The Adoration of the Magi
Dozens of people form a line starting from an opening in a city wall or building in the background to a rustic shed-like structure close to us, to kneel before a seated woman holding a baby on her lap in this vertical painting. All of the people have pale skin tinged faintly with green. The top edge of the panel is shaped so it has two rounded sections like shoulders leading to a stepped, crown-like form with an inward curving triangle at the top. A nickel-gray, crenelated stone wall of a distant city is nestled into the top, stepped section, with a glimmering gold sky above filling the uppermost triangle. Tile-roofed and domed buildings and a few towers appear densely packed beyond the wall. People on foot and horseback create a line from an arched opening in the wall toward us and to our right. Three of the people on horseback in the distance wear long robes and have gold halos. The line of people winds behind a tall, narrow hill to our right and it continues close to us. Two horses, two camels, and several people wait to the right but our attention is drawn to the trio in the foreground, Mary, Jesus, and Joseph, and the three men near the infant, the Magi. Mary wears a lapis-blue mantle covering her head and shoulders over a petal-pink dress, and she sits on a wooden or stone chest in the center of the painting. Her body faces us but she turns her face to look with pale blue eyes off to our right. In one hand she holds a hexagonal gold vessel that tapers to a flame-like finial. With the other hand, on our left, she supports the blond infant sitting in her lap. He is covered only with a white cloth around his waist, and he looks toward the vessel as he holds up the index and middle fingers of his right hand. To our left and slightly behind Mary, a balding man with white hair and beard and wearing a blue garment under a red robe sits with his head propped in his hand, looking down. His other hand rests on what might be the handle of a crutch or staff. The man, woman, and child have gold halos with what appears to be writing. The three Magi also have gold halos and they all wear scarlet-red shoes. The oldest kneels before Mary and kisses Jesus's feet. He has a long, light gray beard and is balding. He wears a brocade-like gold robe over pale brick-red sleeves. A cleanshaven man with dark brown hair and wrinkles around his mouth kneels to our left as he raises a jewel-encrusted gold crown from his head. He wears a gold and red floral-patterned garment and holds a rounded vessel, also with a flame-like finial. A younger, cleanshaven man with smooth features and shoulder-length, curling blond hair to our right also wears a gold crown. A dagger hangs from the waist of his sky-blue tunic, and his leggings are pale plum purple. Both arms are bent to his hands are held up, and in his right hand, he holds another tabernacle-like gold vessel. The structure to our left houses a donkey and bull munching hay. A gold sunburst floats above the roof, which seems to be built up against the stone wall of a building. The hills and trees beyond the people is painted with pine and moss greens and brown.
Details
- Palette
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- Medium
- tempera on poplar panel
- Dimensions
- overall: 182 x 137 cm (71 5/8 x 53 15/16 in.) framed: 207.7 x 150.5 x 11.4 cm (81 3/4 x 59 1/4 x 4 1/2 in.)
- Department
- CIS-R
- Holding institution
- National Gallery of Art
- Image provider
- national-gallery-of-art
- License
- CC0-1.0
- Credit
- Andrew W. Mellon Collection
Art Genome Taxonomy
12 tags
Subject Matter
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Bible Story Both · 99%
The title identifies the Adoration of the Magi, and the image depicts Mary, the infant Jesus, Joseph, and the three Magi within a biblical narrative.
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Madonna and Child Both · 99%
Mary is centrally shown holding the infant Jesus on her lap.
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Animals Visual · 98%
Horses, camels, and the donkey and bull in the rustic shelter are prominent elements of the composition.
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Equestrian Visual · 94%
Several mounted figures and horses appear along the procession descending from the distant city.
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Cityscapes Visual · 96%
A fortified city with crenellated walls, an arched gateway, towers, domed buildings, and clustered roofs occupies the upper background.
Visual Qualities
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Dense Composition Visual · 99%
Numerous figures, animals, architectural forms, and the winding procession fill the panel in a tightly packed composition.
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Highly Ornamented Visual · 98%
The robes, crowns, vessels, halos, and horse tack are covered with elaborate decorative details and gold-toned accents.
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Patterns Visual · 96%
Floral, scrolling, and brocade-like motifs repeat across the Magi’s garments and other textiles.
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Dark Colors Visual · 94%
Deep green, brown, and near-black landscape passages contrast with brighter gold, red, and blue areas.
Medium and Techniques
Time Periods
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15th Century Art Metadata · 99%
The National Gallery of Art dates the work to approximately 1470–1475.
Source & rights
Benvenuto di Giovanni. The Adoration of the Magi. Courtesy National Gallery of Art, Washington.