The Adoration of the Magi
Three men with crowns and wearing gold-trimmed robes stand and kneel before a woman sitting on a wooden, box-like seat holding a baby to our right, in front of a rocky cave and landscape, in this horizontal painting. A balding man with a gray beard and hair, Joseph, and two younger people with blond hair stand around the woman, Mary, to our right, while a group of five young men or boys and three horses gather near the left edge. All the people have pale skin. Mary, the baby Jesus, Joseph, and the three men closest to them all have shimmering gold halos. One balding man with a long white beard kneels and kisses the baby’s feet. He wears a gold and crimson-red brocade-like robe over a burgundy-red garment, and he holds a pointed gold crown in his right hand, which rests on the ground. Behind him and to our left, a younger man with curly blond hair and goatee, wearing a wine-red tunic belted with gold and a gold crown on his head, holds his hands in prayer as he kneels down on one knee. The third stands to our left, cleanshaven with long blond hair. He wears a fur-lined, thigh-length scarlet-red robe and a gold crown, and he holds up a gold vessel in one hand. To our right, Mary wears a lapis-blue robe that covers her head and falls to her feet. The baby is covered only by a white cloth across his hips, and he has short blond hair. He touches the kneeling man’s head with one hand. His body is pudgy but his face has more adult-like, delicate features. Joseph stands at the woman’s far shoulder, wearing a butter-yellow robe over a rose-pink garment. His hands are gathered on a walking stick in front of his chest and his brows are furrowed with deep lines. One of the two younger people behind Mary, to our right, holds a lidded gold vessel. The group of five attendants to our left gather around cream-white, gray, or chestnut-brown horses. These blond people wear garments of dark olive-green, coral-red, royal-blue, or rose-pink tunics over black stockings. The rocky, brown cave behind Mary and Jesus, to our right of center, is occupied by a donkey and an ox behind a wooden trough. The landscape beyond is segmented into quilt-like squares of stylized crops. The horizon line comes almost to the top edge of the panel beneath a narrow strip of vivid, cobalt-blue sky. A gold star like a sunburst with rays of light hovers over the woman and child.
Details
- Palette
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Select a color to find related artworks.
- Medium
- tempera on panel
- Dimensions
- overall: 26.9 x 46.4 cm (10 9/16 x 18 1/4 in.) framed: 35.9 x 56.4 x 5.2 cm (14 1/8 x 22 3/16 x 2 1/16 in.)
- Department
- CIS-R
- Holding institution
- National Gallery of Art
- Image provider
- national-gallery-of-art
- License
- CC0-1.0
- Credit
- Andrew W. Mellon Collection
Art Genome Taxonomy
12 tags
Subject Matter
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Bible Story Both · 99%
The title identifies the subject as the Adoration of the Magi, and the image shows three crowned visitors approaching Mary and the infant Jesus with gifts.
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Madonna and Child Both · 99%
Mary is visibly seated with the infant Jesus, consistent with the catalog identification of the woman and child.
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Deities and Holy Figures Both · 98%
Mary, Jesus, Joseph, and the three Magi are shown with halos; the catalog also identifies these haloed figures.
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Animals Both · 99%
Several horses appear among the attendants at left, and an ox and donkey are visible within the rocky shelter.
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Landscapes Both · 97%
A substantial portion of the background consists of cultivated fields, trees, rocky terrain, and distant mountains.
Styles and Movements
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Renaissance Art Interpretive · 82%
The circa-1450 date, devotional subject, haloed figures, gold accents, and stylized landscape are consistent with a Renaissance classification, although the supplied catalog metadata does not state a formal style attribution.
Visual Qualities
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Highly Detailed Visual · 98%
The scene contains numerous finely rendered figures, animals, patterned garments, vessels, crowns, halos, rocks, plants, fields, and architectural details.
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Bright and Vivid Colors Visual · 97%
The image uses saturated cobalt and lapis blues, scarlet and rose reds, greens, ochers, and extensive gold accents.
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Highly Ornamented Visual · 95%
Crowns, halos, vessels, brocade-like robes, and repeated textile patterns produce an extensively decorative surface.
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Dense Composition Visual · 94%
The composition is densely populated by a procession of figures and horses arranged across a shallow horizontal space.
Medium and Techniques
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Painting Metadata · 99%
The National Gallery of Art classifies the work as a painting and identifies its medium as tempera on panel.
Time Periods
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15th Century Art Metadata · 99%
The catalog dates the work to circa 1450, placing it in the fifteenth century.
Source & rights
Giovanni di Paolo. The Adoration of the Magi. Courtesy National Gallery of Art, Washington.