Related

Waistcoat
Corset
Cape
Robe à la française
Dress
Ensemble
Bridal Robe (Hwarot)
Half Armor for the Foot Tournament
Coat
Kaftan
Dress
Walking ensemble
Reukflacon
Armor (Gusoku)
Congressional Presentation Sword with Scabbard of Colonel Marinus Willett (1740–1830)
Textile Fragment
Round gown
Terracotta kernos (vase for multiple offerings)
Robe à l'anglaise
Dinner dress
Tomb Guardian with Animal Head
Hanger op voetstuk met Amphitrite op een dolfijn
Rosewater ewer
Ensemble
Accordion
Pendant in the form of a cock
Hanger in de vorm van een reukbal
Ewer
Natural Trumpet in D
Table Fountain
Center table
Nautilus Cup
Helmet (Spangenhelm)
Bassoon
Cabinet
Set of Four Armchairs and Settee
Animal-Spouted Pitcher
Mechanical table
Hide Shirt
Censer with seated king
Ornament voor de houten steel van een ge
Fragment (Dress Fabric)
Knife Sheath
Cabinet
Jewelry Elements
Oribe-Type Ewer
Quilt
Tánggǔ (堂鼓)
Guitar
Door Guardian (Dvarapala)
Cabinet of a Militia Company
Helmet with divine figures beneath a bird with outstretched wings
Tea Table
Hanger met ruiter op postament
Pair of Candelabra
Palampore
Graven en gravinnen van Holland
Dung-Chen
Pink and Rose
Writing Box (Suzuribako) with Phoenix in Paulownia
Lontslotmusket met vuursteenslot uit latere periode
Cabinet
Hen and Chicks Covered Tureen on Stand
Helmet (Zukinnari Kabuto)
Kast van eikenhout met één-deurs bovenkast en tweedeurs onderkast
Clarinet in D
Shown from the chest up on the far side of a narrow ledge, a woman wearing an elaborate headdress and gown faces our left in profile in this vertical portrait painting. Her pale-peach skin is smooth with little shading around the features. The hazel eye we see is heavy-lidded under a thin, arched brow. The woman has a notably high forehead and a sloped nose. Her lips are closed over a knobby chin and fleshy jawline. Her hair is gathered up in a fine gold net under a twisted, ring-like headdress held in place with long gold pins. The fabric of the headdress alternates between twists of parchment brown or light brown patterned with red or darker brown leaf patterns. A network of muted blue dots encircled with gold does not quite line up with the headdress it overlays. The high collar of the woman’s peacock-blue dress flares up the back of her head over a white collar that curls away along either side of her chin. The garment is covered with flowers and stems outlined in gold. There are thick gold bands at her neck and around her waist. A chain made up of two strands of gold orbs like oversized beads hangs from the shoulder closer to us and then wraps around her body. A gold pendant near her neck may be two chain links or a thin letter B. Light glints off the ledge along the bottom of the painting, and the background is inky black.
Hanger met cachet met de Dood
Mirror with Phoenixes, Birds, Butterflies, and Floral Sprays
Copy of The Night Watch
Sir Anthony Mildmay, Knight of Apethorpe, Northamptonshire
Collector’s cabinet
A young girl stands next to and holds the hand of an elegantly dressed woman sitting in a wooden armchair near stone columns, in front of a crimson-red curtain pulled up to reveal a distant landscape view in this vertical portrait painting. The child and woman have smooth, light skin, and the fabric of their dresses has a silken sheen. To our right, the woman sits with her knees angled slightly to our left, and she looks at us with dark blue eyes under faint brows. Her brown hair is pulled back from her high forehead under a hair covering set with pearls. Her pointed chin is slightly pulled back, and her pale pink lips are closed. A teardrop-shaped pearl hangs from the ear we can see, and she wears two strands of pearls like a choker, above a thick, pleated lace ruff. The fabric of the long-sleeved bodice has a gold-on-gold pattern, and is lined with a row of buttons down the front. Filmy lace cuffs extend back over her forearms from her wrists. Her full, floor-length skirt is scarlet red with a gold, brocade-like pattern, and has silvery-gray stripes down the front and around the lower hem. The cloak she wears over the dress has a black-on-black floral pattern. Three thick gold chains hang across her bodice, and she wears a square-cut, gray stone set in a gold ring on the third finger of her left hand. To our left, the young girl stands next to the wooden arm of the chair and holds the woman’s hands with both of hers. The child looks at us with gray eyes, and her pale pink lips are parted in a slight smile. Her light brown hair is pulled back under a gray band, perhaps of fur, around her head, over an apricot-colored head covering that matches her dress. The tight-fitting, long-sleeved bodice is striped with bands of alternating gold and pink geometric designs against the apricot-peach background. A lace-edged collar lies across her shoulders. A red, oval pendant hangs from her three-standed pearl necklace, and she wears three pearl bracelets on one wrist. A thick gold chain falls across her chest and around one hip. The floor-length, full skirt has buttercup-yellow and shell-pink highlights on the coral-colored background. Behind the pair, the red curtain has been pulled up so it seems to flutter behind the woman’s head, in front of stone columns that frame a distant landscape view with trees. A blocky structure, presumably a building, sits on the far distant, hazy horizon. Light pours down in streaks from steel-gray clouds against a pale blue sky.
Ovoid jar with women with a yoke in scalloped panels
Grafmonument met alliantiewapen en vier kwartierwapens
Bottle with Birds and Peony Scroll
Vase with Golden Pheasants
Cravat end
Covered Tureen on Stand (Pot-à-oille)
The Wade Cup with Animated Script
Ceremonial Cross of Countess Gertrude
The Night Watch Militia Company of District II under the Command of Captain Frans Banninck Cocq
Carpet with Scrolling Vines and Blossoms
Kamānche
Hanger in de vorm van een tak blauwe regen
Raft Cup
Shown from the thighs up, a pale-skinned woman looks down and off to our left as she holds the pointed end of a dagger toward her chest in this vertical painting. Her lips are slightly parted, and her arms are spread wide as holds the hilt of the dagger in her right hand, to our left. Her hooded, dark brown eyes are rimmed with red. Her head tilts to our left, her pale lips parted. There are gray shadows at the corners of her mouth and along her jawline. Her brown hair is pulled back under a cloth covering painted with white flecks to suggest shiny thread or possibly jewels. She wears a long, tawny-brown gown with diaphanous sleeves. The bodice is laced up over a cream-white undergarment with a deep V neck and voluminous sleeves with unfastened cuffs near her wrists. She wears a large, teardrop-shaped pearl in the ear we can see and two necklaces. One necklace is a strand of pearls, and the other is a gold and possibly jeweled pendant with another teardrop pearl hanging from a cord. A gold belt drapes around her hips over a narrow waist. She is warmly lit from the upper left and set against an earth-brown background. The artist signed and dated the center left, “Rembrandt 1664.”
Guitar
Foliate-Shaped Tray with Mother-of-Pearl Inlay
Storage Jar
Portret van Dirk III, graaf van Holland
Jar with Lion-Head Handles
Potpourri vase (pot-pourri gondole)
Swivel musketoon
Swivel Gun and Two Charges of Grape Shot
Collier met hanger
Plaque
Spout in the form of a man's head
Mirrored cabinet
Shown from the thighs up against a dark background, a man with light skin, wearing a black satin jerkin with puffed breeches, stands with his hand on the neck of a dog by his side in this vertical portrait painting. The man stands with his body angled to our right but looks at us from the corners of his dark eyes. His brows are subtly raised, and his cheeks are slightly sunken under high cheekbones. His red hair is cut short, and his red mustache and beard are trimmed. The high collar of his black jacket is lined with a white ruffle along his chin line. Light from our left glints off the long sleeves of his tight-fitting jacket, creating the impression that it is made of heavy silk. Two thick gold chains hang down his chest, and a sword hangs from a belt around his waist, the hilt on the hip farther from us. His pants puff out and gather on the mid-thigh over stockings. He hooks the thumb of his right hand, on our left, around his hip and he rests his other hand on the neck of the dog standing by his left side, to our right. The dark brown dog has a white stripe down its nose. It faces our left in profile but its brown eyes look toward us. On the collar, ornate metal bosses alternate with low spikes, set in a wide black band. A ring hangs from the front of the collar. Barely legible, the painting is signed and dated in the upper left corner with dark paint: “Antonius mor pingebat a. 1569.”