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Invocation to Love
Youth Playing a Pipe for a Satyr
Raft Cup
Fragment of a bowl with a frieze of bulls in relief
Covered Tureen on Stand (Pot-à-oille)
Heavenly beauty
A woman and two children, all with pale skin and flushed cheeks, sit together in a landscape in this round painting. The woman takes up most of the composition as she sits with her right leg, to our left, tucked under her body. Her other leg, on our right, is bent so the foot rests on the ground, and that knee angles up and out to the side. She wears a rose-pink dress under a topaz-blue robe, and a finger between the pages of a closed book holds her place. Her brown hair is twisted away from her face. She has delicate features and her pink lips are closed. She looks and leans to our left around a nude young boy who half-sits and half-stands against her bent leg. The boy has blond hair and pudgy, toddler-like cheeks and body. The boy reaches his right hand, on our left, to grasp the tall, thin cross held by the second young boy, who sits on the ground next to the pair. This second boy has darker brown hair and wears a garment resembling animal fur. The boy kneels facing the woman and looks up at her and the blond boy. The trio sits on a flat, grassy area in front of a body of water painted light turquoise. Mountains in the deep distance are pale azure blue beneath a nearly clear blue sky.
The Vicarello Goblet
Striding Pan
Venus Reclining in a Landscape
Figure of a reclining woman
Study for the Nude Youth over the Prophet Daniel (recto); Figure Studies for the Sistine Ceiling (verso)
A partially nude woman with pale, peachy skin sits to our left looking into a mirror held up by a nearly nude, winged child to our right in this vertical painting. The woman’s body is angled to our left but she looks across her body to our right. She holds her left hand to her chest, and her right hand grips the fur-lined edge of the scarlet-red, velvet fabric that drapes over that upper arm and around her hips. Her blond hair is coiled up in rows of pearls, and she has dark eyes, a straight nose, and her pale pink lips turn up in a subtle smile. A teardrop pearl earring hangs from the ear we can see, and she wears rings and gold bracelets. The child-like figure to the right stands on a gold-striped cushion facing away from us as he holds up the rectangular, black-framed mirror. He has small silver wings and a sash of golden yellow hangs from one shoulder around the opposite hip. A second child reaches from behind the mirror to hold up a ring of laurel leaves. A forest-green curtain is gathered in the upper left corner and the beige wall beyond falls into shadow to our right.
A Young Woman Buying a Pink from a Young Man
The great Jewish bride
Hen and Chicks Covered Tureen on Stand
Relief: two servants bearing food and drink
Saint Sebastian
Orthostat relief: lion-hunt scene
The King's Acquaintances Memi and Sabu
Une odalisque, dite La grande odalisque
Close to us, a bearded, balding man leads a donkey carrying a woman and child to our right against a hilly landscape in this horizontal painting. All three people have pale, peachy skin and halos. The man has a gray beard and hair, and wears a royal-blue tunic under a ruby-red robe. He leans on a walking stick and looks back at the donkey. The woman riding the donkey wears a blue and gold brocade-like cloak covering her head and body. She has a straight nose, small pink lips, and she looks toward the infant she holds close to her body. The baby wears a white garment and reaches for the woman’s face with one hand as he turns to look over his shoulder toward us. The path they walk on is lined with grass and detailed plants. A river runs parallel to the path a short distance away. The horizon line comes about two-thirds of the way up the painting is lined with green trees, blue mountains, and a few buildings to our left. Wispy white clouds sweep across an azure-blue sky streaked with peach near the horizon.
Door Guardian (Dvarapala)
The Holy Family with Saint John the Baptist and Saint Margaret
Against a deep, hilly landscape, a young woman sits facing us on a rocky ledge with a small child in her lap in this square painting. The woman and child, Mary and Jesus, both have pale skin and blond hair. Mary wears a cobalt-blue gown over a coral-pink undergarment that peeks out from under the bottom hem and at her cuffs. A paler blue mantle is draped over the back of her head and falls to cover her shoulders and body. A sheer white veil covers her hair and forehead. Jesus wears a sheer white, loose, long-sleeved tunic. Both gaze downward to the bunch of green grapes Mary holds delicately in her left hand, to our right. Jesus reaches forward with both hands to pluck some fruit as Mary supports his body with her other hand. An oval shaped, woven basket with a lid sits on the ground next to Mary’s feet. The gray, rocky outcropping on which they sit is blanketed with straw-colored moss or other growth. A small clearing behind the pair is framed by trees on either side. The trees have tall, slender trunks speckled with light gray patches and canopies of olive and celery-green leaves. To our left and beyond the outcropping, a gray donkey stands behind a tree, nibbling on some grasses at the edge of the outcropping. To our right, in the middle distance, a pale-skinned, bearded man stands and arches back with a long stick raised overhead, as if about to strike the tree in front of him. Beyond him and about two-thirds of the way up the panel, a row of dark green shrubbery separates the clearing from rolling blue hills in the distance.
Hunting and fishing scenes
The Merry Family
Saint Jerome and the Lion (From the former Church of St. Peter in Erfurt)
Nautilus Cup
Memorial head (nsodie)
Feuillet de diptyque en cinq parties : l'Empereur triomphant (Justinien ?)
Sarcophagus
Sleep and Death Cista Handle
Rosewater ewer
English Horn
Openwork furniture plaque with a grazing oryx in a forest of fronds
Mother Goddess
Danaë
Hanger op voetstuk met Amphitrite op een dolfijn
Ewer
Tomb with Sphinxes and an Owl
Covered box decorated with chrysanthemums and waterfowl among lotus
Ivory Plaque with Enthroned Mother of God ("The Stroganoff Ivory")
Guanyin
Ornament voor de houten steel van een ge
Belt clasp
Rhyton terminating in the forepart of a wild cat
Grafmonument met alliantiewapen en vier kwartierwapens
The Wade Cup with Animated Script
Spout in the form of a man's head
A young, pale-skinned woman with reddish-blond hair sits with a nearly nude, chubby toddler standing in her lap in this vertical painting. She looks down at him, her body and face angled to our left. Thin lines creating a gold halo fan out from the back of her head. An ivory-white scarf wraps around her head and trails down the back of her neck where it is tucked into a dark, teal-blue cloak covering her shoulders and draping across her lap. Under the robe, she wears a loose, cherry-red gown with vertical pleats over her chest. The baby, also with pale skin, reddish blond hair, and a delicate gold halo, looks up at her face with light brown eyes. He stands on the woman’s right thigh, to our left. One of the woman's hands wraps around his body and supports his legs, while she props up his chest with her other. A length of pale gray fabric wraps over one shoulder and around his stomach. The two are situated in front of a column and pillar supporting a horizontal lintel overhead. The view beyond is of a blue sky over a golden field with dark green conical cypress trees in the distance.
Christ Carrying the Cross
Cheval retenu par un palefrenier
Corner Railing Pillar with Drinking Scenes, Yakshis, and Musicians
Plaque with horned lion-griffins
Funerary relief
Tea Table
Unidentified Woman
Dragon in foliage with lion and phoenix heads
Red-Figure Calyx-Krater (Mixing Vessel): Medea in Chariot (A); Telephos with Baby Orestes (B)
Wall fountain
Battle of the Nudes
Terracotta dinos (mixing bowl)
Le radeau de la Méduse
Tánggǔ (堂鼓)
Trial Piece Worked on Both Sides
The great Jewish bride
Bronze rod tripod stand
Cylinder seal with cultic scene
Fragment of a doorpost
De Kroonprins van Oranje in de Slag bij Waterloo 1815
A man stands, leaning on a staff used like a crutch, in a deep, rocky landscape in this round-topped vertical painting. The cleanshaven man has tanned skin and sparse gray hair. He is nude aside from a slate-gray cloth that wraps around his hips. The hand not bracing the crutch is held in a loose fist at his chest. A few plants grow and bloom along the bottom of the panel. The dirt path on which the man stands winds through low, grass-covered mounds to a cave opening at the base of a tall, steep cliff face. A lion stands on the path between the man and the cave. An owl perches in the bare, spike-like branches of a spindly tree growing to our right of the man.
Bassoon
Hotei Smoking his Pipe, from The Picture Book of Realistic Paintings of Hokusai (Hokusai shashin gafu)
An older girl and a younger child, both with pale skin, bend toward each other as they look at a book spread open on a wooden cupboard in this nearly square painting. Shown from the hips up to our right, the girl leans over the cupboard with her body facing our left in profile. She looks at the child peering over the low ledge at the back of the cupboard with her head tilted slightly in that direction. The older girl has a straight, delicate nose, her smooth cheeks are flushed, and her rosy-red lips are pursed. Her brown hair is tucked under a bright white, ruffled cap encircled with a gold and cranberry-red ribbon. The long sleeves of the muted sapphire-blue dress seem to have been rolled back along the forearms to reveal cascading, white cuffs. A translucent white neckerchief, like a short, full scarf, is tucked into an ivory-white apron that also covers the flaring skirt. With both hands on the open book, she points to one page with a metal pointer like a knitting needle. Facing us, the smaller child looks at the book from behind the wood cupboard, eyes downcast, resting one forearm on the surface and pointing to a detail in the book. The child has delicate brows, a short, wide nose, and full raspberry-red lips are closed. The padded cap the child wears covers the ears and is loosely painted with a pattern of honey brown, silvery white, and slate blue. The nutmeg-brown sleeves are pushed back along the forearm and there are white cuffs or sleeves beneath. The cupboard has two diamond-shaped, iron-gray metal pulls in front. Light illuminating the pair from our left creates a greenish glow on the tawny-brown background behind them.
The great Jewish bride
A pale-skinned woman wearing a long, rose-pink gown sits amid a lush landscape in this vertical portrait painting. The woman’s body is angled to our left, but she turns her head to look at us with green eyes under dark brows. She has a long, straight nose, smooth, flushed cheeks, and her carnation-pink lips are closed. Her long, curly, ash-brown hair is loosely pulled back in an emerald-green ribbon, but tendrils floating around her face seem to lift as in a breeze. A ponytail or thick tendril drapes over her far shoulder, almost reaching her waist. The low neckline of her gown is wrapped with translucent, gold cloth, and the elbow-length sleeves are gauzy white. The gown has a pale pink bodice and long, full skirt. Ribbons the same green as the one in her hair wrap around her waist and around the elbow we can see. She crosses her ankles so delicate, high-heeled, charcoal-gray slippers peek out from the bottom hem of her skirt. She sits on a gray boulder, her hands folded in her lap as she holds the ends of her translucent scarf. A tall tree grows along the right edge of the composition to arc up and over with olive-green and harvest-gold leaves. Beyond the woman, the land dips down to our left back into a tree-filled valley. Swipes of slate blue in the distance could be mountains. A short distance from us, to our left, one tree with a narrow, pale green canopy grows up against the sky. Behind that tree, yellow sunlight breaks through light blue, lavender-purple, and silver clouds that fill the rest of the sky. Parts of the scene are loosely painted with swirling, fluttering strokes, especially in the woman’s costume and the trees around her.
Terracotta head of a woman
Head Fragment
This painting depicts a woman seated outdoors with a baby in her lap on the left and a young child standing nearby on the right. The woman is sitting on the ground, while the baby is facing the right with their arms outstretched. The baby is partially wrapped in a white cloth. The woman has a serene expression and delicate facial features. She is wearing a green and red robe. The young child on the right is holding a small lamb and has curly blond hair. In the upper left corner of the painting, two cherubic faces peer down from a cloud. The background shows a pastoral setting with trees, shrubs, hills, grass patches, and bunnies near the forest edge, under a cloudy sky.
Terracotta kernos (vase for multiple offerings)
Sideboard
Bowl with Inscription, "Sovereignty is God's"
Cup with a frieze of gazelles
The Holy Family with Saints Anne and Catherine of Alexandria
Gedicht op de zilveren bruiloft van Ludolph Simon de With en Maria de Wit, 15 augustus 1771
Lidded Bowl with Iguana
Les Sabines
Red-Figure Stamnos (Mixing/Storage Vessel): Komos (Musicians and Revelers)
Japan; Illustrated book; Illustrated Books
La Femme au miroir
Frogs and Lily Pads (Grenouilles et Nénuphars) Vase
Seated Amitayus
Uma
Center table
Fire-flame Cooking Vessel (Ka'en Doki)
Feast Ladle
A woman holds and looks toward a nude, young child, who sits on her lap and looks out at us, smiling, in this vertical painting. They both have pale skin and thin, gold halos floating above their heads. The clear sky behind them deepens from teal blue along the top edge to ice blue behind their shoulders. To our right, the woman is shown from the lap up with her body angled to our left, toward the child she holds. She looks down at the child almost in profile with dark eyes under faint brows. She has a long, straight nose, smooth cheeks, and her petal-pink lips are closed. Her blond hair is braided and twisted back from her face under a sheer, gold-trimmed, white veil, that flutters as if in a breeze. Her rose-pink dress has a wide neckline and the elbow-length sleeve we can see falls loosely over a tighter, spring-green sleeve. The neckline is trimmed with gold decorations and an inscription: “MDVIII.R.V.PIN.” A peacock-blue robe drapes over the shoulder farther from us and across her lap. That arm wraps around the child’s back, and she holds her other hand to her chest, near where the child grips the neckline of her dress. The child sits on a white pillow with one leg flung across the woman’s lap and the other, closer to us, dangling between her knees. Slightly slouched, his body is angled to our right, toward the woman, but he looks over his shoulder at us with dark eyes. He has faint eyebrows, a delicate nose, a dimpled chin, flushed cheeks, and his pale pink lips curl into a smile. He has wispy blond hair and pudgy, toddler-like cheeks and body. His other hand rests on the pillow between his legs. A band of gauzy, sheer fabric decorated with gold stripes wraps around one shoulder and around his upper chest.
Manuscript Cover with Prajnaparamita Attended by Sadakshari Lokeshvara and a Tara
Pendants and beads