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Lilies, from an untitled series of Large Flowers
Cotton Roses and Sparrow, from an untitled series of Large Flowers
Chinese Bird on Snow-Laden Branch
Duck in Flight
Under the Wave off Kanagawa (Kanagawa oki nami ura), also known as The Great Wave, from the series "Thirty-Six Views of Mount Fuji (Fugaku sanjūrokkei)"
Cranes on snow-covered pine
Under the Wave off Kanagawa (Kanagawa oki nami ura), also known as The Great Wave, from the series "Thirty-Six Views of Mount Fuji (Fugaku sanjurokkei)"
Hawk, from The Picture Book of Realistic Paintings of Hokusai (Hokusai shashin gafu)
Geese, Reeds, and Water
Heron on a Willow Branch
Under the Wave off Kanagawa (Kanagawa oki nami ura), or The Great Wave, from the series Thirty-six Views of Mount Fuji (Fugaku sanjūrokkei)
Tama River in Musashi Province (Bushu Tamagawa), from the series "Thirty-six Views of Mount Fuji (Fugaku sanjurokkei)"
Bullfinch and Weeping Cherry (Uso, shidarezakura), from an untitled series of flowers and birds
Sparrows on Blossoming Plum
Blooming Plum Tree, from The Picture Book of Realistic Paintings of Hokusai (Hokusai shashin gafu)
Umezawa Marsh in Sagami Province (Soshu Umezawa hidari), from the series "Thirty-six Views of Mount Fuji (Fugaku sanjurokkei)"
Blue Magpie on a Maple Branch
A Mild Breeze on a Fine Day (Gaifu kaisei), from the series "Thirty-six Views of Mount Fuji (Fugaku sanjurokkei)"
Fox, from The Picture Book of Realistic Paintings of Hokusai (Hokusai shashin gafu)
Monkey Hanging on to a Branch
Mt. Fuji through Pines
Poppies, from an untitled series of flowers
This frightening print illustrates the story of Kohada Koheiji, a Kabuki actor who was drowned by his wife’s lover but later came back to haunt the couple. The tale was popular in the 18th century, eventually inspiring a novel and several Kabuki plays. Here, the skeletal ghost of Kohada Koheiji pulls down the mosquito net and eerily peers at the sleeping couple in their bed.
Horse Mackerel (Aji) with Shrimp or Prawn
Ejiri in Suruga Province (Sunshu Ejiri), from the series "Thirty-six Views of Mount Fuji (Fugaku sanjurokkei)"
Ushibori in Hitachi Province (Joshu Ushibori), from the series "Thirty-six Views of Mount Fuji (Fugaku sanjurokkei)"
Hydrangea and Swallow, from an untitled series of large flowers
Mount Fuji with Cherry Trees in Bloom
Birds and Flowers
​這幅作品被命名為《昆侖松鶴》。昆侖是指神仙們居住的神山——昆侖山。據推測位於中國西部,是中國的大河——黃河的源頭。松和鶴都是長壽的象徵,是和神仙故事頗有關聯的題材。畫面右上方有畫家的署名,並寫著送給一位叫做李懷素的人。以昆侖山上的松樹以及聚集在此的仙鶴為繪畫題材的這幅作品主題極為吉祥,作為賀壽之禮極為相稱。 作者呂健是活躍於十六世紀到十七世紀的人物。其曾祖父呂紀是一位著名的宮廷畫家。呂紀有很多構圖周密的大型花鳥圖作品,其華麗的色彩和細膩的筆法不僅在中國,也在朝鮮半島和日本大受追捧,呂紀的繪畫風格在東亞地區到了廣泛傳播。 呂健不僅認真學習呂紀的花鳥畫,似乎還將其轉化成了更加瀟灑而又惹人憐愛的表現。這幅作品中姿態優美地彎曲著長頸的仙鶴以及以淡綠色輕輕暈開的松葉都充分表現出了呂健的審美觀。淡淡的墨影巧妙地表現出水面上湧起的波浪,以極具透明感的白色顏料細緻描繪的羽毛線條等卓越的描寫技術也是看點所在。
Iris and Grasshopper, from an untitled series of large flowers
Two Rabbits, from The Picture Book of Realistic Paintings of Hokusai (Hokusai shashin gafu)
Bell-Flower and Dragonfly, from an untitled series of large flowers
Mount Asama, byobu by Aodo Denzen, Tokyo National Museum, Japan
Plum Blossoms
Hen and Bamboo, by Luo Chuang, Tokyo National Museum, Japan
Farmer Returning Home in Autumn
Goddess Riding a Dragon, from The Picture Book of Realistic Paintings of Hokusai (Hokusai shashin gafu)
Kajikazawa in Kai Province (Koshu Kajikazawa), from the series "Thirty-six Views of Mount Fuji (Fugaku sanjurokkei)"
Mishima Pass in Kai Province (Koshu Mishimagoe), from the series "Thirty-six Views of Mount Fuji (Fugaku sanjurokkei)"
Hell Courtesan
A Philosopher Watching a Pair of Butterflies, from The Picture Book of Realistic Paintings of Hokusai (Hokusai shashin gafu)
The Four Seasons
Summer Flowers
​马远《寒江独钓图》(图片经过较温和的亮化处理)
Suido Bridge and Surugadai, from One Hundred Famous Views of Edo
Playing with pigeons from the series "Streaked Mist (Yae gasumi)", Woodblock print
Flowers and Birds in a Spring Landscape
Peonies
A view across a wide, brightly lit field scattered with broken pieces of stone is framed to the left and right by crumbling stone temples in this horizontal painting. The sunlight is infused with a soft pink glow, which warms the cream-white stone with a pale blush. The temple on our left sits on a low rise, and a row of at least nine columns topped with an entablature faces our right. Several of the columns are broken off, and part of the entablature and the entire roof is missing, from what we can see. Fragments of pediments and wheel-like sections of columns tumble down from its front steps and back along its side, cascading into and across most of the field before us. The rocky terrain is carpeted in celery-green growth speckled with sage green and areas of rust red in the lower left and right corners. Barely visible in the center of the field, are two men, barely taller than the fragments they inspect. One man wears an apricot-orange suit and bowler hat over blond hair. He kneels with his back to us as he writes or sketches on a piece of paper. A second man stands to his right, also with his back to us, dressed in a long pleated, white tunic with a red cap, jacket, and knee-high boots. To our right and farther back than the other temple, a brick-red tower stands next to another columned arcade. A third temple there, or perhaps another part of that building complex, has columns carved into the shape of six identical, robed women, facing our left. Beyond the ruins, the field slopes down to a peach-colored plain that ends at a wide, topaz-blue body of water with mountains in the far distance along the low horizon line. A petal-pink haze rises from the water and mountains and almost fills the blue-gray sky above. The artist has signed and dated the painting in the lower left, “S.R. Gifford 1880.”
Shower Below the Summit (Sanka hakuu), from the series "Thirty-Six Views of Mount Fuji (Fugaku sanjurokkei)"
Girl Arranging Flowers
Fujimigahara in Owari Province (Bishu Fujimigahara), from the series "Thirty-six views of Mount Fuji (Fugaku sanjurokkei)"
Chrysanthemums by the Water
Unidentified Man
Fishing in a Springtime Valley
Winter and Summer Flowers
Fishing Boats at Choshi in Shimosa (Soshu Choshi) from the series "One Thousand Pictures of the Ocean (Chie no umi)"
Palm Tree, Nassau
A bird in flight with its hooked beak wide open, wings held high, holds a shimmering green and white fish in its talons in this vertical painting. The bird and fish fill the composition against a pale, hazy landscape. Both animals face our left in profile. The bird’s raised wings are dark brown, and the feathers on the underside of its left wing, closer to us, are cream white. Its tail is fanned and the feathers are striped with golden yellow against dark brown. The bird surges forward, to our left, its head low. The yellow eye we see is round and clear, and its dark beak curves to a sharp point over its protruding tongue. The head is striped with cream and brown, creating a mask-like effect. Powerful talons grip the fish, whose tail still dips in the water below. The fish’s mouth gapes and its eye, which is yellow around a black iris, is wide open in the gray and silver head. The top of the fish’s body is iridescent emerald green that fades to tan and parchment yellow along its belly. Light and dark speckles create a dotted pattern along the fish’s length. The body of water meets the horizon about a quarter of the way up the composition. The surface of the water is painted in sage green, golden tan, and pale pink. Cliffs in the distance are soft mauve purple under an aqua-blue sky filled with billowing clouds. White birds with black wingtips fly over the water in the distance.
Unidentified Man
Peahen and hibiscus
Sloop, Nassau
Howling Wolf in a Deep Mountain Valley
This print illustrates the legend of a woman murdered by her husband because she accidentally broke plates. Her corpse and the pieces of the dishes were thrown into a well, but her ghost returned every night to haunt him in the eerie form seen here. This small-format work features a bright blue color that may seem cheery to us, but Hokusai’s original audience would have associated it with death and the occult.
Unidentified Woman
Viewing Sunset over the Ryogoku Bridge from the Onmaya Embankment (Onmayagashi yori Ryogokubashi sekiyo o miru), from the series "Thirty-six Views of Mount Fuji (Fugaku sanjurokkei)"
Morning Glories and Tree-frog, from an untitled series of Large Flowers
Depicts Zen monk Huike (慧可) thinking. By painter Shi Ke (Chinese: 石恪), from Five Dynasties and Ten Kingdoms Period to Northern Song (about 10th century)
Goten Hill at Shinagawa on the Tokaido (Tokaido Shinagawa Gotenyama), from the series "Thirty-six Views of Mount Fuji (Fugaku sanjurokkei)"
Pleasure Boat on the Sumida River
Whaling off the Coast of the Goto Islands (Goto kujira tsuki), from the series "One Thousand Pictures of the Ocean (Chie no umi)"
Paulownias and Chrysanthemums
Japan; Illustrated book; Illustrated Books
Unidentified Woman
Singing from the series "Streaked Mist (Yae gasumi)", Woodblock print
Birds and Flowers
Denshin kaishu Hokusai manga nihen
Winter Scene with Plum Trees and Pheasants
"Sketching a Garden" from the series "Streaked Mist (Yae gasumi)", Woodblock print
Exhibit in the Jordan Schnitzer Museum of Art, University of Oregon - Eugene, Oregon, USA.
Summer Night
Mandarin ducks and cotton rose hibiscus
Hotei Smoking his Pipe, from The Picture Book of Realistic Paintings of Hokusai (Hokusai shashin gafu)
Grapevine and Squirrels
Tagonoura Bay near Ejiri on the Tōkaidō (Tōkaidō Ejiri Tagonoura ryakuzu), from the series Thirty-Six Views of Mount Fuji (Fugaku sanjūrokkei)
Unidentified Man
Beneath Mannen Bridge in Fukagawa (Fukagawa Mannenbashi shita) from the series "Thirty-six Views of Mount Fuji (Fugaku sanjurokkei)"
Monkeys
Hydrangeas from the series "Streaked Mist (Yae gasumi)", Woodblock print
Monkeys in a Cherry Tree
Man of the Djard Family
This is a painting of a pastoral scene near the water with a ship and buildings in the background. The artwork is in the style of American folk art, presented in an oval frame. The image depicts a serene landscape by the water, with figures engaged in activities such as gathering flowers in the center. The foliage is in shades of green and brown, spreading above under a lightly clouded, blue sky. On the left side, a ship is anchored near the shore, with buildings visible in the distance. The water has soft waves, contrasting with the rocky ground in the foreground. The pastel colors create a calm and reflective mood, evoking tranquility and connection with nature.
Birds and Flowers
Grapevine in the Wind
Gezicht op bolwerk Westerbeer
Amida Falls in the Far Reaches of the Kisokaido (Kisoji no oku Amidagataki), from the series "A Tour of Waterfalls in Various Provinces (Shokoku taki meguri)"
Viewing the Seashore at the Eguchi Inn
Selections from the New Collection of Japanese Poems from Ancient and Modern Times (Shinkokin wakashū) with Printed Designs of Chinese Lions and Crab Finger Grass
Ono Falls on the Kisokaidō Road (Kisokaidō Ono no bakufu), from the series Tour of the Waterfalls in Various Provinces (Shokoku taki meguri)