[The Oriel Window, South Gallery, Lacock Abbey]
Details
- Palette
-
Select a color to find related artworks.
- Medium
- Paper negative
- Dimensions
- Sheet: 8.5 × 11.6 cm (3 3/8 × 4 9/16 in.), irregularly trimmed
- Department
- Photographs
- Holding institution
- The Metropolitan Museum of Art
- Image provider
- metropolitan-museum-of-art
- License
- CC0-1.0
- Credit
- The Rubel Collection, Purchase, Ann Tenenbaum and Thomas H. Lee and Anonymous Gifts, 1997
Art Genome Taxonomy
8 tags
Visual Qualities
-
Dark Colors Visual · 90%
The photographic area is predominantly a deep, muted gray-brown tonal field, with only faint lighter variations and pale margins.
Medium and Techniques
-
Photography Both · 99%
The Metropolitan Museum of Art classifies the work as a paper negative in the Department of Photographs, and the image visibly presents a photographic tonal record on a sheet.
-
Negative Image Metadata · 99%
The catalog explicitly identifies the medium as paper negative.
-
Traditional Photographic Techniques Metadata · 91%
The paper-negative process and probable 1835 date identify this as an early, traditional photographic technique.
-
Black-and-White Photography Visual · 96%
The image is rendered through a restricted monochrome range of gray, brown-gray, and pale tones, without visible color information in the depicted view.
Time Periods
-
19th Century Art Metadata · 97%
The catalog gives the date as probably 1835, placing the work within nineteenth-century art.
Geographic Regions
-
British and Irish Art Metadata · 91%
William Henry Fox Talbot is identified in the catalog as British.
Materials
-
Use of Paper Metadata · 99%
The catalog identifies the object as a sheet of paper and records its dimensions as an irregularly trimmed sheet.
Source & rights
William Henry Fox Talbot. [The Oriel Window, South Gallery, Lacock Abbey]. The Metropolitan Museum of Art.