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[Entrance to the Port of Boulogne]
Winter Trees Reflected in a Pond
The Windmill at Wijk bij Duurstede
Twee vrouwen tussen publiek tijdens paardenraces, Hippodrome de Longchamp in het Bois de Boulogne
Interieur van een timmermanswerkplaats
Charles and Lavinia Stratton
The Cathedral
The great Jewish bride
Unidentified Woman
Gedicht op de zilveren bruiloft van Ludolph Simon de With en Maria de Wit, 15 augustus 1771
Coonley family
Unidentified Man
The Night Watch Militia Company of District II under the Command of Captain Frans Banninck Cocq
Enclosed Valley
The great Jewish bride
Fan painting with river landscape
Farmhouse on the Slope of a Hill
American Barque "Jane Tudor," Conway Bay
Unidentified Woman
The Refectory of the Imperial Asylum at Vincennes
Estérel Village
We look across a stream and through a loose screen of shadowy trees at a sunlit farm under a powder-blue sky with towering, puffy clouds in this vertical landscape painting. The ground and stream closest to us are painted in tones of olive green, sepia and earth brown, black, and slate gray. Nearly lost in shadow, a group of six people gathers at the water’s edge in the lower left. Small in scale within the composition, they wear brick-red, gray, or caramel-brown garments. Beyond them, a low picket fence winds through and between a loose band of shadowy trees, which are painted with gnarled, dark gray trunks and camel-brown, sage, and pine-green leaves. The trees to our left are closer and taller, while those to our right are a little farther away. The sun pours from the upper left into the field beyond. The farm buildings there have tan walls and sloping, peach-colored roofs. A few animals and people, smaller than the group in front, stand among the buildings, and more cottages can be glimpsed through a stand of trees on our right. The horizon line comes about a third of the way up the composition, and a church and steeple are silhouetted against the sky in the deep distance. A few birds fly in front of gray and white clouds that rise from the right side and spread across the top of the canvas.
Unidentified Man
Unidentified Man
Copy of The Night Watch
Grafmonument met alliantiewapen en vier kwartierwapens
Unidentified Man
Charles and Lavinia Stratton
Brandspuitpenning van Amsterdam, wijk 7 nummer D4
Swivel Gun and Two Charges of Grape Shot
Swivel musketoon
Charles and Lavinia Stratton
Unidentified Woman
Unidentified Man
Presentation Drawing of "The Statue of Liberty Illuminating the World"
Christ Crucified Between the Two Thieves: 'The Three Crosses'
Jessie Benton Frémont
Japan; Illustrated book; Illustrated Books
Unidentified Man
Margaret of Austria
Unidentified Man
Unidentified Man
View of Houses in Delft, Known as ‘The Little Street’
Graven en gravinnen van Holland
G.W.M. Nutt and Minnie Warren
View of Venice
Lilliputian King, with John Drummond and Professor Cromwell
John F. Gray
The Milkmaid
The great Jewish bride
Acteurs tijdens een kabuki-voorstelling in Kabukiza, Tokyo
The Burning of the Houses of Lords and Commons, 16 October 1834
Unidentified Woman
Wainscoting with chimneypiece, wallpanels and a portico
The Merry Family
[The Oriel Window, South Gallery, Lacock Abbey]
Man met peuter op de rug, Osaka
Charles and Lavinia Stratton
The Trojan Women Setting Fire to Their Fleet
Alexander Campbell
Tomb with Sphinxes and an Owl
Pair of Candelabra
Christ Carrying the Cross
Manuscript Cover with Prajnaparamita Attended by Sadakshari Lokeshvara and a Tara
Portret van Dirk III, graaf van Holland
The Submersion of Pharaoh's Army in the Red Sea
Bowl with Inscription, "Sovereignty is God's"
The Wade Cup with Animated Script
Cottage among Trees
Unidentified Man
The Sampling Officials of the Amsterdam Drapers’ Guild, Known as ‘The Syndics’
Cabinet of a Militia Company
Saint Sebastian
Unidentified Men
Rosewater ewer
Ceremonial Hanging (Palepai)
Unidentified Man
Walbus met vuursteenslot
Clara Louise Kellogg
Cylinder seal with cultic scene
G.W.M. Nutt and Minnie Warren
Raft Cup
Vuursteen donderbus
Unidentified Woman
Kast van eikenhout met één-deurs bovenkast en tweedeurs onderkast
The Adoration of the Magi
Cabinet Decorated with Episodes from the Parable of the Prodigal Son
James H. Lane
Japan; Illustrated book; Illustrated Books
Hanger met cachet met de Dood
Tánggǔ (堂鼓)
James Longstreet
A young, smiling man bursts through the door of a dimly lit bedroom occupied by three women in this vertical painting. All four people have pale skin. The arched door is to our right and the man faces our left with his arms spread wide. He leans slightly forward as he holds the wide brim of his hat out by his left side, to our right. Shoulder-length chestnut-brown hair frames his face, and he wears a velvety brown jacket trimmed with tan stripes and pompoms down the front and along the sleeve we can see. A broad sash crosses his chest and tassels hang from his wide, white collar. Between us and him, a wooden chair is draped with a crimson-red cloak trimmed with white fur and bands of gold. A pewter pitcher and candlestick rest on the pine floor in front of it, near the lower right corner of the painting. The man is stopped at the door by a woman wearing a sable-brown gown with a tight-fitting bodice and a white cap on the back of her head. Her body faces the man as she leans toward him with her outstretched right hand resting on his shoulder, and she turns her smiling face back over her shoulder. Light from an open window on the left illuminates the woman in the center, who steps down from a bed enclosed by forest-green, velvet curtains trimmed with gold fringe and tassels. The curtains are parted behind her to reveal white pillows. She wears a long, gleaming white satin skirt topped by a tight-fitting coral-red bodice stitched with thin lines of gold. A white neckerchief covers her shoulders and is partially tucked into the bodice. Her head is covered by a white kerchief knotted under her chin. Her body faces us with one foot on a step stool, and the other foot reaches down to a gold and red shoe on the floor. Its mate lies nearby, pointing away from us. Her head is turned to our right to look at the man. She has a thin face with a high forehead, and small mouth is closed or pursed. Closest to us and near the lower left corner of the painting, the third woman sits alongside a small table under the open window. She wears a long, pine-green jacket trimmed with white fur over a brown skirt. Her auburn hair is partially coiled around her head, while some locks fall in bunched curls. She sits facing our right in profile with her back to the window, so her smiling face is mostly in shadow. Her left arm rests on the table, which is draped with a red and copper patterned cloth, and she holds a white comb in that hand. A mirror and round silver box sit on the table next to her. A small brown and white dog stands by her feet, its head tilted up to look at the others. The far wall of the room is covered with a faint pattern of golden brown vines and leaves against a forest-green background. The artist signed the painting on the face of the step leading up to the bed, “G. Metsu.”
The Rabbit Hunt
Trophy of the Hunt
Conical coffee pot with flowering lotus
Shown under an ornately carved stone arch, a young woman holds a baby on her lap as she sits on a curving gold chair flanked by two kneeling angels in this vertical painting. All of the people have pale skin. The woman has long blond hair, a straight nose, and a small pink mouth. Her body faces us but she gazes down. She wears a gold-trimmed, deep blue robe under a crimson-red mantle that covers her shoulders and drapes over her lap and to the floor. She holds an open book with her left hand, on our right, and supports the sitting baby’s body with her other hand. The baby is nude except for a piece of white fabric across one thigh. The baby touches the open book with one hand and reaches toward a small, round piece of fruit the angel on our left offers. That angel has blond hair and sapphire-blue wings, and wears a pale blue garment under a red and gold patterned robe. The angel holds out the fruit with the right hand and in the other, holds an instrument like a violin and bow. The angel to our right has similar hair and facial features, and has blue wings and a sky-blue robe. Both hands strum a harp as the angel gazes to our left almost in profile. Behind the chair, a cloth patterned in pine green and gold hangs vertically from a curving red overhang between tall, narrow archways that open onto a landscape. In the distance, people move through green fields and along a river winding toward a castle to our left beneath a clear blue sky. The angels' wings overlap with the stone archway that frames the scene. It is carved along the inner edge of the arch with vines, lizards, and snails. Two columns flank the arch and atop each is a bearded man, as if carved from the same cream-colored stone of the arch. The man to our left holds a harp and the one to our right holds a saw. Winged, nude, child-like people, putti, hold orbs aloft in the upper corners.
Draagteken van de Illustere Lieve Vrouwen Broederschap te 's Hertogenbosch
Oksaal (koorafscheiding), afkomstig uit de kerk te Helvoirt
Several people sit, stand, or stroll along a dirt road that winds from the lower left corner of this horizontal landscape painting into the distance, past trees and cottages under a vivid blue sky. The horizon line comes about a third of the way up the canvas, and the cloud studded, azure-blue sky fills the space above. Sunlight filtered through puffy white and steel-gray clouds illuminates the scene from the upper right, creating patches of light and shadow throughout. The road meanders through the center of the composition and is lined with dark and sage-green shrubs, scrubby growth, and gnarled, crooked trees. Closest to us and to our left, two tan cottages are tucked into deep shade created by a grove of several tall trees. The cottages have steeply pitched roofs and windows flanked by gray or brick-red shutters. Three people sit and stand near the path outside the closest building. A short distance to our right, a man sitting on a fallen log carries walking stick and a bundle on his back. His body faces us but his head is turned to our right to gaze toward the man and woman about to stroll past him, headed in our direction. The woman wears a black dress over a white skirt, and a white head covering and shawl. The man wears a brimmed hat with a red decoration, a brown coat with gold buttons down the front and a wide white collar, and heeled shoes. Beyond them, the road curves to our left around a small pond in front of the second cottage. Two people crouch to set a toy sailboat afloat by the edge of the pond, and a brown dog sniffs the ground nearby. Two more people stand talking at the doorway to the second cottage and another dog leaps up at the half-door. Further along the road, the light becomes stronger, illuminating a horse, rider, and another person walking alongside the horse. The road continues to curve around a butter-yellow cottage nestled in a grove of trees on the right. A sunny field is visible in the far distance.