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Lyman Trumbull

James H. Lane

Henri-Charles Maniglier

John F. Gray

Alfred W. Ely

Charles Meigs

John J. Crittenden

Edward L. Davenport

Unidentified Man

Alexander Campbell

Charles Kean

Lilliputian King, with John Drummond and Professor Cromwell

James H. Lane

Son of Prince de Joinville (Pierre Philippe Jean Marie d'Orleans)

Unidentified Man

Abraham Lincoln

Adolph Heinrich Joseph Sutro

Charles and Lavinia Stratton

John Samuel Sherburne

James Longstreet

Unidentified Man

Robert E. Lee and Staff [G.W.C. Lee and Walter H. Taylor]

Unidentified Men

Solomon Robert Guggenheim

The Refectory of the Imperial Asylum at Vincennes

Unidentified Man

Samuel L. Breese

Unidentified Man

Unidentified Man

Unidentified Man

Unidentified Man

Unidentified Man

Study for the Nude Youth over the Prophet Daniel (recto); Figure Studies for the Sistine Ceiling (verso)

The Connoisseur

Le radeau de la Méduse

Jessie Benton Frémont

Coat

Acteur in een Noh-theaterstuk, Tokyo

G.W.M. Nutt and Minnie Warren

Walking ensemble

G.W.M. Nutt and Minnie Warren

[Entrance to the Port of Boulogne]

Coonley family

Unidentified Man

Trophy of the Hunt

Unidentified Man

Unidentified Woman

George Washington

Gloves

Unidentified Woman

The great Jewish bride

Clara Louise Kellogg

Charles and Lavinia Stratton

Unidentified Woman

Henry B. Nones

Spout in the form of a man's head

Raft Cup

[The Oriel Window, South Gallery, Lacock Abbey]

Hilma Af Klint Series SUW, No 14 Swan, 1914 -1915

Unidentified Man

The Night Watch Militia Company of District II under the Command of Captain Frans Banninck Cocq

Edward Sheriff Curtis Self-Portrait

Shown from the thighs up, a pale-skinned woman looks down and off to our left as she holds the pointed end of a dagger toward her chest in this vertical painting. Her lips are slightly parted, and her arms are spread wide as holds the hilt of the dagger in her right hand, to our left. Her hooded, dark brown eyes are rimmed with red. Her head tilts to our left, her pale lips parted. There are gray shadows at the corners of her mouth and along her jawline. Her brown hair is pulled back under a cloth covering painted with white flecks to suggest shiny thread or possibly jewels. She wears a long, tawny-brown gown with diaphanous sleeves. The bodice is laced up over a cream-white undergarment with a deep V neck and voluminous sleeves with unfastened cuffs near her wrists. She wears a large, teardrop-shaped pearl in the ear we can see and two necklaces. One necklace is a strand of pearls, and the other is a gold and possibly jeweled pendant with another teardrop pearl hanging from a cord. A gold belt drapes around her hips over a narrow waist. She is warmly lit from the upper left and set against an earth-brown background. The artist signed and dated the center left, “Rembrandt 1664.”

Charles and Lavinia Stratton

Saint Sebastian

Frederick Douglass

A Young Woman Buying a Pink from a Young Man

The great Jewish bride

The Crucifixion of Saint Andrew

American Barque "Jane Tudor," Conway Bay

Sleep and Death Cista Handle

Shown from the knees up, a pale-skinned woman wearing a black dress with white cuffs and a wide, starched collar sits in a wooden chair against a dark brown background in this vertical portrait painting. Her body faces us and she looks off to our left with brown eyes. She has slight jowls at her chin and her eyes, mouth, and forehead are lined. Her hair is pulled back under a close-fitting black cap. Extending straight from around her neck, her white collar is pleated into narrow figure-eights and nearly reaches her shoulders. She wears a brown stole over her velvety black dress, and both nearly blend with the dark background. She holds a pair of pince-nez spectacles in her right hand, which rests on a thick book in her lap. The spine faces her right, and the opposite edge is fastened with metal clasps. A braided cord affixed to the narrow end of the book near us creates a loop.

La Femme au miroir

Gigaku Mask of Young Persian Boy (Taikōji)

Shown from the waist up, a woman with pale skin and brown hair, wearing a dark corset and white fabric over her shoulders, looks down at needlework in her hands in this vertical painting. Her cheeks are rosy and her dark hair is pulled back, though it seems looser down the sides of her face. A small, coral-red, crescent shape at the back of her head could be covering her hair or holding it in place. White, nearly translucent fabric lies loosely across her shoulders over a dark, moss-brown, long-sleeved dress. Her breasts swell over the squared, lace-trimmed neckline. She holds white fabric and perhaps a needle in her hands, which rest on a tan cushion on her lap. The scene is loosely painted throughout so some of the details are difficult to make out. A darker spot along her right index finger could be a thimble. The background is the same olive-tan of the cushion.

Shown from the waist up, an older man with pale, peachy skin looks out at us with deep-set, gray eyes under a furrowed brow, in front of a sable-brown background in this vertical portrait painting. His body is angled to our left, and his face turns to us. He has a faintly pink, bulbous nose, and his slightly sunken cheeks are shaded with gray. His peach-colored lips are framed with a wispy, gray mustache and goatee. Bronze-orange lines are incised within the battleship gray of his hair to create soft curls under his brown beret, which has gold trim around the base. The dark collar of his fawn-brown coat is turned up so his neck is covered. He is lit from the upper left, so his body and the right side of the painting are deeply shadowed. On our left, the canvas is painted with blended strokes of tawny and dark brown. His dark coat blends into the background, and his folded hands are in shadow in the lower left corner. The brushstrokes are visible in some areas, especially in the man’s face. The painting is signed and dated next to his shoulder, to our left, “Rembrandt f. 1659.”

Head Fragment

The great Jewish bride

Bassoon

The Battle of Waterloo

Ram Mask (Bolo)

Phineas T. Barnum

Alexander Hamilton

Abraham Lincoln and Family

Interieur van een timmermanswerkplaats

Portraits of Surinamese Girls

Unidentified Woman

Dress

Walbus met vuursteenslot

Shown from the waist up in front of a black background, a young woman with pale white skin and curly brown hair looks directly out at us over her shoulder with her body angled to our left in this vertical portrait. She has dark brown eyes, a straight nose, smooth skin, and her pink lips are closed. Curls fall across her forehead but the rest of her hair is pulled up under a white lace scarf, called a mantilla. The mantilla is tucked under the wide orange and black shawl wrapped around her shoulders. She clasps her hands at her waist, and her hands and forearms are covered with long white gloves that disappear under the shawl.

Portrait de l'artiste tenant un chardon

Shown from about the hips up, a man with peachy skin, wearing an ink-black hat and coat with a bright white collar, looks out at us against a dark background in this vertical portrait painting. He stands with his body angled to our right and his face turned to look at us with dark gray eyes. His slim face is framed in long, brown curls under his tall, brimmed hat, which is cocked a little to our right, away from us. He has a straight, prominent nose, lightly flushed cheeks, and a wispy, light brown mustache above a small, pointed goatee under his lower lip. His neck is encased in a broad, starched, white linen collar, its wings lying along his collarbones. His velvety black coat has a row of tightly spaced buttons down the front. A cummerbund or sash wraps around his waist and hips. He rests his right hand, on our left, against his hip near his lower back, palm facing out. He wears a light, dove-gray glove on his opposite hand, and holds a second glove in that hand. The background is earth brown. The portrait is painted loosely, with broader brushstrokes in some areas, such as the hand at his hip and in the folds of the black garments.

Copy of The Night Watch

Trial Piece Worked on Both Sides

François Tronchin

Lincoln with Major Union Figures

Winter Trees Reflected in a Pond

Gedicht op de zilveren bruiloft van Ludolph Simon de With en Maria de Wit, 15 augustus 1771

Round gown

Japan; Illustrated book; Illustrated Books