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John F. Gray
Unidentified Men
Alfred W. Ely
Edward L. Davenport
Son of Prince de Joinville (Pierre Philippe Jean Marie d'Orleans)
James Longstreet
Robert E. Lee and Staff [G.W.C. Lee and Walter H. Taylor]
Henry B. Nones
James H. Lane
Adolph Heinrich Joseph Sutro
Unidentified Man
James H. Lane
John J. Crittenden
Lyman Trumbull
Samuel L. Breese
Unidentified Man
Unidentified Man
Alexander Campbell
Charles Kean
Unidentified Man
Thomas Jonathan Jackson
Lilliputian King, with John Drummond and Professor Cromwell
George U. Morris
Charles Meigs
General Nathaniel Lyon
Henri-Charles Maniglier
Clara Louise Kellogg
Thomas Hicks
Coonley family
Abraham Lincoln
Jessie Benton Frémont
Unidentified Woman
G.W.M. Nutt and Minnie Warren
Unidentified Man
David G. Farragut
Charles and Lavinia Stratton
Charles and Lavinia Stratton
Phineas T. Barnum
Charles and Lavinia Stratton
Unidentified Man
Abraham Lincoln and Family
G.W.M. Nutt and Minnie Warren
Charles and Lavinia Stratton
Frederick Douglass
John Samuel Sherburne
Unidentified Man
Lincoln with Major Union Figures
Unidentified Man
Thomas Stone
Schuyler Colfax
Unidentified Woman
Zachary Taylor
The great Jewish bride
William Henry Harrison
Edward Sheriff Curtis Self-Portrait
Unidentified Man
The great Jewish bride
Philip Key
Unidentified Man
Gloves
Ensemble
Thomas Tingey
Unidentified Woman
Morgan Dix
The Battle of Waterloo
The Refectory of the Imperial Asylum at Vincennes
Walbus met vuursteenslot
Dress
Unidentified Man
Sand Dunes, Carson Desert, Nevada
Figure 45: Contraction électrique forte des triangulaires des lèvres et des sourciliers: douleur et déspoir
Mary Todd Lincoln
Portrait of a Young Unemployed Couple, Hengelo
Armor (Gusoku)
Acteur in een Noh-theaterstuk, Tokyo
Japan; Illustrated book; Illustrated Books
Portret van Dirk III, graaf van Holland
Gedicht op de zilveren bruiloft van Ludolph Simon de With en Maria de Wit, 15 augustus 1771
[The Oriel Window, South Gallery, Lacock Abbey]
Miles King Jr.
Shown from the hips up, a man with peachy skin and long, brown curly hair and goatee stands in front of a window opening onto a moonlit sky in this vertical portrait painting. His body faces our right and his right fist, closer to us, rests on his hip so his elbow juts toward us. Wearing a dark, wide brimmed hat, he turns his head to look over his right shoulder directly at us. His eyebrows are slightly raised over brown eyes, and he has a bumpy nose, a slight double chin, and pale pink lips that curve in the suggestion of a smile. He wears a golden yellow jacket with buttons along the sleeve we can see. The wrist of the jacket is trimmed with a wide, lace-edged cuff and a similarly wide, lace-trimmed collar lies over the armor breastplate that covers his chest. A marigold-orange sash is tied around the breastplate as well near the waist, and the goldenrod-yellow jacket drapes from a portly belly over his hips. He stands in front of a gray wall pierced with a rectangular window. The view has a veil of dark gray clouds over the moonlit sky.
The great Jewish bride
Man met peuter op de rug, Osaka
[Entrance to the Port of Boulogne]
American Barque "Jane Tudor," Conway Bay
Vuursteen donderbus
Mme. Bidetrenoulleau
Shown from the hips up, a boy with pale, peachy skin and copper-brown hair stands in front of a rocky outcropping with a narrow view into a distant landscape to our left in this vertical portrait painting. His body faces our left almost in profile, and he turns his face to look at us with dark brown eyes under faint brows. He has a long, straight nose, a pointed chin, flushed cheeks, and his full, rose-pink lips are slightly parted. His dark hair falls in waves to the wide, flat, white collar at his neck. He wears a golden yellow doublet brocaded with shimmering threads, possibly silver and gold. The sleeves split along the inner arm to reveal a white shirt with voluminous, puffy sleeves that end with wide, transparent cuffs like floppy saucers around each wrist. Over the jacket, he wears a gleaming, pewter-colored breastplate with a topaz-blue sash crossing his chest. His peanut-brown pants are also sewn or woven with metallic thread in stripes down the side of the leg. The boy rests his right hand, farther from us, on a staff or walking stick propped in front of him. His other hand rests around the gold hilt of a rapier, a thin sword at his left hip, closer to us. Behind the boy, the view is almost entirely taken up with a slate-gray boulder, or it could be the entrance of a cave. A view onto the landscape along the left edge of the composition has a few treetops beneath pale yellow clouds against an ice-blue sky.
Graven en gravinnen van Holland
Coat
Unidentified Woman
Trophy of the Hunt
Hide Shirt
Helmet with divine figures beneath a bird with outstretched wings
1st Earl Charles Grey
Grafmonument met alliantiewapen en vier kwartierwapens
Shown from the waist up, a light-skinned man sits sideways in a wooden chair so the arm closer to us rests along the chair’s back in this vertical portrait painting. Brushstrokes are visible throughout, especially in the clothing and hair. The man’s right arm, to our left, drapes across the back of the chair. His face turns slightly to our right, and he looks at us with gray eyes under black, curving brows. He has an oval face with high cheekbones and a snub nose. His coral-pink lips are closed and framed by a mustache and pointed patch of hair under his lower lip. He is lit from our left so the far side of his face is in shadow. His loose, curly brown hair cascades over his shoulders. He wears a tall black hat with a stiff, wide brim with a black rosette or pompom on the brim to our right side. The hat is tipped slightly to one side so it angles away from us. A flat, stiff, white collar extends from his chin down to his shoulders, and two tassels hang at this throat. The voluminous sleeve along the back of the chair has a gold pattern picked out in loosely painted, swirling, feathered, and flaring lines against a black background. The jacket is unbuttoned along the forearm to reveal a stark white undershirt that is gathered with a narrow ruffle at the wrist. The chair has a crimson-red center framed by wooden rails to each side and along the top. The background is earth brown to our right of the man, and deepens to dark shadows along the left. A coat of arms, the size of the man’s palm, hangs from the back wall. Three black cow heads create an inverted triangle on a gold field. Under the coat of arms the artist inscribed, “AETA SVAE.22 1645.”
Study for the Nude Youth over the Prophet Daniel (recto); Figure Studies for the Sistine Ceiling (verso)
Donderbus buitgemaakt op Lombok in 1894
Tánggǔ (堂鼓)