This print illustrates the legend of a woman murdered by her husband because she accidentally broke plates. Her corpse and the pieces of the dishes were thrown into a well, but her ghost returned every night to haunt him in the eerie form seen here. This small-format work features a bright blue color that may seem cheery to us, but Hokusai’s original audience would have associated it with death and the occult.

The Mansion of the Plates (Sara yashiki), from the series "One Hundred Ghost Tales (Hyaku monogatari)"

Katsushika Hokusai

This print illustrates the legend of a woman murdered by her husband because she accidentally broke plates. Her corpse and the pieces of the dishes were thrown into a well, but her ghost returned every night to haunt him in the eerie form seen here. This small-format work features a bright blue color that may seem cheery to us, but Hokusai’s original audience would have associated it with death and the occult.

Details

Dimensions
25.5 × 18.6 cm (10 1/16 × 7 3/8 in.)
Origin
Japan
Department
Arts of Asia
Holding institution
Art Institute of Chicago
Image provider
art-institute-chicago
License
CC0-1.0
Credit
Clarence Buckingham Collection

Art Genome Taxonomy

12 tags

Subject Matter

  • The image visibly presents a supernatural apparition, while the catalog identifies the work as part of One Hundred Ghost Tales and notes the original audience’s association of its blue hue with death and the occult.

  • Narrative Both · 96%

    The composition stages a recognizable episode involving a ghost above a well, and the catalog identifies the underlying legend and haunting narrative.

  • The Fantastic Both · 92%

    The pale elongated apparition, transformation of a human figure into a ghost, and uncanny setting support the catalog’s ghost-tale context and the subject category of the fantastic.

  • Mortality Metadata · 90%

    The supplied catalog description centers on murder, a corpse, and a haunting associated with death.

  • Flora Visual · 99%

    Leafy vegetation and vine-like forms visibly frame the well and extend across the lower portion of the composition.

  • Text Visual · 99%

    A small cartouche containing Japanese characters is visibly positioned in the upper-left corner.

Visual Qualities

  • Dark Colors Visual · 98%

    Deep blue, black, cream, muted green, and reddish-brown dominate the composition, creating a dark nocturnal effect.

  • Linear Forms Visual · 95%

    Fine repeated lines define the hair, patterned garment, well structure, foliage, and curling wisp, making linear mark-making a prominent feature.

Medium and Techniques

  • Prints Metadata · 99%

    The museum classifies the work as a print and identifies the medium as a color woodblock print in chuban format.

  • Woodcut and Linocut Metadata · 98%

    The catalog explicitly identifies the work as a woodblock print; the carved linear contours and flat color fields are also visible in the image.

Time Periods

  • 19th Century Art Metadata · 99%

    The work is dated 1831–32, placing it in the nineteenth century.

Geographic Regions

  • Japanese Art Metadata · 99%

    The artist is identified as Japanese, and the place of origin is Japan.

Source & rights

Katsushika Hokusai. The Mansion of the Plates (Sara yashiki), from the series "One Hundred Ghost Tales (Hyaku monogatari)". The Art Institute of Chicago.