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Man of the Djard Family
Unidentified Woman
Unidentified Woman
Unidentified Woman
Unidentified Man
Mme. Bidetrenoulleau
Unidentified Man
Unidentified Man
Unidentified Man
Unidentified Woman
Unidentified Man
Unidentified Man
Unidentified Man
Mr. Coombs
Charles Esteve Latil
Unidentified Woman
John Reynolds
Pungwuni
Miles King Jr.
Jessie Benton Frémont
Eliza Barclay Livingston
William H. Maxwell
Frank Johnson, Leader of the Brass Band of the 128th Regiment in Saratoga, with his wife, Helen
Thomas Stone
John Samuel Sherburne
John Curzon Seton
Charles and Lavinia Stratton
John F. Gray
Mrs. Brumaud
Gloves
William Lee
Unidentified Man
The great Jewish bride
Japan; Illustrated book; Illustrated Books
Coonley family
The great Jewish bride
Portraits of Surinamese Girls
Vijfentwintigjarig regeringsjubileum van Koning Willem III 1874
Bowl with Inscription, "Sovereignty is God's"
Portraits of Surinamese Girls
Unidentified Man
A Young Woman Buying a Pink from a Young Man
Edward L. Davenport
Portraits of Surinamese Girls
Dudrenec
Brandspuitpenning van Amsterdam, wijk 7 nummer D4
G.W.M. Nutt and Minnie Warren
Jean Marie Soulier
Grafmonument met alliantiewapen en vier kwartierwapens
Estérel Village
Enclosed Valley
The great Jewish bride
Unidentified Man
General Nathaniel Lyon
Invocation to Love
Clara Louise Kellogg
Cottage among Trees
Shown from the waist up, a woman with pale skin and brown hair, wearing a dark corset and white fabric over her shoulders, looks down at needlework in her hands in this vertical painting. Her cheeks are rosy and her dark hair is pulled back, though it seems looser down the sides of her face. A small, coral-red, crescent shape at the back of her head could be covering her hair or holding it in place. White, nearly translucent fabric lies loosely across her shoulders over a dark, moss-brown, long-sleeved dress. Her breasts swell over the squared, lace-trimmed neckline. She holds white fabric and perhaps a needle in her hands, which rest on a tan cushion on her lap. The scene is loosely painted throughout so some of the details are difficult to make out. A darker spot along her right index finger could be a thimble. The background is the same olive-tan of the cushion.
Charles Meigs
J. B. Loir
Study for the Nude Youth over the Prophet Daniel (recto); Figure Studies for the Sistine Ceiling (verso)
James Latimer
Fox, from The Picture Book of Realistic Paintings of Hokusai (Hokusai shashin gafu)
Seated Female Nude (Self-Portrait?)
Alexander Campbell
Saint Sebastian
Ovoid covered jar with a woman reading a letter and finial in the shape of a shishi
DeWitt Clinton
Painted almost entirely in tones of golden, mustard, and pale yellows, a young woman is shown from the lap up having turned to face us while making lace on a wooden frame in this vertical portrait painting. Her body faces our left almost in profile, but she turns her face to look at us with large, hazel-gray eyes. Her skin has a yellow cast but her smooth cheeks are lightly flushed, and her coral-red lips are parted. Her cinnamon-brown hair is parted down the middle and pulled back under a slate-blue ribbon, and she wears a teardrop-shaped earring in the ear we can see. Her burnt-orange shirt has pale yellow, wide cuffs at the elbow-length sleeves and a wide collar that rests across her chest and shoulders. The cuffs and collar are textured, suggesting fur. She rests her bare forearms against the wood frame in front of her, to our left, which is about the height of a table. A parchment-yellow cloth is draped over the frame, and she holds two short, cylindrical bobbins in her hands. Two more thread-wrapped bobbins hang to one side. The woman’s tea-brown skirt is partially hidden by a table situated closer to us, in the lower right corner of the painting. The table is covered with a patterned rug in maroon red, black, and gold. On the table are a low, wide pewter-gray bowl and a dark indigo-blue pillow with gold tassels and gold stripes near the seams. The wall behind the woman is honey yellow.
Charles and Lavinia Stratton
John Milton Hay
[The Oriel Window, South Gallery, Lacock Abbey]
James H. Lane
Interieur van een timmermanswerkplaats
Unidentified Woman
Johannes Vermeer. Gezicht op Delft / Vue de Delft / View of Delft / Ansicht von Delft
Thomas Tingey
Sand Dunes, Carson Desert, Nevada
Blackbook I
Presentation Drawing of "The Statue of Liberty Illuminating the World"
Coat
Trial Piece Worked on Both Sides
The King's Acquaintances Memi and Sabu
Japan; Illustrated book; Illustrated Books
Son of Prince de Joinville (Pierre Philippe Jean Marie d'Orleans)
Raft Cup
Gedicht op de zilveren bruiloft van Ludolph Simon de With en Maria de Wit, 15 augustus 1771
John J. Crittenden
Abraham Lincoln and Family
An older girl and a younger child, both with pale skin, bend toward each other as they look at a book spread open on a wooden cupboard in this nearly square painting. Shown from the hips up to our right, the girl leans over the cupboard with her body facing our left in profile. She looks at the child peering over the low ledge at the back of the cupboard with her head tilted slightly in that direction. The older girl has a straight, delicate nose, her smooth cheeks are flushed, and her rosy-red lips are pursed. Her brown hair is tucked under a bright white, ruffled cap encircled with a gold and cranberry-red ribbon. The long sleeves of the muted sapphire-blue dress seem to have been rolled back along the forearms to reveal cascading, white cuffs. A translucent white neckerchief, like a short, full scarf, is tucked into an ivory-white apron that also covers the flaring skirt. With both hands on the open book, she points to one page with a metal pointer like a knitting needle. Facing us, the smaller child looks at the book from behind the wood cupboard, eyes downcast, resting one forearm on the surface and pointing to a detail in the book. The child has delicate brows, a short, wide nose, and full raspberry-red lips are closed. The padded cap the child wears covers the ears and is loosely painted with a pattern of honey brown, silvery white, and slate blue. The nutmeg-brown sleeves are pushed back along the forearm and there are white cuffs or sleeves beneath. The cupboard has two diamond-shaped, iron-gray metal pulls in front. Light illuminating the pair from our left creates a greenish glow on the tawny-brown background behind them.
Alexander Hamilton
La Dentellière
Unidentified Man
Shown from the chest up, a young, pale-skinned woman looks over her shoulder and grins widely at us so her bottom teeth show in this vertical painting. The girl’s shoulders face our left in profile, and she turns her head to look out from the corners of her large, dark eyes. She has a round face with faint brows, a slightly turned up nose, and full pink lips. A teardrop-shaped pearl hangs from the ear we see. Her dark hair is brushed back and covered by a charcoal gray cloth, which drapes to her upper back. A wide white collar lies across an ochre-yellow garment, and the background is dark brown. The whole painting has a yellow cast.
Lyman Trumbull
G.W.M. Nutt and Minnie Warren
Ingelijste muurschildering voorstellende Xiwangmu en dienaressen
The Milkmaid
Woman Reading a Letter
The Merry Family