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Unidentified Man
Jessie Benton Frémont
James H. Lane
Alexander Campbell
James H. Lane
Coonley family
Unidentified Man
Edward L. Davenport
Son of Prince de Joinville (Pierre Philippe Jean Marie d'Orleans)
G.W.M. Nutt and Minnie Warren
Unidentified Woman
Unidentified Man
Mary Todd Lincoln
Unidentified Men
James Longstreet
Charles and Lavinia Stratton
Lyman Trumbull
Alfred W. Ely
Charles and Lavinia Stratton
Henry B. Nones
Charles Meigs
G.W.M. Nutt and Minnie Warren
Charles and Lavinia Stratton
Abraham Lincoln and Family
John F. Gray
Samuel L. Breese
Unidentified Man
Dress
Lilliputian King, with John Drummond and Professor Cromwell
Charles Kean
John J. Crittenden
Abraham Lincoln
Dress
Charles and Lavinia Stratton
Robert E. Lee and Staff [G.W.C. Lee and Walter H. Taylor]
Ensemble
Walking ensemble
Unidentified Man
Round gown
Dinner dress
Robe à l'anglaise
Unidentified Woman
George U. Morris
Unidentified Woman
Margaret Fuller
Adolph Heinrich Joseph Sutro
Robe à la française
Henri-Charles Maniglier
Phineas T. Barnum
Twee vrouwen tussen publiek tijdens paardenraces, Hippodrome de Longchamp in het Bois de Boulogne
Mme. Bidetrenoulleau
Unidentified Woman
The great Jewish bride
Lincoln with Major Union Figures
Gedicht op de zilveren bruiloft van Ludolph Simon de With en Maria de Wit, 15 augustus 1771
Morgan Dix
General Nathaniel Lyon
Unidentified Woman
Unidentified Man
Unidentified Man
Portrait of a Young Unemployed Couple, Hengelo
The great Jewish bride
Corset
Center table
American Barque "Jane Tudor," Conway Bay
Shown from the waist up in front of a black background, a young woman with pale white skin and curly brown hair looks directly out at us over her shoulder with her body angled to our left in this vertical portrait. She has dark brown eyes, a straight nose, smooth skin, and her pink lips are closed. Curls fall across her forehead but the rest of her hair is pulled up under a white lace scarf, called a mantilla. The mantilla is tucked under the wide orange and black shawl wrapped around her shoulders. She clasps her hands at her waist, and her hands and forearms are covered with long white gloves that disappear under the shawl.
Kaftan
The great Jewish bride
Unidentified Woman
Portraits of Surinamese Girls
Unidentified Man
Unidentified Man
Unidentified Man
Unidentified Man
Frederick Douglass
L'Européenne
A pale-skinned woman wearing a long, rose-pink gown sits amid a lush landscape in this vertical portrait painting. The woman’s body is angled to our left, but she turns her head to look at us with green eyes under dark brows. She has a long, straight nose, smooth, flushed cheeks, and her carnation-pink lips are closed. Her long, curly, ash-brown hair is loosely pulled back in an emerald-green ribbon, but tendrils floating around her face seem to lift as in a breeze. A ponytail or thick tendril drapes over her far shoulder, almost reaching her waist. The low neckline of her gown is wrapped with translucent, gold cloth, and the elbow-length sleeves are gauzy white. The gown has a pale pink bodice and long, full skirt. Ribbons the same green as the one in her hair wrap around her waist and around the elbow we can see. She crosses her ankles so delicate, high-heeled, charcoal-gray slippers peek out from the bottom hem of her skirt. She sits on a gray boulder, her hands folded in her lap as she holds the ends of her translucent scarf. A tall tree grows along the right edge of the composition to arc up and over with olive-green and harvest-gold leaves. Beyond the woman, the land dips down to our left back into a tree-filled valley. Swipes of slate blue in the distance could be mountains. A short distance from us, to our left, one tree with a narrow, pale green canopy grows up against the sky. Behind that tree, yellow sunlight breaks through light blue, lavender-purple, and silver clouds that fill the rest of the sky. Parts of the scene are loosely painted with swirling, fluttering strokes, especially in the woman’s costume and the trees around her.
Accordion
Portraits of Surinamese Girls
Walbus met vuursteenslot
Vuursteen donderbus
Trophy of the Hunt
A young woman with smooth, pale skin wearing a fog-gray gown stands in shadowy outdoor setting in this vertical portrait painting. Her body faces our right almost in profile. Her head turns toward us though she looks off to our left with brown eyes under arched brows. Auburn-brown hair frames her heart-shaped face, which has a slender nose over closed, coral-red lips and a dimpled chin. Her long, curly hair is gathered at the back of her head and tied with a sand-brown ribbon. Long tendrils hang down her shoulders and back. Her iridescent gown has a deep neckline and a wide, harvest-gold sash around her waist with matching bands on the upper arms. A shimmering, laurel-green cape bordered in gold falls from her shoulders in deep folds down her back. The woman has pulled some of the cape forward with both hands to hang down her left side, farther from us. She wears delicate, translucent pearl bracelets on one wrist, and steps forward on silvery-gray shoes under the dress’s long hem. Bright light falls across the scene from the upper left so much of the background is in shadow. A stone wall behind the woman spans the right half of the painting. A tree grows up along its leftmost edge, just beyond the woman’s shoulders. A landscape along the left third of the composition opens onto trees under a sky filled with thick, off-white and steel-gray clouds.
Bassoon
[The Oriel Window, South Gallery, Lacock Abbey]
Margaret of Austria
Portraits of Surinamese Girls
The Refectory of the Imperial Asylum at Vincennes
Acteurs tijdens een kabuki-voorstelling in Kabukiza, Tokyo
Coat
Carpet with Scrolling Vines and Blossoms
Gloves
Unidentified Man
Cape
Lontslotmusket met vuursteenslot uit latere periode
Shown from the waist up, a woman with pale skin and brown hair, wearing a dark corset and white fabric over her shoulders, looks down at needlework in her hands in this vertical painting. Her cheeks are rosy and her dark hair is pulled back, though it seems looser down the sides of her face. A small, coral-red, crescent shape at the back of her head could be covering her hair or holding it in place. White, nearly translucent fabric lies loosely across her shoulders over a dark, moss-brown, long-sleeved dress. Her breasts swell over the squared, lace-trimmed neckline. She holds white fabric and perhaps a needle in her hands, which rest on a tan cushion on her lap. The scene is loosely painted throughout so some of the details are difficult to make out. A darker spot along her right index finger could be a thimble. The background is the same olive-tan of the cushion.
Painted almost entirely in tones of golden, mustard, and pale yellows, a young woman is shown from the lap up having turned to face us while making lace on a wooden frame in this vertical portrait painting. Her body faces our left almost in profile, but she turns her face to look at us with large, hazel-gray eyes. Her skin has a yellow cast but her smooth cheeks are lightly flushed, and her coral-red lips are parted. Her cinnamon-brown hair is parted down the middle and pulled back under a slate-blue ribbon, and she wears a teardrop-shaped earring in the ear we can see. Her burnt-orange shirt has pale yellow, wide cuffs at the elbow-length sleeves and a wide collar that rests across her chest and shoulders. The cuffs and collar are textured, suggesting fur. She rests her bare forearms against the wood frame in front of her, to our left, which is about the height of a table. A parchment-yellow cloth is draped over the frame, and she holds two short, cylindrical bobbins in her hands. Two more thread-wrapped bobbins hang to one side. The woman’s tea-brown skirt is partially hidden by a table situated closer to us, in the lower right corner of the painting. The table is covered with a patterned rug in maroon red, black, and gold. On the table are a low, wide pewter-gray bowl and a dark indigo-blue pillow with gold tassels and gold stripes near the seams. The wall behind the woman is honey yellow.
Thomas Stone
"Antonius" Violin
Ensemble