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The Night Watch by Rembrandt van Rijn

Koning Willem III in de Frans-Duitse Oorlog 1870

Internationale Koloniale en Uitvoerhandel-Tentoonstelling te Amsterdam 1883

De Kroonprins van Oranje in de Slag bij Waterloo 1815

Engelse penning op het huwelijk van de Prince of Wales met Alexandra van Denemarken 1863

Vijfentwintigjarig regeringsjubileum van Koning Willem III 1874

Draagteken van de Illustere Lieve Vrouwen Broederschap te 's Hertogenbosch

Vijfentwintigjarig regeringsjubileum van Koning Willem III 1874

Copy of The Night Watch

Wilhelmina Koningin der Nederlanden

The Night Watch Militia Company of District II under the Command of Captain Frans Banninck Cocq

Brandspuitpenning van Amsterdam, wijk 7 nummer D4

Graven en gravinnen van Holland

John Samuel Sherburne

Wilhelmina Koningin der Nederlanden

Donderbus buitgemaakt op Lombok in 1894

The great Jewish bride

Hanger met cachet met de Dood

Relief: two servants bearing food and drink

The Sampling Officials of the Amsterdam Drapers’ Guild, Known as ‘The Syndics’

William Henry Harrison

Portret van Dirk III, graaf van Holland

The Wade Cup with Animated Script

Shown from the waist up, an older man with pale, peachy skin looks out at us with deep-set, gray eyes under a furrowed brow, in front of a sable-brown background in this vertical portrait painting. His body is angled to our left, and his face turns to us. He has a faintly pink, bulbous nose, and his slightly sunken cheeks are shaded with gray. His peach-colored lips are framed with a wispy, gray mustache and goatee. Bronze-orange lines are incised within the battleship gray of his hair to create soft curls under his brown beret, which has gold trim around the base. The dark collar of his fawn-brown coat is turned up so his neck is covered. He is lit from the upper left, so his body and the right side of the painting are deeply shadowed. On our left, the canvas is painted with blended strokes of tawny and dark brown. His dark coat blends into the background, and his folded hands are in shadow in the lower left corner. The brushstrokes are visible in some areas, especially in the man’s face. The painting is signed and dated next to his shoulder, to our left, “Rembrandt f. 1659.”

Walbus met vuursteenslot

Rosewater ewer

Apothecary jar

The Vicarello Goblet

Christ Carrying the Cross

Watch

Gedicht op de zilveren bruiloft van Ludolph Simon de With en Maria de Wit, 15 augustus 1771

Grensafbakening in Yperen 1777

Franse button voor juryleden bij onbekende gelegenheid, 1900

Portraits of Surinamese Girls

Raft Cup

Standing Officer Holding a Boar's Spear

Duits liefdespenninkje

The Submersion of Pharaoh's Army in the Red Sea

The great Jewish bride

Lontslotmusket met vuursteenslot uit latere periode

Cylinder seal with cultic scene

The Merry Family

Covered Tureen on Stand (Pot-à-oille)

Hanger

Pair of Candelabra

Interieur van een timmermanswerkplaats

Vuursteen donderbus

Nautilus Cup

Graven en gravinnen van Holland

Satyress and Child

Thomas Tingey

View of Venice

Grafmonument met alliantiewapen en vier kwartierwapens

Cabinet Decorated with Episodes from the Parable of the Prodigal Son

The Battle of Waterloo

The Threatened Swan

John Reynolds

Shown from the waist up, a light-skinned man sits sideways in a wooden chair so the arm closer to us rests along the chair’s back in this vertical portrait painting. Brushstrokes are visible throughout, especially in the clothing and hair. The man’s right arm, to our left, drapes across the back of the chair. His face turns slightly to our right, and he looks at us with gray eyes under black, curving brows. He has an oval face with high cheekbones and a snub nose. His coral-pink lips are closed and framed by a mustache and pointed patch of hair under his lower lip. He is lit from our left so the far side of his face is in shadow. His loose, curly brown hair cascades over his shoulders. He wears a tall black hat with a stiff, wide brim with a black rosette or pompom on the brim to our right side. The hat is tipped slightly to one side so it angles away from us. A flat, stiff, white collar extends from his chin down to his shoulders, and two tassels hang at this throat. The voluminous sleeve along the back of the chair has a gold pattern picked out in loosely painted, swirling, feathered, and flaring lines against a black background. The jacket is unbuttoned along the forearm to reveal a stark white undershirt that is gathered with a narrow ruffle at the wrist. The chair has a crimson-red center framed by wooden rails to each side and along the top. The background is earth brown to our right of the man, and deepens to dark shadows along the left. A coat of arms, the size of the man’s palm, hangs from the back wall. Three black cow heads create an inverted triangle on a gold field. Under the coat of arms the artist inscribed, “AETA SVAE.22 1645.”

Fragment of a bowl with a frieze of bulls in relief

Guitar

Center table

Cabinet

Basin with Inscribed Figures and Calligraphy

Trial Piece Worked on Both Sides

Swivel musketoon

Swivel Gun and Two Charges of Grape Shot

Unidentified Man

Helmet with divine figures beneath a bird with outstretched wings

Paardenschender of gleve

Siermes

Round gown

Pendant in the form of a cock

Study for the Nude Youth over the Prophet Daniel (recto); Figure Studies for the Sistine Ceiling (verso)

Saint Sebastian

Sleep and Death Cista Handle

Tánggǔ (堂鼓)

Shown from the hips up, a man with peachy skin and long, brown curly hair and goatee stands in front of a window opening onto a moonlit sky in this vertical portrait painting. His body faces our right and his right fist, closer to us, rests on his hip so his elbow juts toward us. Wearing a dark, wide brimmed hat, he turns his head to look over his right shoulder directly at us. His eyebrows are slightly raised over brown eyes, and he has a bumpy nose, a slight double chin, and pale pink lips that curve in the suggestion of a smile. He wears a golden yellow jacket with buttons along the sleeve we can see. The wrist of the jacket is trimmed with a wide, lace-edged cuff and a similarly wide, lace-trimmed collar lies over the armor breastplate that covers his chest. A marigold-orange sash is tied around the breastplate as well near the waist, and the goldenrod-yellow jacket drapes from a portly belly over his hips. He stands in front of a gray wall pierced with a rectangular window. The view has a veil of dark gray clouds over the moonlit sky.

William Lee

Wainscoting with chimneypiece, wallpanels and a portico

Bell (Lai Zhong)

Half Armor for the Foot Tournament

The Refectory of the Imperial Asylum at Vincennes

Congressional Presentation Sword with Scabbard of Colonel Marinus Willett (1740–1830)

Unidentified Man

Unidentified Men

Wall fountain

Bassoon

Johannes Vermeer. Gezicht op Delft / Vue de Delft / View of Delft / Ansicht von Delft

Christ Crucified Between the Two Thieves: 'The Three Crosses'

Code de Hammurabi

Belt clasp

This vertical portrait painting shows a pale-skinned older woman wearing a full, long-sleeved black dress with a wide white ruff at her neck and white lace cuffs at her wrists. She sits in a curving, low-backed wood chair against a pale brown background. Her body and the chair are angled slightly to our left, and she looks directly at us. She has small eyes, pink, rounded cheeks, and a wide chin. Her lips are parted in a slight smile, and her hair is covered by a starched, sheer white cap that flares at the sides. The ruff around her neck is gathered in accordion-like, narrow figure-eight folds, and it extends flat and stiff, nearly to her shoulders. Close inspection reveals that the dress is woven with a black-on-black brocade pattern and has a line of small black buttons down the front. She holds a small brown leather book tooled with gold ornament in her right hand, on our left, and her other hand rests on the arm of the chair. She wears a gold ring on each hand. An inscription is painted to our left of her head: “AETAT SVAE 60 ANo 1633.”

Samuel L. Breese

Alexander Hamilton

Imperial Red Cross Easter Egg

Portret van Arnulf, graaf van Holland

The great Jewish bride

Head of Shiva (lingakosha)

Shown from the lap up against a dark background, a pale-skinned woman wearing a black dress looks out at us in this vertical portrait. Soft light coming from our left highlights her oval face, the peach blush on her cheeks, and her crisp white collar, cap, and cuffs. Her brown hair is pulled back under the cap that flares slightly over her ears and the wide, lace-trimmed collar covers her shoulders. She has dark eyes, a straight nose, and her pink lips are slightly parted. Her left arm, on our right, rests on a table covered with a rose-red patterned carpet next to two pieces of fruit, perhaps apples, and a book fastened with metal clasps. She rests her other arm on the arm of the wooden chair and holds a deep pink carnation the same color as the carpet. She wears a ring on the third finger of each hand. The artist signed the work with black paint against the dark background near the upper right corner: “Rembrandt. f.1656.”

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