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Graven en gravinnen van Holland
Portret van Arnulf, graaf van Holland
Portret van Floris I, graaf van Holland
Graven en gravinnen van Holland
Portret van Dirk III, graaf van Holland
Portret van Geertruida van Saksen
Standing Officer Holding a Boar's Spear
The great Jewish bride
Equestrian Portrait of the Emperor Maximilian
Christ Carrying the Cross
Relief: two servants bearing food and drink
The great Jewish bride
Unidentified Woman
Portrait de l'artiste tenant un chardon
Gedicht op de zilveren bruiloft van Ludolph Simon de With en Maria de Wit, 15 augustus 1771
Grafmonument met alliantiewapen en vier kwartierwapens
Copy of The Night Watch
The Submersion of Pharaoh's Army in the Red Sea
Study for the Nude Youth over the Prophet Daniel (recto); Figure Studies for the Sistine Ceiling (verso)
Youth Playing a Pipe for a Satyr
The great Jewish bride
Twee vrouwen tussen publiek tijdens paardenraces, Hippodrome de Longchamp in het Bois de Boulogne
Sir Anthony Mildmay, Knight of Apethorpe, Northamptonshire
Japan; Illustrated book; Illustrated Books
The Rabbit Hunt
Half Armor for the Foot Tournament
Study for The Battle of Waterloo
The Night Watch Militia Company of District II under the Command of Captain Frans Banninck Cocq
Invocation to Love
Saint Sebastian
Jessie Benton Frémont
Interieur van een timmermanswerkplaats
Shown from about the hips up, a young, pale-skinned man with curly brown hair stands facing and looking at us, wearing a plum-purple coat under a golden yellow cape in this vertical portrait painting. The man’s oval face is angled a little to our left so he looks out from the corners of his gray eyes. His left eyebrow, on our right, is slightly arched. His skin is smooth and his cheeks lightly flushed. He has a long, straight nose, his pink lips are closed, and there is a faintly painted suggestion of a goatee. Wavy bangs fall across his forehead, and he has curly, chin-length hair. He stands with his right hand, on our left, on his hip, and in his other arm, he holds a wooden staff with a pewter-gray, metal, scoop-like hook at the top. White lace trims the high neck of his garment and the cuffs of his sleeves. Light reflecting off the plum-purple coat suggests a soft material, possibly velvet. Crisp reflections on the deep, butter-yellow cape fastened over one shoulder suggest satin. An emerald-green cloth hanging from the top right corner of the painting falls behind the man’s shoulder. Behind the cloth and to our left, a craggy, rocky outcropping opens to a view of a landscape with a green valley and topaz-blue mountains in the distance. Bands of golden light illuminate the cloudy sky above. The work is inscribed with yellow lettering in the lower right corner to read, “Philip Lord Wharton 1632 about ye age of 19.” The artist’s name is painted in the lower left: “P. Sr Ant: vandike.”
Presentation Drawing of "The Statue of Liberty Illuminating the World"
Unidentified Woman
Armor (Gusoku)
Enclosed Valley
Hanger met cachet met de Dood
Unidentified Man
Ingelijste muurschildering voorstellende Xiwangmu en dienaressen
Christ Crucified Between the Two Thieves: 'The Three Crosses'
The Night Watch by Rembrandt van Rijn
John F. Gray
Raft Cup
Tomb with Sphinxes and an Owl
The Wade Cup with Animated Script
Shown from the chest up, a clean-shaven, pale-skinned man holds one hand to his chest and rests the other on a rug-covered ledge with the other in this vertical portrait painting. The man’s body is angled to our left, and he looks down in that direction with dark eyes under thick brows. Crow’s feet crinkle at the corners of his eyes, and there are dark hollows underneath. Soft jowls hang to create a slight double chin. His thin lips are set in a line over a wide, round chin, which is darkened with a five o’clock shadow. He has chin-length, reddish-blond hair, and straight, wispy bangs sweep loosely across his high forehead. He wears a white chemise under a gold, brocade garment, which is mostly hidden by a slate-blue cloak. The cloak is lined with spotted fur, which is turned over to create a wide collar across his shoulders. The sleeve on his left arm, to our right and closer to us, splits over a dusky-pink sleeve. Two gold buttons on the cloak there are decorated with thistle plants and blossoms. The fingers of his right hand, to our left, are gathered like a closed rose bud at his chest. He wears a gold ring on the index finger of the other hand, which rests on the end of the gray stone ledge so his fingertips brush the tapestry draped there. The man is lit from our left against a black background.
Helmet with divine figures beneath a bird with outstretched wings
Japan; Illustrated book; Illustrated Books
James H. Lane
Farmhouse on the Slope of a Hill
The Cathedral
Hawk, from The Picture Book of Realistic Paintings of Hokusai (Hokusai shashin gafu)
Charles and Lavinia Stratton
The Vicarello Goblet
Gloves
Helmet (Spangenhelm)
Belt clasp
Japan; Illustrated book; Illustrated Books
Feuillet de diptyque en cinq parties : l'Empereur triomphant (Justinien ?)
Study for The Battle of Waterloo
Brandspuitpenning van Amsterdam, wijk 7 nummer D4
The Entrance Hall of the Regensburg Synagogue
Dagger-axe
Margaret of Austria
Cabinet Decorated with Episodes from the Parable of the Prodigal Son
Ewer
Lontslotmusket met vuursteenslot uit latere periode
View of Venice
William Henry Harrison
Johannes Vermeer. Gezicht op Delft / Vue de Delft / View of Delft / Ansicht von Delft
Fragment van een muurschildering
A nearly nude man with peachy skin stands next to and looks up at a man with ashen, ivory-colored skin, wearing armor and riding a bright white horse in this vertical painting. The horizon line comes less than a quarter of the way up the composition, and the sky behind the men and horse is vivid, aqua blue with a few silvery-gray and pale, yellow clouds floating along the top edge of the composition. The painting is created with long, blended brushstrokes, and the limbs and features of the two men and horse are elongated and have delicate, dark outlines. The horse’s body is angled to our right but it looks at us from the corners of its dark eyes. One front leg is raised. The rider looks down toward the man on foot at his side, to our left. The rider has dark, arched eyebrows, a long, straight nose, a pointed chin, and short, copper-orange hair. Wide ruffs pleated into figure-eights encircle his neck and wrists. His chest and arms are covered with plates of steel-gray armor edged and decorated with gold bands and medallions. He wears crimson-red pantaloons and stockings with mustard-yellow boots. With his right hand, to our left, he holds the gold hilt of a long, thin sword along the horse’s body. With his other hand, he holds a swath of lime-green fabric, which drapes down the side of the horse and across the hips of the man standing next to the rider. The sheen of the fabric is suggested with canary-yellow highlights where it catches the light. The standing man has short, dark brown hair and eyebrows. He looks to our right in profile, toward the rider, with pink lips parted. He holds the green fabric with his left hand, to our right, and he has a bandage around his leg near his right ankle. The horse and man stand on a spit of dark brown land, with a landscape of trees, buildings, and mountains deep in the distance beyond.
Center table
Doublet
Unidentified Man
Pendant in the form of a cock
Cylinder seal with cultic scene
Draagteken van de Illustere Lieve Vrouwen Broederschap te 's Hertogenbosch
Siermes
A Philosopher Watching a Pair of Butterflies, from The Picture Book of Realistic Paintings of Hokusai (Hokusai shashin gafu)
Staff of Office
Hercules chasing Avarice from the Temple of the Muses
Bowl with Inscription, "Sovereignty is God's"
Unidentified Man
Unidentified Man
Uma
Louis XIV (1638-1715), roi de France
Pichhwai for the Festival of Cows
The Night Watch by Rembrandt van Rijn
Battle of the Nudes
Bronze rod tripod stand
This painting is a portrait of a man from the chest upwards, his body and head turned slightly to the left. The man has pale skin, blue eyes, high cheekbones, slightly furrowed brows, a straight nose, and pink lips in a neutral expression. He has shoulder-length wavy brown hair and wears a dark green jacket with a white-and-yellow fur collar and a floppy black hat with a brim that curves around his forehead. The background is plain black. A monogram is visible in the top left corner, and the date "1507" is inscribed in the top right corner.
Mural Fragment Depicting a Maguey Bloodletting Ritual
Maharana Sangram Singh Riding a Prize Stallion
Henry B. Nones
The Merry Family
Rosewater ewer
Venus Reclining in a Landscape
Unidentified Man