor (Gusoku)
Oribe-Type Ewer
The Milkmaid
Writing Box (Suzuribako) with Phoenix in Paulownia
Shower Below the Summit (Sanka hakuu), from the series "Thirty-Six Views of Mount Fuji (Fugaku sanjurokkei)"
Ovoid jar with women with a yoke in scalloped panels
A woman stands drinking from a tall glass as two men sit at a table in a courtyard enclosed by wood paneling and brick buildings in this vertical painting. The people all have pale, peachy skin. The men, table, and woman take up the lower left quadrant of the composition. Both men wear broad-brimmed, black hats. The man closer to us, on our side of the table, faces our right in profile and holds a long white, clay pipe to his lips. He wears an ink-black jacket and tan leggings. A white stocking hangs down in a wide cuff from his knee on the leg we can see. A dove-gray cape is draped across his lap and a brown coat with gold-colored buttons is slung over a railing behind his back. Across the table, a bearded man wears a shining armor breastplate over a brown shirt. He looks up at the woman and smiles, holding a blue and white tankard with the lid flipped open in one hand. Another pipe and piece of paper sit on the narrow table between the men. The woman stands to one side of the table, facing our left in profile and the toe of her shoe touching or nearly brushing the black shoe of the man closer to us. Her brown hair is covered by a white cap, and she wears a tan-colored jacket, a long, crimson-red skirt, and an ultramarine-blue apron. Across the courtyard, in the lower right corner of the painting, a young girl also wears a white cap and blue apron but with a slate-gray shirt and laurel-green skirt. She approaches the table. A glowing ember is visible inside the ceramic brown dish she holds in both hands. The slightly uneven floor is paved with long, pale yellow bricks. A building rises to our right, a red shutter opening out from a window on the ground level. The other, closed shutter is painted with triangles of black, white, and gray. A half-wall of red brick across from us surrounds an open door, through which are stairs and a tree trunk. More trees rise above the top of that wall. Horizontal paneling encloses the courtyard to our left, behind the men. A church steeple in the distance is silhouetted against the sky over the paneling. A few wispy white clouds float across the vivid blue sky above.
Palampore
The Birth and Naming of John the Baptist
Fragment textiel
Green Tara
Honderd gezichten op de berg Fuji - deel drie
Bowl with inscription and chrysanthemums and tortoiseshell decoration
In the Omnibus
Dozens of people form a line starting from an opening in a city wall or building in the background to a rustic shed-like structure close to us, to kneel before a seated woman holding a baby on her lap in this vertical painting. All of the people have pale skin tinged faintly with green. The top edge of the panel is shaped so it has two rounded sections like shoulders leading to a stepped, crown-like form with an inward curving triangle at the top. A nickel-gray, crenelated stone wall of a distant city is nestled into the top, stepped section, with a glimmering gold sky above filling the uppermost triangle. Tile-roofed and domed buildings and a few towers appear densely packed beyond the wall. People on foot and horseback create a line from an arched opening in the wall toward us and to our right. Three of the people on horseback in the distance wear long robes and have gold halos. The line of people winds behind a tall, narrow hill to our right and it continues close to us. Two horses, two camels, and several people wait to the right but our attention is drawn to the trio in the foreground, Mary, Jesus, and Joseph, and the three men near the infant, the Magi. Mary wears a lapis-blue mantle covering her head and shoulders over a petal-pink dress, and she sits on a wooden or stone chest in the center of the painting. Her body faces us but she turns her face to look with pale blue eyes off to our right. In one hand she holds a hexagonal gold vessel that tapers to a flame-like finial. With the other hand, on our left, she supports the blond infant sitting in her lap. He is covered only with a white cloth around his waist, and he looks toward the vessel as he holds up the index and middle fingers of his right hand. To our left and slightly behind Mary, a balding man with white hair and beard and wearing a blue garment under a red robe sits with his head propped in his hand, looking down. His other hand rests on what might be the handle of a crutch or staff. The man, woman, and child have gold halos with what appears to be writing. The three Magi also have gold halos and they all wear scarlet-red shoes. The oldest kneels before Mary and kisses Jesus's feet. He has a long, light gray beard and is balding. He wears a brocade-like gold robe over pale brick-red sleeves. A cleanshaven man with dark brown hair and wrinkles around his mouth kneels to our left as he raises a jewel-encrusted gold crown from his head. He wears a gold and red floral-patterned garment and holds a rounded vessel, also with a flame-like finial. A younger, cleanshaven man with smooth features and shoulder-length, curling blond hair to our right also wears a gold crown. A dagger hangs from the waist of his sky-blue tunic, and his leggings are pale plum purple. Both arms are bent to his hands are held up, and in his right hand, he holds another tabernacle-like gold vessel. The structure to our left houses a donkey and bull munching hay. A gold sunburst floats above the roof, which seems to be built up against the stone wall of a building. The hills and trees beyond the people is painted with pine and moss greens and brown.
Dragon and Tiger
Christ Carrying the Cross
Fragment textiel
Selections from the New Collection of Japanese Poems from Ancient and Modern Times (Shinkokin wakashū) with Printed Designs of Chinese Lions and Crab Finger Grass
A man bows to a woman as another man looks on from the shadowy background, while a woman sitting at a table plays a lute in this vertical painting. All the people have pale skin. The bowing man enters from an open door to our left. He faces our right in profile and has a bumped nose, a dark mustache, and his brown hair falls loosely over his shoulders. He wears a voluminous, black jacket that has a wide white collar and flat, plate-like, starched white cuffs. He bends forward with one foot stretched in front of him, as he gazes at the woman to our right. His hands are spread wide. His left forefinger and thumb touch to make an O shape, and he holds a wide-brimmed, black hat in his right hand, closer to us. At the center of the composition, the woman wears a dress with a coral-pink bodice and a cream-white satin skirt trimmed with gold down the front and around the hem. She faces our left in profile and looks at the man, her cheeks flushed. Her eyebrows are slightly raised over dark eyes, and she has a straight nose and the hint of a double chin. Her blond hair is pulled back under a lace covering, and curls frame her face. A black ribbon is tied into a bow at the shoulder closer to us. A brown and white dog, about knee-high, stands between the man and woman. To our right, a young woman sits at the far side of a table playing a lute. She wears a sapphire-blue dress and looks down at her instrument. One elbow is propped on the patterned rug that covers the table. A second instrument, perhaps a cello, lies on the table, and a wooden chair with a pine-green upholstered seat has been pulled up to our side of the table. Almost lost in the shadows at the back of the room between the two women, a man with a goatee and wearing a brown jacket and trousers stands with his body angled to our right as he looks over his shoulder at the couple at the door. He stands in front of a fireplace with an opening so large that the mantle is supported by columns as tall as the man.
Guanyin
Funerary relief
The Adoration of the Magi
This print illustrates the legend of a woman murdered by her husband because she accidentally broke plates. Her corpse and the pieces of the dishes were thrown into a well, but her ghost returned every night to haunt him in the eerie form seen here. This small-format work features a bright blue color that may seem cheery to us, but Hokusai’s original audience would have associated it with death and the occult.
Grapevine and Squirrels
Farmhouse on the Slope of a Hill
A Mild Breeze on a Fine Day (Gaifu kaisei), from the series "Thirty-six Views of Mount Fuji (Fugaku sanjurokkei)"
Basin with Inscribed Figures and Calligraphy
This frightening print illustrates the story of Kohada Koheiji, a Kabuki actor who was drowned by his wife’s lover but later came back to haunt the couple. The tale was popular in the 18th century, eventually inspiring a novel and several Kabuki plays. Here, the skeletal ghost of Kohada Koheiji pulls down the mosquito net and eerily peers at the sleeping couple in their bed.
Youth Playing a Pipe for a Satyr