This vertical portrait painting shows a pale-skinned older woman wearing a full, long-sleeved black dress with a wide white ruff at her neck and white lace cuffs at her wrists. She sits in a curving, low-backed wood chair against a pale brown background. Her body and the chair are angled slightly to our left, and she looks directly at us. She has small eyes, pink, rounded cheeks, and a wide chin. Her lips are parted in a slight smile, and her hair is covered by a starched, sheer white cap that flares at the sides. The ruff around her neck is gathered in accordion-like, narrow figure-eight folds, and it extends flat and stiff, nearly to her shoulders. Close inspection reveals that the dress is woven with a black-on-black brocade pattern and has a line of small black buttons down the front. She holds a small brown leather book tooled with gold ornament in her right hand, on our left, and her other hand rests on the arm of the chair. She wears a gold ring on each hand. An inscription is painted to our left of her head: “AETAT SVAE 60 ANo 1633.”

Portrait of a Woman Aged Sixty

Frans Hals

This vertical portrait painting shows a pale-skinned older woman wearing a full, long-sleeved black dress with a wide white ruff at her neck and white lace cuffs at her wrists. She sits in a curving, low-backed wood chair against a pale brown background. Her body and the chair are angled slightly to our left, and she looks directly at us. She has small eyes, pink, rounded cheeks, and a wide chin. Her lips are parted in a slight smile, and her hair is covered by a starched, sheer white cap that flares at the sides. The ruff around her neck is gathered in accordion-like, narrow figure-eight folds, and it extends flat and stiff, nearly to her shoulders. Close inspection reveals that the dress is woven with a black-on-black brocade pattern and has a line of small black buttons down the front. She holds a small brown leather book tooled with gold ornament in her right hand, on our left, and her other hand rests on the arm of the chair. She wears a gold ring on each hand. An inscription is painted to our left of her head: “AETAT SVAE 60 ANo 1633.”

Details

Medium
oil on canvas
Dimensions
overall: 102.5 x 86.9 cm (40 3/8 x 34 3/16 in.) framed: 142.4 x 126.7 x 15.2 cm (56 1/16 x 49 7/8 x 6 in.)
Department
CNE-B
Holding institution
National Gallery of Art
Image provider
national-gallery-of-art
License
CC0-1.0
Credit
Andrew W. Mellon Collection

Art Genome Taxonomy

9 tags

Subject Matter

  • Individual Portrait Both · 99%

    The catalog title identifies the work as a portrait, and the image centers one individualized seated sitter presented for likeness.

  • Face Visual · 98%

    The sitter’s face is the principal focal point, with detailed modeling of the eyes, cheeks, mouth, and chin.

  • Text Both · 99%

    A painted inscription appears to the left of the sitter’s head and is transcribed in the catalog as “AETAT SVAE 60 ANo 1633.”

Visual Qualities

  • Dark Colors Visual · 97%

    Deep black and brown tones dominate the dress, chair, and background, contrasted by the white ruff, cap, and cuffs.

  • Patterns Both · 96%

    The dress visibly contains a black-on-black brocade pattern, which is also specifically noted in the catalog description.

Medium and Techniques

  • Oil Painting Metadata · 100%

    The National Gallery of Art catalog identifies the medium as oil on canvas.

  • Painting Metadata · 100%

    The catalog classifies the object as a painting.

Time Periods

  • 17th Century Art Metadata · 100%

    The catalog dates the painting to 1633, placing it in the seventeenth century.

Furniture and Lighting

  • Chair Both · 98%

    A substantial curving chair is clearly visible beneath and beside the sitter; the catalog describes it as a low-backed wood chair.

Source & rights

Frans Hals. Portrait of a Woman Aged Sixty. Courtesy National Gallery of Art, Washington.