Claudia Quinta
A young, pale-skinned woman with long, blond hair and wearing a coral-red gown stands on a pedestal before a landscape filled with people in this vertical painting. The painting has an arched top, and the woman who fills most of the view is Claudia Quinta. Her hair is adorned with strands of pearls, and a larger pearl hangs from a piece of jewelry like a brooch at the top center over her forehead. A sheer veil covers the back of her head. Her body faces us but she turns her head slightly to our right, so she gazes at us from the corners of her light hazel eyes. A pearl necklace with a square gold, sapphire-blue jewel and pearl pendant encircles her neck. The brown sleeves of her dress are flecked densely with short gold lines, and white fabric shows at gaps over the elbows. The red bodice has a high waist tied with a brown belt, which also holds sheer fabric in place so it falls to her knees over the long red skirt. The skirt is bordered with a gold geometric design along the bottom hem, which stops just short of her sandaled feet. In her right hand, on our left, she holds a small, navy-blue boat with a gold figure standing in it. Her other hand rests by her left thigh, to our right. She balances near the front edge of the rectangular pedestal, which is pale violet purple. On the front face, two winged, chubby children are painted white to resemble stone carvings. They brace a panel bordered in gold. The plaque has a teal-blue background, and gold letters read, “CLAVDIA CASTA FVI NEC VVLGVS CREDIDIT AMEN ET TAMEN ID QVOD ERAM TESTIS MIHI PRORA PROBAVIT CONSILIVM ET VIRTVS SVPERANT MATERQVE DEORVM ALMA PLACET POPVLO ET PER ME HVNC ORATA TVETVR.” Beyond Claudia Quinta a river winds in a tight S-curve through dark green hills. Farther back, to our left, a group of people with thin, elongated bodies dressed in blue, light brown, and orange walk in front of a tall dark blue building as they head toward a river on the right side. The building has an arched opening and a tower topped with a taupe-brown spire. To our right of Claudia Quinta, a woman wearing a rose-pink dress holds a rope around the prow of a boat at the edge of the river. Like the boat held by Claudia Quinta, it is navy blue and has the same shape. The pale lavender-purple river continues into the distance, where it meets rocky outcroppings along the horizon, which comes about halfway up the composition. A pale blue sky above is filled with wispy bands of clouds.
Details
- Palette
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Select a color to find related artworks.
- Medium
- tempera on poplar panel
- Dimensions
- overall: 105 x 46 cm (41 5/16 x 18 1/8 in.) framed: 128.91 x 77.47 x 8.26 cm (50 3/4 x 30 1/2 x 3 1/4 in.)
- Department
- CIS-R
- Holding institution
- National Gallery of Art
- Image provider
- national-gallery-of-art
- License
- CC0-1.0
- Credit
- Andrew W. Mellon Collection
Art Genome Taxonomy
11 tags
Subject Matter
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Classical Figure Both · 86%
The catalog names the central subject as Claudia Quinta; the named figure, Latin inscription, and narrative setting support a classical-figure classification without treating the work as a literal portrait.
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Human Figure Visual · 99%
A single full-length woman occupies most of the composition and stands prominently in the foreground.
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Landscapes Visual · 98%
The setting includes a winding river, hills, distant rocky forms, vegetation, and open sky.
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Text Visual · 99%
A gold-lettered Latin inscription is visibly painted on the pedestal beneath the figure.
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Water Visual · 94%
The river and boats are prominent elements of the landscape setting.
Styles and Movements
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Renaissance Art Both · 95%
The late-fifteenth-century date, tempera-on-panel technique, arched format, Latin inscription, idealized figure, and detailed ornament are consistent with Renaissance art.
Visual Qualities
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Highly Detailed Visual · 96%
The painting contains carefully rendered jewelry, pearl ornaments, patterned and gold-flecked sleeves, translucent fabric, hem decoration, architecture, small figures, boats, and landscape details.
Medium and Techniques
Time Periods
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15th Century Art Metadata · 99%
The work is dated c. 1490/1495, placing it in the fifteenth century.
Materials
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Wood Metadata · 99%
The catalog identifies the support as a poplar panel, which is wood.
Source & rights
Neroccio de' Landi. Claudia Quinta. Courtesy National Gallery of Art, Washington.