Related

Fox, from The Picture Book of Realistic Paintings of Hokusai (Hokusai shashin gafu)
Japan; Illustrated book; Illustrated Books
A Stallion
Green Tara
Dragon in foliage with lion and phoenix heads
Hawk, from The Picture Book of Realistic Paintings of Hokusai (Hokusai shashin gafu)
Belt clasp
Close to us, a bearded, balding man leads a donkey carrying a woman and child to our right against a hilly landscape in this horizontal painting. All three people have pale, peachy skin and halos. The man has a gray beard and hair, and wears a royal-blue tunic under a ruby-red robe. He leans on a walking stick and looks back at the donkey. The woman riding the donkey wears a blue and gold brocade-like cloak covering her head and body. She has a straight nose, small pink lips, and she looks toward the infant she holds close to her body. The baby wears a white garment and reaches for the woman’s face with one hand as he turns to look over his shoulder toward us. The path they walk on is lined with grass and detailed plants. A river runs parallel to the path a short distance away. The horizon line comes about two-thirds of the way up the painting is lined with green trees, blue mountains, and a few buildings to our left. Wispy white clouds sweep across an azure-blue sky streaked with peach near the horizon.
Fragment van een muurschildering
Ingelijste muurschildering voorstellende Xiwangmu en dienaressen
Palampore
Two Rabbits, from The Picture Book of Realistic Paintings of Hokusai (Hokusai shashin gafu)
Cloth with Procession of Figures
Saint Sebastian
Pichhwai for the Festival of Cows
Maharana Sangram Singh Riding a Prize Stallion
Fragment of a bowl with a frieze of bulls in relief
Blooming Plum Tree, from The Picture Book of Realistic Paintings of Hokusai (Hokusai shashin gafu)
Panel with the god Zeus/Serapis/Ohrmazd and worshiper
Study for the Nude Youth over the Prophet Daniel (recto); Figure Studies for the Sistine Ceiling (verso)
Tánggǔ (堂鼓)
Ram Mask (Bolo)
Courting flute (siyotanka)
Ennanga
Bowl with Inscription, "Sovereignty is God's"
Hotei Smoking his Pipe, from The Picture Book of Realistic Paintings of Hokusai (Hokusai shashin gafu)
Reclining mouflon
Raft Cup
A Philosopher Watching a Pair of Butterflies, from The Picture Book of Realistic Paintings of Hokusai (Hokusai shashin gafu)
Lidded Bowl with Iguana
Water Ewer for Rituals (Kundika) with Incised Parrot Design
Carpet with Scrolling Vines and Blossoms
Animal-Spouted Pitcher
Feast Ladle
Striding Pan
Shiva as Lord of the Dance (Nataraja)
Bassoon
"Dancing Dervishes", Folio from a Divan of Hafiz
Terracotta dinos (mixing bowl)
Iris, from The Picture Book of Realistic Paintings of Hokusai (Hokusai shashin gafu)
Goddess Riding a Dragon, from The Picture Book of Realistic Paintings of Hokusai (Hokusai shashin gafu)
Cotton Roses and Sparrow, from an untitled series of Large Flowers
Vuursteen donderbus
Grapevine and Squirrels
Shiva Nataraja
Pendant in the form of a cock
Jar with Dragon and Clouds Design
Whistle
Oribe-Type Ewer
Mural Fragment Depicting a Maguey Bloodletting Ritual
Royal Carpet with Silk and Metal Thread
Lontslotmusket met vuursteenslot uit latere periode
Rhyton terminating in the forepart of a wild cat
The Merry Family
The Wade Cup with Animated Script
Siermes
Fan painting with river landscape
Standing Buddha
Hanger met cachet met de Dood
Hilma af Klint - Group IX/SUW, The Swan, No. 9, 1915
Head of Shiva (lingakosha)
Morning Glories and Tree-frog, from an untitled series of Large Flowers
Memorial head (nsodie)
Spouted jar
Krishna and Balarama Fight the Evil King Kamsa’s Wrestlers: Page from a Dispersed Bhagavata Purana
Against a deep, hilly landscape, a young woman sits facing us on a rocky ledge with a small child in her lap in this square painting. The woman and child, Mary and Jesus, both have pale skin and blond hair. Mary wears a cobalt-blue gown over a coral-pink undergarment that peeks out from under the bottom hem and at her cuffs. A paler blue mantle is draped over the back of her head and falls to cover her shoulders and body. A sheer white veil covers her hair and forehead. Jesus wears a sheer white, loose, long-sleeved tunic. Both gaze downward to the bunch of green grapes Mary holds delicately in her left hand, to our right. Jesus reaches forward with both hands to pluck some fruit as Mary supports his body with her other hand. An oval shaped, woven basket with a lid sits on the ground next to Mary’s feet. The gray, rocky outcropping on which they sit is blanketed with straw-colored moss or other growth. A small clearing behind the pair is framed by trees on either side. The trees have tall, slender trunks speckled with light gray patches and canopies of olive and celery-green leaves. To our left and beyond the outcropping, a gray donkey stands behind a tree, nibbling on some grasses at the edge of the outcropping. To our right, in the middle distance, a pale-skinned, bearded man stands and arches back with a long stick raised overhead, as if about to strike the tree in front of him. Beyond him and about two-thirds of the way up the panel, a row of dark green shrubbery separates the clearing from rolling blue hills in the distance.
Shown from the chest up, a light-skinned man wearing a burgundy-red turban faces our left in profile against a dark background in this vertical portrait painting. He looks off to the left, and the eye we can see is light brown under a faint, possibly plucked eyebrow. He has a straight nose, and his full peach-colored lips are closed. There is the suggestion of a puffy area under the eye we can see, but the rest of his skin is smooth. His brown hair is mostly tucked under his turban, and a piece of fabric hangs down the back of his neck. A band of his white undergarment is visible at the high neck of his olive-brown shirt, which appears to be pleated or striped down the front. He also wears a black jacket, which covers his shoulder and most of his chest. A brown band across the bottom edge of the painting could be a wooden railing or ledge, behind which the man is shown. Cracks are visible across the painting, especially in the deep green background.
Head Fragment
A man stands, leaning on a staff used like a crutch, in a deep, rocky landscape in this round-topped vertical painting. The cleanshaven man has tanned skin and sparse gray hair. He is nude aside from a slate-gray cloth that wraps around his hips. The hand not bracing the crutch is held in a loose fist at his chest. A few plants grow and bloom along the bottom of the panel. The dirt path on which the man stands winds through low, grass-covered mounds to a cave opening at the base of a tall, steep cliff face. A lion stands on the path between the man and the cave. An owl perches in the bare, spike-like branches of a spindly tree growing to our right of the man.
Textile Fragment
Walbus met vuursteenslot
Kneeling bull holding a spouted vessel
Big-Eared Brown Bat Vessel
Bridal Robe (Hwarot)
A man wearing armor, sitting astride a cream-white horse, drives a long lance down at a lizard-like dragon as a woman kneels with her hands in prayer in the landscape beyond in this vertical painting. Both people have pale skin and thin, gold halos floating above their heads. At the center of the composition, the man faces our left in profile as he looks down at the creature. The man has a straight nose and honey-brown hair under his gold-trimmed, pewter-gray helmet. Armor covers his entire body, and a celestial-blue cape billows behind him from where it fastens around his neck. A narrow, indigo-blue and gold band is tied around his left calf, and is inscribed with the word “HONI.” A black sword hangs from his left side. The horse is white with a silvery-white mane and tail. It rears on its hind legs as it turns its head to look at us with hazel-brown eyes. The horse wears a blue saddle and bridle, the same color as the man’s cape, trimmed with gold. A strap around the horse’s neck is painted in gold with the name, “RAPHELLO.” The rider thrusts his foot into the stirrup we can see as he plunges a lance down at the dragon under the horse’s front feet. The dragon has tawny brown skin with a mint green, dog-like head. It grips the earth with clawed feet as at pushes at the lance with one front foot. It twists its long, snake-like neck to look at the man with dark eyes. The dragon opens its pointed snout to show its teeth, and bat-like wings splay out. A tall outcropping over a cave rises along the left edge of the composition, behind the dragon. In a field a little farther back, to our right, the woman kneels with her body angled to our left. She tilts her head away from us and gazes past the man and horse. She has a straight nose, pale pink, bow-shaped lips, and her blond hair is pulled back in a bun. She wears a ruby-red dress and a sheer white wrap around her shoulders and across her arms. Around the woman, straw-yellow hills with bands of pine-green trees roll into the distance. Two terracotta-orange towers rise from a row of trees along the horizon. A few taller trees are outlined against the baby-blue sky, which lightens toward the horizon.
Dagger-axe
Unidentified Man
Bassoon
The Sacrifice of Isaac
Donderbus buitgemaakt op Lombok in 1894
Goqing
Center table
Buddhist Priest's Ceremonial Robe
Manuscript Cover with Prajnaparamita Attended by Sadakshari Lokeshvara and a Tara
Natural Trumpet in D
In front of a crumbling stone building, an older man kneels in front of a second man, smaller in scale, hanging from a tall, wooden cross, with a city in the background in this vertical painting. Both men have pale skin. At the lower center of the composition, the kneeling man, Saint Jerome, pulls his navy-blue robe to one side to expose his muscular but slender bare chest with a bloody mark at its center. With his other hand, he holds a rounded, gray stone touched with pink, also suggesting blood, by his side. He has long, silvery-gray hair and a long, pointed beard. His pink lips are parted, and we see his teeth. He raises gray eyes to look up at the man on the slender cross, which rises along the left edge of the composition. The man on the cross brown hair, a plate-like gold halo, and a white loincloth is draped across his hips. The shell-pink ground is littered with rocks. A red hat with a shallow brim and a tasseled chin cord sits near Saint Jerome’s sandaled feet. A miniature lion lies between Saint Jerome and the arched opening of the crumbling, terracotta-red structure along the right edge of the painting. Ivy grows up one side of the arch, and an hourglass and book with a red cover and gold-edged pages sit on a white cloth under the opening. An owl perches on a branch of an oak tree growing from the front face of the structure, and a hawk sits on a branch of the fruit tree growing from the stone courtyard, between Saint Jerome and the crucifix. A shrub with dark green leaves and clusters of three olive-green fruits fills in most of the space beneath the canopy of the fruit tree. To our right and in the distance, a man with a pointed black hat, a black jacket, and white pants rides away from us on a gray horse. To our left, the courtyard gives way to an amphitheater-like space. There, next to a donkey, a man with a long white beard hands a bundle of wood or planks to another man whose brown hair is cut into a ring encircling his head. Both men wear rose-pink garments over navy-blue togas. A town with white and pale pink stone buildings rises up a hill into the distance. The sky above deepens from honeydew green along the horizon to pale then peacock blue along the top edge of the composition. A few ice-blue, white, and light gray clouds float across the sky.
Cranes on snow-covered pine
Unidentified Man
Heavenly beauty
Sickle sword
Writing Box (Suzuribako) with Phoenix in Paulownia
Tomb Guardian with Animal Head
Grapevine
Bullfinch and Weeping Cherry (Uso, shidarezakura), from an untitled series of flowers and birds
Makara-shaped Pendant
"The Concourse of the Birds", Folio 11r from a Mantiq al-Tayr (Language of the Birds)
Kamānche
Corsesca
Covered box decorated with chrysanthemums and waterfowl among lotus
Unidentified Woman