A pale-skinned young girl leaning over a low fence and holding a broom gazes in our direction in this vertical painting. Her red hair is pulled back from her round face, and she has large hazel eyes under thin brows, a petite nose, and her coral-red mouth is slightly open. She is shown from the chest up, behind a wooden partition that spans the width of the painting. She wears a loose, ivory-white shirt under a garment with pumpkin-orange straps on the shoulders and chest. She leans forward with her elbows hooked over the partition as she holds a long-handled broom to her chest. A wooden pail with a bronze handle is overturned to the right of the broom. A blocky brown object to our left is difficult to make out. A dark brown semicircular object close to us in the center of the composition resembles the mouth of a well. Soft light from the upper left illuminates the girl and the left side of the caramel-brown wall behind her and throws the right side into shadow. A signature near the lower left looks like it had been painted on the inner edge of the well. It reads, “Rembrandt f. 1651.”

A Girl with a Broom

Dutch 17th Century Rembrandt van Rijn (workshop) Carel Fabritius

A pale-skinned young girl leaning over a low fence and holding a broom gazes in our direction in this vertical painting. Her red hair is pulled back from her round face, and she has large hazel eyes under thin brows, a petite nose, and her coral-red mouth is slightly open. She is shown from the chest up, behind a wooden partition that spans the width of the painting. She wears a loose, ivory-white shirt under a garment with pumpkin-orange straps on the shoulders and chest. She leans forward with her elbows hooked over the partition as she holds a long-handled broom to her chest. A wooden pail with a bronze handle is overturned to the right of the broom. A blocky brown object to our left is difficult to make out. A dark brown semicircular object close to us in the center of the composition resembles the mouth of a well. Soft light from the upper left illuminates the girl and the left side of the caramel-brown wall behind her and throws the right side into shadow. A signature near the lower left looks like it had been painted on the inner edge of the well. It reads, “Rembrandt f. 1651.”

Details

Medium
oil on canvas
Dimensions
overall: 107.3 × 91.4 cm (42 1/4 × 36 in.) framed: 135.26 × 120.65 × 7.62 cm (53 1/4 × 47 1/2 × 3 in.)
Department
CNE-B
Holding institution
National Gallery of Art
Image provider
national-gallery-of-art
License
CC0-1.0
Credit
Andrew W. Mellon Collection

Art Genome Taxonomy

12 tags

Subject Matter

  • Human Figure Both · 99%

    A single young girl is the dominant depicted figure, shown from the chest upward behind a wooden partition.

  • Childhood Both · 95%

    The catalog describes a young girl, and the image presents a youthful female figure.

  • Face Visual · 98%

    The girl's face is the central illuminated focal point of the composition.

  • Eye Contact Visual · 96%

    She faces outward and looks in the direction of the viewer.

  • The broom, overturned pail, wooden partition, and other recognizable utilitarian forms are incorporated into the scene.

Visual Qualities

  • Earth Tones Visual · 94%

    The painting is dominated by umber, brown, caramel, and near-black tones, with restrained warm accents in the girl's clothing and hair.

  • Dark Colors Visual · 93%

    Large areas of the composition, especially the upper and right portions, are rendered in deep shadow.

Medium and Techniques

  • Painting Metadata · 100%

    The catalog classifies the work as a painting.

  • Oil Painting Metadata · 100%

    The catalog specifies oil on canvas.

  • Chiaroscuro Visual · 97%

    Soft light from the upper left contrasts strongly with the dark right side and surrounding brown ground, producing a pronounced light-dark effect.

Time Periods

  • 17th Century Art Metadata · 99%

    The catalog dates the work to probably begun 1646/1648 and completed 1651.

Geographic Regions

  • Dutch Art Metadata · 92%

    The artist context is identified as Dutch 17th Century, with the displayed attribution Rembrandt Workshop, possibly Carel Fabritius.

Source & rights

Rembrandt Workshop (Possibly Carel Fabritius). A Girl with a Broom. Courtesy National Gallery of Art, Washington.