The Ten Largest, No. 6, Adulthood
Hilma af Klint — The Ten Largest — Number 6 Adulthood
Details
- Palette
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- Origin
- Sweden
- Holding institution
- The Hilma af Klint Foundation
- Image provider
- wikimedia-commons
- License
- Public domain
- Credit
- The Hilma af Klint Foundation
Art Genome Taxonomy
11 tags
Subject Matter
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Text Visual · 96%
Numerous white and pink script-like marks resembling handwriting are integrated into the painted field, though they are not legible from the supplied image.
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Line, Form, and Color Visual · 96%
The work foregrounds the interaction of line, form, and color rather than depicting identifiable objects or figures.
Styles and Movements
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Abstract Art Visual · 99%
The image presents nonrepresentational forms rather than a recognizable naturalistic scene or subject.
Visual Qualities
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Geometric Visual · 98%
Circles, ovals, concentric rings, and other strongly bounded shapes provide a prominent geometric structure.
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Biomorphic Visual · 90%
Rounded, petal-like, cellular, and flowing forms coexist with the geometric shapes, especially in the central vertical motif and surrounding circular elements.
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Pastel Colors Visual · 97%
Lavender, pale pink, powder blue, soft yellow, white, and muted orange dominate the palette, although black and saturated blue provide stronger contrasts.
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Curvilinear Forms Visual · 98%
Arcs, spirals, loops, and sweeping curved contours recur throughout the composition.
Medium and Techniques
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Painting Both · 99%
The work is visibly a painted composition, and the catalog classifies it as Painting.
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Tempera Metadata · 99%
The catalog identifies the medium as tempera on paper, mounted on canvas.
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Work on Paper Metadata · 97%
The catalog specifies paper as the primary support, mounted on canvas.
Time Periods
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1900 - 1917 Art Metadata · 99%
The catalog dates the work to 1907, placing it within the 1900–1917 period.
Source & rights
Gsimonov. Own work