Related

Graven en gravinnen van Holland
Portret van Floris I, graaf van Holland
Graven en gravinnen van Holland
Portret van Arnulf, graaf van Holland
Graven en gravinnen van Holland
The great Jewish bride
Standing Officer Holding a Boar's Spear
The great Jewish bride
The great Jewish bride
Gedicht op de zilveren bruiloft van Ludolph Simon de With en Maria de Wit, 15 augustus 1771
Japan; Illustrated book; Illustrated Books
Saint Sebastian
Sir Anthony Mildmay, Knight of Apethorpe, Northamptonshire
Study for the Nude Youth over the Prophet Daniel (recto); Figure Studies for the Sistine Ceiling (verso)
Half Armor for the Foot Tournament
Grafmonument met alliantiewapen en vier kwartierwapens
Portret van Geertruida van Saksen
Draagteken van de Illustere Lieve Vrouwen Broederschap te 's Hertogenbosch
Armor (Gusoku)
Unidentified Woman
Unidentified Man
Japan; Illustrated book; Illustrated Books
Cabinet Decorated with Episodes from the Parable of the Prodigal Son
Copy of The Night Watch
Christ Carrying the Cross
The Submersion of Pharaoh's Army in the Red Sea
Gloves
Raft Cup
Enclosed Valley
Doublet
The Night Watch Militia Company of District II under the Command of Captain Frans Banninck Cocq
Uma
Hawk, from The Picture Book of Realistic Paintings of Hokusai (Hokusai shashin gafu)
Belt clasp
John F. Gray
Shown from the chest up, a clean-shaven, pale-skinned man holds one hand to his chest and rests the other on a rug-covered ledge with the other in this vertical portrait painting. The man’s body is angled to our left, and he looks down in that direction with dark eyes under thick brows. Crow’s feet crinkle at the corners of his eyes, and there are dark hollows underneath. Soft jowls hang to create a slight double chin. His thin lips are set in a line over a wide, round chin, which is darkened with a five o’clock shadow. He has chin-length, reddish-blond hair, and straight, wispy bangs sweep loosely across his high forehead. He wears a white chemise under a gold, brocade garment, which is mostly hidden by a slate-blue cloak. The cloak is lined with spotted fur, which is turned over to create a wide collar across his shoulders. The sleeve on his left arm, to our right and closer to us, splits over a dusky-pink sleeve. Two gold buttons on the cloak there are decorated with thistle plants and blossoms. The fingers of his right hand, to our left, are gathered like a closed rose bud at his chest. He wears a gold ring on the index finger of the other hand, which rests on the end of the gray stone ledge so his fingertips brush the tapestry draped there. The man is lit from our left against a black background.
Relief: two servants bearing food and drink
Siermes
Brandspuitpenning van Amsterdam, wijk 7 nummer D4
Jessie Benton Frémont
Farmhouse on the Slope of a Hill
General Nathaniel Lyon
Center table
The Cathedral
Shown from the thighs up, a pale-skinned woman looks down and off to our left as she holds the pointed end of a dagger toward her chest in this vertical painting. Her lips are slightly parted, and her arms are spread wide as holds the hilt of the dagger in her right hand, to our left. Her hooded, dark brown eyes are rimmed with red. Her head tilts to our left, her pale lips parted. There are gray shadows at the corners of her mouth and along her jawline. Her brown hair is pulled back under a cloth covering painted with white flecks to suggest shiny thread or possibly jewels. She wears a long, tawny-brown gown with diaphanous sleeves. The bodice is laced up over a cream-white undergarment with a deep V neck and voluminous sleeves with unfastened cuffs near her wrists. She wears a large, teardrop-shaped pearl in the ear we can see and two necklaces. One necklace is a strand of pearls, and the other is a gold and possibly jeweled pendant with another teardrop pearl hanging from a cord. A gold belt drapes around her hips over a narrow waist. She is warmly lit from the upper left and set against an earth-brown background. The artist signed and dated the center left, “Rembrandt 1664.”
Ensemble
Helmet with divine figures beneath a bird with outstretched wings
Rosewater ewer
Striding Pan
James Longstreet
Unidentified Woman
Japan; Illustrated book; Illustrated Books
Unidentified Man
View of Venice
Edward L. Davenport
Fox, from The Picture Book of Realistic Paintings of Hokusai (Hokusai shashin gafu)
Waistcoat
Interieur van een timmermanswerkplaats
Unidentified Man
Unidentified Man
Helmet (Spangenhelm)
Charles and Lavinia Stratton
The Wade Cup with Animated Script
Unidentified Man
Hanger met cachet met de Dood
Pendant in the form of a cock
Lilliputian King, with John Drummond and Professor Cromwell
Dagger-axe
Palampore
Cravat end
Bowl with Inscription, "Sovereignty is God's"
The Merry Family
Christ Crucified Between the Two Thieves: 'The Three Crosses'
Dragon in foliage with lion and phoenix heads
Equestrian Portrait of the Emperor Maximilian
Heavenly beauty
Youth Playing a Pipe for a Satyr
The Vicarello Goblet
A nearly nude man with peachy skin stands next to and looks up at a man with ashen, ivory-colored skin, wearing armor and riding a bright white horse in this vertical painting. The horizon line comes less than a quarter of the way up the composition, and the sky behind the men and horse is vivid, aqua blue with a few silvery-gray and pale, yellow clouds floating along the top edge of the composition. The painting is created with long, blended brushstrokes, and the limbs and features of the two men and horse are elongated and have delicate, dark outlines. The horse’s body is angled to our right but it looks at us from the corners of its dark eyes. One front leg is raised. The rider looks down toward the man on foot at his side, to our left. The rider has dark, arched eyebrows, a long, straight nose, a pointed chin, and short, copper-orange hair. Wide ruffs pleated into figure-eights encircle his neck and wrists. His chest and arms are covered with plates of steel-gray armor edged and decorated with gold bands and medallions. He wears crimson-red pantaloons and stockings with mustard-yellow boots. With his right hand, to our left, he holds the gold hilt of a long, thin sword along the horse’s body. With his other hand, he holds a swath of lime-green fabric, which drapes down the side of the horse and across the hips of the man standing next to the rider. The sheen of the fabric is suggested with canary-yellow highlights where it catches the light. The standing man has short, dark brown hair and eyebrows. He looks to our right in profile, toward the rider, with pink lips parted. He holds the green fabric with his left hand, to our right, and he has a bandage around his leg near his right ankle. The horse and man stand on a spit of dark brown land, with a landscape of trees, buildings, and mountains deep in the distance beyond.
Hanger met ruiter op postament
Lontslotmusket met vuursteenslot uit latere periode
Donderbus buitgemaakt op Lombok in 1894
Ewer
James H. Lane
Tánggǔ (堂鼓)
A Philosopher Watching a Pair of Butterflies, from The Picture Book of Realistic Paintings of Hokusai (Hokusai shashin gafu)
Staff of Office
Portrait de l'artiste tenant un chardon
Cylinder seal with cultic scene
The Rabbit Hunt
Venus Reclining in a Landscape
Standing Avalokiteshvara, the Bodhisattva of Infinite Compassion
Shown from the thighs up against a dark background, a man with light skin, wearing a black satin jerkin with puffed breeches, stands with his hand on the neck of a dog by his side in this vertical portrait painting. The man stands with his body angled to our right but looks at us from the corners of his dark eyes. His brows are subtly raised, and his cheeks are slightly sunken under high cheekbones. His red hair is cut short, and his red mustache and beard are trimmed. The high collar of his black jacket is lined with a white ruffle along his chin line. Light from our left glints off the long sleeves of his tight-fitting jacket, creating the impression that it is made of heavy silk. Two thick gold chains hang down his chest, and a sword hangs from a belt around his waist, the hilt on the hip farther from us. His pants puff out and gather on the mid-thigh over stockings. He hooks the thumb of his right hand, on our left, around his hip and he rests his other hand on the neck of the dog standing by his left side, to our right. The dark brown dog has a white stripe down its nose. It faces our left in profile but its brown eyes look toward us. On the collar, ornate metal bosses alternate with low spikes, set in a wide black band. A ring hangs from the front of the collar. Barely legible, the painting is signed and dated in the upper left corner with dark paint: “Antonius mor pingebat a. 1569.”
Pair of Candelabra
Fragment van een muurschildering
Henry B. Nones
Charles Meigs
Orthostat relief: lion-hunt scene
Samuel L. Breese
Wall fountain