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Phineas T. Barnum

George U. Morris

Unidentified Man

James H. Lane

John F. Gray

Alexander Campbell

Unidentified Man

Edward L. Davenport

Unidentified Man

James Longstreet

Lyman Trumbull

Son of Prince de Joinville (Pierre Philippe Jean Marie d'Orleans)

Charles Kean

James H. Lane

Charles Meigs

Jessie Benton Frémont

Henry B. Nones

Clara Louise Kellogg

Unidentified Man

Unidentified Men

Samuel L. Breese

Alfred W. Ely

John J. Crittenden

Charles and Lavinia Stratton

Mary Todd Lincoln

Abraham Lincoln and Family

Unidentified Woman

General Nathaniel Lyon

Charles and Lavinia Stratton

Lilliputian King, with John Drummond and Professor Cromwell

G.W.M. Nutt and Minnie Warren

G.W.M. Nutt and Minnie Warren

Thomas Stone

Unidentified Man

Adolph Heinrich Joseph Sutro

Charles and Lavinia Stratton

Robert E. Lee and Staff [G.W.C. Lee and Walter H. Taylor]

Unidentified Woman

Gloves

Abraham Lincoln

Mme. Bidetrenoulleau

Dress

Miles King Jr.

John Milton Hay

Walking ensemble

James Weldon Johnson

Coonley family

Sand Dunes, Carson Desert, Nevada

John Reynolds

Lincoln with Major Union Figures

Coat

Charles and Lavinia Stratton

Unidentified Woman

The great Jewish bride

Charles Sherwood Stratton

Dress

Grafmonument met alliantiewapen en vier kwartierwapens

[Large Figures on the North Porch, Chartres Cathedral]

Seated Female Nude (Self-Portrait?)

DeWitt Clinton

Cape

Unidentified Woman

Unidentified Man

Pungwuni

Zachary Taylor

Gian Lodovico Madruzzo

The Refectory of the Imperial Asylum at Vincennes

The great Jewish bride

Presentation Drawing of "The Statue of Liberty Illuminating the World"

Interieur van een timmermanswerkplaats

Unidentified Man

Round gown

Kaftan

Thomas Hicks

Graven en gravinnen van Holland

Dinner dress

Portrait de l'artiste tenant un chardon

Schuyler Colfax

Alexander Hamilton

Twee vrouwen tussen publiek tijdens paardenraces, Hippodrome de Longchamp in het Bois de Boulogne

George Washington

Robe à l'anglaise

Portraits of Surinamese Girls

Shown from the lap up against a dark background, a pale-skinned woman wearing a black dress looks out at us in this vertical portrait. Soft light coming from our left highlights her oval face, the peach blush on her cheeks, and her crisp white collar, cap, and cuffs. Her brown hair is pulled back under the cap that flares slightly over her ears and the wide, lace-trimmed collar covers her shoulders. She has dark eyes, a straight nose, and her pink lips are slightly parted. Her left arm, on our right, rests on a table covered with a rose-red patterned carpet next to two pieces of fruit, perhaps apples, and a book fastened with metal clasps. She rests her other arm on the arm of the wooden chair and holds a deep pink carnation the same color as the carpet. She wears a ring on the third finger of each hand. The artist signed the work with black paint against the dark background near the upper right corner: “Rembrandt. f.1656.”

Figure 45: Contraction électrique forte des triangulaires des lèvres et des sourciliers: douleur et déspoir

Shown from the waist up, a light-skinned man sits sideways in a wooden chair so the arm closer to us rests along the chair’s back in this vertical portrait painting. Brushstrokes are visible throughout, especially in the clothing and hair. The man’s right arm, to our left, drapes across the back of the chair. His face turns slightly to our right, and he looks at us with gray eyes under black, curving brows. He has an oval face with high cheekbones and a snub nose. His coral-pink lips are closed and framed by a mustache and pointed patch of hair under his lower lip. He is lit from our left so the far side of his face is in shadow. His loose, curly brown hair cascades over his shoulders. He wears a tall black hat with a stiff, wide brim with a black rosette or pompom on the brim to our right side. The hat is tipped slightly to one side so it angles away from us. A flat, stiff, white collar extends from his chin down to his shoulders, and two tassels hang at this throat. The voluminous sleeve along the back of the chair has a gold pattern picked out in loosely painted, swirling, feathered, and flaring lines against a black background. The jacket is unbuttoned along the forearm to reveal a stark white undershirt that is gathered with a narrow ruffle at the wrist. The chair has a crimson-red center framed by wooden rails to each side and along the top. The background is earth brown to our right of the man, and deepens to dark shadows along the left. A coat of arms, the size of the man’s palm, hangs from the back wall. Three black cow heads create an inverted triangle on a gold field. Under the coat of arms the artist inscribed, “AETA SVAE.22 1645.”

Shown from about the hips up, a young, pale-skinned man with curly brown hair stands facing and looking at us, wearing a plum-purple coat under a golden yellow cape in this vertical portrait painting. The man’s oval face is angled a little to our left so he looks out from the corners of his gray eyes. His left eyebrow, on our right, is slightly arched. His skin is smooth and his cheeks lightly flushed. He has a long, straight nose, his pink lips are closed, and there is a faintly painted suggestion of a goatee. Wavy bangs fall across his forehead, and he has curly, chin-length hair. He stands with his right hand, on our left, on his hip, and in his other arm, he holds a wooden staff with a pewter-gray, metal, scoop-like hook at the top. White lace trims the high neck of his garment and the cuffs of his sleeves. Light reflecting off the plum-purple coat suggests a soft material, possibly velvet. Crisp reflections on the deep, butter-yellow cape fastened over one shoulder suggest satin. An emerald-green cloth hanging from the top right corner of the painting falls behind the man’s shoulder. Behind the cloth and to our left, a craggy, rocky outcropping opens to a view of a landscape with a green valley and topaz-blue mountains in the distance. Bands of golden light illuminate the cloudy sky above. The work is inscribed with yellow lettering in the lower right corner to read, “Philip Lord Wharton 1632 about ye age of 19.” The artist’s name is painted in the lower left: “P. Sr Ant: vandike.”

Philip Key

Unidentified Man

William H. Maxwell

[The Oriel Window, South Gallery, Lacock Abbey]

Portrait of a Young Unemployed Couple, Hengelo

Imperial Red Cross Easter Egg

Henri-Charles Maniglier

David G. Farragut

Corsesca

The Kaunitz Sisters (Leopoldine, Caroline, and Ferdinandine)

Thomas Jonathan Jackson

The Crucifixion with the Virgin and Saint John

Ensemble