A young girl stands next to and holds the hand of an elegantly dressed woman sitting in a wooden armchair near stone columns, in front of a crimson-red curtain pulled up to reveal a distant landscape view in this vertical portrait painting. The child and woman have smooth, light skin, and the fabric of their dresses has a silken sheen. To our right, the woman sits with her knees angled slightly to our left, and she looks at us with dark blue eyes under faint brows. Her brown hair is pulled back from her high forehead under a hair covering set with pearls. Her pointed chin is slightly pulled back, and her pale pink lips are closed. A teardrop-shaped pearl hangs from the ear we can see, and she wears two strands of pearls like a choker, above a thick, pleated lace ruff. The fabric of the long-sleeved bodice has a gold-on-gold pattern, and is lined with a row of buttons down the front. Filmy lace cuffs extend back over her forearms from her wrists. Her full, floor-length skirt is scarlet red with a gold, brocade-like pattern, and has silvery-gray stripes down the front and around the lower hem. The cloak she wears over the dress has a black-on-black floral pattern. Three thick gold chains hang across her bodice, and she wears a square-cut, gray stone set in a gold ring on the third finger of her left hand. To our left, the young girl stands next to the wooden arm of the chair and holds the woman’s hands with both of hers. The child looks at us with gray eyes, and her pale pink lips are parted in a slight smile. Her light brown hair is pulled back under a gray band, perhaps of fur, around her head, over an apricot-colored head covering that matches her dress. The tight-fitting, long-sleeved bodice is striped with bands of alternating gold and pink geometric designs against the apricot-peach background. A lace-edged collar lies across her shoulders. A red, oval pendant hangs from her three-standed pearl necklace, and she wears three pearl bracelets on one wrist. A thick gold chain falls across her chest and around one hip. The floor-length, full skirt has buttercup-yellow and shell-pink highlights on the coral-colored background. Behind the pair, the red curtain has been pulled up so it seems to flutter behind the woman’s head, in front of stone columns that frame a distant landscape view with trees. A blocky structure, presumably a building, sits on the far distant, hazy horizon. Light pours down in streaks from steel-gray clouds against a pale blue sky.

Susanna Fourment and Her Daughter

Sir Anthony van Dyck

A young girl stands next to and holds the hand of an elegantly dressed woman sitting in a wooden armchair near stone columns, in front of a crimson-red curtain pulled up to reveal a distant landscape view in this vertical portrait painting. The child and woman have smooth, light skin, and the fabric of their dresses has a silken sheen. To our right, the woman sits with her knees angled slightly to our left, and she looks at us with dark blue eyes under faint brows. Her brown hair is pulled back from her high forehead under a hair covering set with pearls. Her pointed chin is slightly pulled back, and her pale pink lips are closed. A teardrop-shaped pearl hangs from the ear we can see, and she wears two strands of pearls like a choker, above a thick, pleated lace ruff. The fabric of the long-sleeved bodice has a gold-on-gold pattern, and is lined with a row of buttons down the front. Filmy lace cuffs extend back over her forearms from her wrists. Her full, floor-length skirt is scarlet red with a gold, brocade-like pattern, and has silvery-gray stripes down the front and around the lower hem. The cloak she wears over the dress has a black-on-black floral pattern. Three thick gold chains hang across her bodice, and she wears a square-cut, gray stone set in a gold ring on the third finger of her left hand. To our left, the young girl stands next to the wooden arm of the chair and holds the woman’s hands with both of hers. The child looks at us with gray eyes, and her pale pink lips are parted in a slight smile. Her light brown hair is pulled back under a gray band, perhaps of fur, around her head, over an apricot-colored head covering that matches her dress. The tight-fitting, long-sleeved bodice is striped with bands of alternating gold and pink geometric designs against the apricot-peach background. A lace-edged collar lies across her shoulders. A red, oval pendant hangs from her three-standed pearl necklace, and she wears three pearl bracelets on one wrist. A thick gold chain falls across her chest and around one hip. The floor-length, full skirt has buttercup-yellow and shell-pink highlights on the coral-colored background. Behind the pair, the red curtain has been pulled up so it seems to flutter behind the woman’s head, in front of stone columns that frame a distant landscape view with trees. A blocky structure, presumably a building, sits on the far distant, hazy horizon. Light pours down in streaks from steel-gray clouds against a pale blue sky.

Details

Medium
oil on canvas
Dimensions
overall: 172 × 117 cm, 106 lb. (67 11/16 × 46 1/16 in., 48.081 kg) framed: 204.47 × 149.86 × 12.7 cm (80 1/2 × 59 × 5 in.)
Department
CNE-B
Holding institution
National Gallery of Art
Image provider
national-gallery-of-art
License
CC0-1.0
Credit
Andrew W. Mellon Collection

Art Genome Taxonomy

10 tags

Subject Matter

  • Group Portrait Both · 99%

    The title names Susanna Fourment and her daughter, and the image visibly shows two sitters posed together.

  • Family Metadata · 100%

    The title explicitly identifies the young girl as Susanna Fourment’s daughter.

  • Related to Fashion Visual · 97%

    The figures wear elaborate dresses, lace collars and cuffs, pearls, chains, and other visible adornments that receive substantial visual emphasis.

Styles and Movements

  • Baroque Interpretive · 84%

    The 1621 date, formal portrait structure, theatrical curtain, saturated colors, and sumptuous costume are consistent with Baroque portraiture, although the supplied catalog does not list a style.

Visual Qualities

  • Dark Colors Visual · 96%

    Deep crimson, black, brown, and charcoal tones dominate the composition, contrasted with pale skin, white lace, and cooler blue-green landscape tones.

  • Highly Ornamented Visual · 97%

    The clothing, curtain, lace, jewelry, and architectural setting are rendered with abundant decorative detail and ornament.

  • Patterns Visual · 95%

    Repeated decorative motifs are visible across the woman’s red skirt, gold bodice, the child’s dress, and the curtain.

Medium and Techniques

  • Painting Metadata · 100%

    The National Gallery of Art classifies the work as a painting and identifies the medium as oil on canvas.

  • Oil Painting Metadata · 100%

    The catalog identifies the medium as oil on canvas.

Time Periods

  • 17th Century Art Metadata · 100%

    The catalog dates the work to 1621, placing it in the seventeenth century.

Source & rights

Sir Anthony van Dyck. Susanna Fourment and Her Daughter. Courtesy National Gallery of Art, Washington.