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Charles and Lavinia Stratton

Charles and Lavinia Stratton

G.W.M. Nutt and Minnie Warren

Charles and Lavinia Stratton

Unidentified Man

Alexander Campbell

The great Jewish bride

Acteurs tijdens een kabuki-voorstelling in Kabukiza, Tokyo

Unidentified Man

Clara Louise Kellogg

John F. Gray

Alfred W. Ely

Lilliputian King, with John Drummond and Professor Cromwell

Charles and Lavinia Stratton

The great Jewish bride

G.W.M. Nutt and Minnie Warren

Man met peuter op de rug, Osaka

Jessie Benton Frémont

Son of Prince de Joinville (Pierre Philippe Jean Marie d'Orleans)

James Longstreet

The great Jewish bride

Unidentified Man

Twee vrouwen tussen publiek tijdens paardenraces, Hippodrome de Longchamp in het Bois de Boulogne

Unidentified Men

Henri-Charles Maniglier

James H. Lane

Wainscoting with chimneypiece, wallpanels and a portico

Abraham Lincoln and Family

Unidentified Man

Acteur in een Noh-theaterstuk, Tokyo

Unidentified Man

Unidentified Woman

Coonley family

Edward L. Davenport

Unidentified Woman

Henry B. Nones

Oksaal (koorafscheiding), afkomstig uit de kerk te Helvoirt

Acteurs tijdens een kabuki-voorstelling in Kabukiza, Tokyo

Trophy of the Hunt

Charles Meigs

The King's Acquaintances Memi and Sabu

Lyman Trumbull

Unidentified Woman

La Femme au miroir

Kast met het wapen Alberda

Accordion

Johannes Vermeer. Gezicht op Delft / Vue de Delft / View of Delft / Ansicht von Delft

St. Catherine of Siena and the Beggar

Pair of Candelabra

Portret van drie onbekende Yakuza-mannen in Kamagasaki, Osaka

Man met peuter op de rug, Osaka

Interieur van een timmermanswerkplaats

Samuel L. Breese

Man en vrouw bovenin de Tokyo Tower

Unidentified Man

Unidentified Woman

Margaret of Austria

A woman wearing a cobalt-blue robe and a white veil sits with her hands raised, palms out, as she looks toward a slender, bearded man who stands to our left in this vertical painting. Both have light skin and delicate features, and they sit in a room with stone walls and arched windows. There are faint circles under the woman’s light brown eyes. She has a long slender nose, and her pink lips are pursed. One knee is bent, and she is low to the ground, suggesting she sits on a stool. A book lies open on a wooden stand in front of her to our right, below her left elbow. The ruffled edges of her multi-layered, white veil sweep over her forehead and down to her shoulders. Her loose, long-sleeved blue garment is edged with gold and falls in angular folds to pool at her feet. She holds her long-fingered, slender hands up at her chest, palms facing the man to our left. He stands with his body angled toward her as he looks down, his head tipped slightly forward. His brown hair falls over his shoulders. His voluminous, gold-edged, red cloak is fastened at his throat with a gold, jeweled brooch, and it drapes over his shoulders and around his lower torso, leaving his arms, chest, and a gash over his right ribs exposed. He holds a tall, gold staff topped with a jeweled cross in his left hand, to our right. A moss-green pennant flutters back from the base of the cross, as if lifted in a breeze. The man holds up his other hand so the palm faces the woman with the first two fingers raised. Round, puncture wounds with red blood mark the palm of that hand and tops of both bare feet. The floor is patterned with gray, brown, blue, and green tiles. The wall behind the woman has honey-brown paneling along the bottom half and the top half is slate gray. Gray columns are spaced along that wall, supporting a curving, vaulted ceiling. Two arched windows pierce the wall behind the woman, and both have stained glass designs within the curving tops. The window closer to us opens onto a narrow view of a landscape with a rose-pink arch over a bridge, and a path winding through green fields. An open door over the shoulder of the man, to our left, shows the stepped roofline of a pink building under a blue sky. The entire scene is framed with a flattened arch supported by gleaming columns of polished, veined brown stone, creating the impression that we look onto the people and room through the arch. The columns have leafy capitals and white bases. The tan-colored arch is carved with a row of stylized rosettes along the opening that spans the top of the painting.

Unidentified Man

Cabinet Decorated with Episodes from the Parable of the Prodigal Son

Robert E. Lee and Staff [G.W.C. Lee and Walter H. Taylor]

James H. Lane

Seated Female Nude (Self-Portrait?)

Portrait de l'artiste tenant un chardon

A young girl stands next to and holds the hand of an elegantly dressed woman sitting in a wooden armchair near stone columns, in front of a crimson-red curtain pulled up to reveal a distant landscape view in this vertical portrait painting. The child and woman have smooth, light skin, and the fabric of their dresses has a silken sheen. To our right, the woman sits with her knees angled slightly to our left, and she looks at us with dark blue eyes under faint brows. Her brown hair is pulled back from her high forehead under a hair covering set with pearls. Her pointed chin is slightly pulled back, and her pale pink lips are closed. A teardrop-shaped pearl hangs from the ear we can see, and she wears two strands of pearls like a choker, above a thick, pleated lace ruff. The fabric of the long-sleeved bodice has a gold-on-gold pattern, and is lined with a row of buttons down the front. Filmy lace cuffs extend back over her forearms from her wrists. Her full, floor-length skirt is scarlet red with a gold, brocade-like pattern, and has silvery-gray stripes down the front and around the lower hem. The cloak she wears over the dress has a black-on-black floral pattern. Three thick gold chains hang across her bodice, and she wears a square-cut, gray stone set in a gold ring on the third finger of her left hand. To our left, the young girl stands next to the wooden arm of the chair and holds the woman’s hands with both of hers. The child looks at us with gray eyes, and her pale pink lips are parted in a slight smile. Her light brown hair is pulled back under a gray band, perhaps of fur, around her head, over an apricot-colored head covering that matches her dress. The tight-fitting, long-sleeved bodice is striped with bands of alternating gold and pink geometric designs against the apricot-peach background. A lace-edged collar lies across her shoulders. A red, oval pendant hangs from her three-standed pearl necklace, and she wears three pearl bracelets on one wrist. A thick gold chain falls across her chest and around one hip. The floor-length, full skirt has buttercup-yellow and shell-pink highlights on the coral-colored background. Behind the pair, the red curtain has been pulled up so it seems to flutter behind the woman’s head, in front of stone columns that frame a distant landscape view with trees. A blocky structure, presumably a building, sits on the far distant, hazy horizon. Light pours down in streaks from steel-gray clouds against a pale blue sky.

Walking ensemble

Dress

The Merry Family

Japan; Illustrated book; Illustrated Books

A Young Woman Buying a Pink from a Young Man

The Night Watch Militia Company of District II under the Command of Captain Frans Banninck Cocq

Isaac and Rebecca, Known as ‘The Jewish Bride’

Dress

Mary Todd Lincoln

Sand Dunes, Carson Desert, Nevada

Portraits of Surinamese Girls

Center table

Quilt

Robe à la française

Abraham Lincoln

The Birth and Naming of John the Baptist

Shown from the chest up, a clean shaven, young man with pale, rosy skin and curly, mahogany-red hair, looks at or toward us against a black background in this vertical portrait painting. His body is angled to our left, and he turns his face slightly to look our way with sienna-brown eyes under curved eyebrows. He has a long, prominent nose and small thin pink lips. His shoulder length hair curls tightly around his face and covers his ears. He wears a tomato-red shirt with a high collar trimmed with white.

Gian Lodovico Madruzzo

Graven en gravinnen van Holland

Gedicht op de zilveren bruiloft van Ludolph Simon de With en Maria de Wit, 15 augustus 1771

[Large Figures on the North Porch, Chartres Cathedral]

Winter Trees Reflected in a Pond

Code de Hammurabi

[Entrance to the Port of Boulogne]

Carpet with Scrolling Vines and Blossoms

Man met peuter op de rug, Osaka

Copy of The Night Watch

Adolph Heinrich Joseph Sutro

Gloves

Palampore

Shown from the chest up, a clean-shaven, pale-skinned man holds one hand to his chest and rests the other on a rug-covered ledge with the other in this vertical portrait painting. The man’s body is angled to our left, and he looks down in that direction with dark eyes under thick brows. Crow’s feet crinkle at the corners of his eyes, and there are dark hollows underneath. Soft jowls hang to create a slight double chin. His thin lips are set in a line over a wide, round chin, which is darkened with a five o’clock shadow. He has chin-length, reddish-blond hair, and straight, wispy bangs sweep loosely across his high forehead. He wears a white chemise under a gold, brocade garment, which is mostly hidden by a slate-blue cloak. The cloak is lined with spotted fur, which is turned over to create a wide collar across his shoulders. The sleeve on his left arm, to our right and closer to us, splits over a dusky-pink sleeve. Two gold buttons on the cloak there are decorated with thistle plants and blossoms. The fingers of his right hand, to our left, are gathered like a closed rose bud at his chest. He wears a gold ring on the index finger of the other hand, which rests on the end of the gray stone ledge so his fingertips brush the tapestry draped there. The man is lit from our left against a black background.

Spiegellijst, beschilderd met vier allegorische vrouwenfiguren

The Wade Cup with Animated Script

Enclosed Valley