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Farmhouse on the Slope of a Hill
Study for the Nude Youth over the Prophet Daniel (recto); Figure Studies for the Sistine Ceiling (verso)
The Merry Family
Grafmonument met alliantiewapen en vier kwartierwapens
Youth Playing a Pipe for a Satyr
Gedicht op de zilveren bruiloft van Ludolph Simon de With en Maria de Wit, 15 augustus 1771
Enclosed Valley
Japan; Illustrated book; Illustrated Books
Unidentified Woman
Fragment van een muurschildering
Invocation to Love
The Milkmaid
The Night Watch Militia Company of District II under the Command of Captain Frans Banninck Cocq
Cottage among Trees
Christ Carrying the Cross
Saint Sebastian
Copy of The Night Watch
The great Jewish bride
Japan; Illustrated book; Illustrated Books
Ingelijste muurschildering voorstellende Xiwangmu en dienaressen
Tomb with Sphinxes and an Owl
Tánggǔ (堂鼓)
Standing Officer Holding a Boar's Spear
The Refectory of the Imperial Asylum at Vincennes
John F. Gray
Graven en gravinnen van Holland
The great Jewish bride
Raft Cup
Fox, from The Picture Book of Realistic Paintings of Hokusai (Hokusai shashin gafu)
About three dozen people gather in a grassy field to either side of a crumbling structure to kneel and pray before a woman and baby in the center of this horizontal painting. The woman, Mary, and baby, Jesus, have smooth, pale skin while the others have light or tanned skin. The structure has sand-colored stone pillars, a wooden triangular, pitched roof, and a straw floor. Mary, who has an elongated torso, sits facing us with her knees apart. She wears an azure-blue robe over a rose-pink dress. A shell-pink veil covers her head and body. Jesus sits on her left knee, his pudgy body angled to our left. He is nude except for a transparent cloth wrapped over one shoulder and the opposite hip. Mary’s left hand braces his torso. On Mary’s right, our left, Joseph, an older man, stands facing us. He clasps his hands at his chest and leans on a long stick. He has wrinkled skin, long, gray curly hair, and a full beard. Both Mary and Joseph tilt their heads to their right, our left, as they look down at Jesus. Joseph wears a golden yellow robe over a blue tunic. Joseph, Mary, and Jesus have faint gold halos. Behind them, a brown cow and gray donkey rest on the straw. People closest to Mary and Jesus kneel and bow their heads while the people to the left and right sides mostly stand. Three men kneeling closest to Mary and Jesus offer gifts, including a bronze vessel and a gold jar. One man has long dark brown hair and a beard, and wears a gold crown. Another man is bald with long gray hair and beard, while the third is cleanshaven with shoulder-length brown hair. These men wear robes in powder blue, carnation pink, or celery green with delicate silver and gold embelishments. Others in the crowd range in age from young and cleanshaven to older and bearded. They wear robes and tunics in shades of raspberry pink, butterscotch yellow, lapis blue, plum purple, or forest green. Several horses, their coats white or cinnamon brown, stand among the crowd, a few with riders. To our right, one horse rears its head and two others stand facing each other. Beyond the crowd, grassy green meadows and hills dotted with trees lead back to the horizon. A pale blue sky fills the top third of the composition.
Johannes Vermeer. Gezicht op Delft / Vue de Delft / View of Delft / Ansicht von Delft
Sand Dunes, Carson Desert, Nevada
Hotei Smoking his Pipe, from The Picture Book of Realistic Paintings of Hokusai (Hokusai shashin gafu)
Unidentified Man
Oribe-Type Ewer
Unidentified Man
Man met peuter op de rug, Osaka
Christ Crucified Between the Two Thieves: 'The Three Crosses'
Presentation Drawing of "The Statue of Liberty Illuminating the World"
Japan; Illustrated book; Illustrated Books
The Windmill at Wijk bij Duurstede
The Cathedral
Cabinet Decorated with Episodes from the Parable of the Prodigal Son
Unidentified Man
[The Oriel Window, South Gallery, Lacock Abbey]
Hunting and fishing scenes
A pale-skinned young girl leaning over a low fence and holding a broom gazes in our direction in this vertical painting. Her red hair is pulled back from her round face, and she has large hazel eyes under thin brows, a petite nose, and her coral-red mouth is slightly open. She is shown from the chest up, behind a wooden partition that spans the width of the painting. She wears a loose, ivory-white shirt under a garment with pumpkin-orange straps on the shoulders and chest. She leans forward with her elbows hooked over the partition as she holds a long-handled broom to her chest. A wooden pail with a bronze handle is overturned to the right of the broom. A blocky brown object to our left is difficult to make out. A dark brown semicircular object close to us in the center of the composition resembles the mouth of a well. Soft light from the upper left illuminates the girl and the left side of the caramel-brown wall behind her and throws the right side into shadow. A signature near the lower left looks like it had been painted on the inner edge of the well. It reads, “Rembrandt f. 1651.”
Unidentified Woman
Jessie Benton Frémont
Brandspuitpenning van Amsterdam, wijk 7 nummer D4
Walbus met vuursteenslot
Gloves
Bassoon
We look across a stream and through a loose screen of shadowy trees at a sunlit farm under a powder-blue sky with towering, puffy clouds in this vertical landscape painting. The ground and stream closest to us are painted in tones of olive green, sepia and earth brown, black, and slate gray. Nearly lost in shadow, a group of six people gathers at the water’s edge in the lower left. Small in scale within the composition, they wear brick-red, gray, or caramel-brown garments. Beyond them, a low picket fence winds through and between a loose band of shadowy trees, which are painted with gnarled, dark gray trunks and camel-brown, sage, and pine-green leaves. The trees to our left are closer and taller, while those to our right are a little farther away. The sun pours from the upper left into the field beyond. The farm buildings there have tan walls and sloping, peach-colored roofs. A few animals and people, smaller than the group in front, stand among the buildings, and more cottages can be glimpsed through a stand of trees on our right. The horizon line comes about a third of the way up the composition, and a church and steeple are silhouetted against the sky in the deep distance. A few birds fly in front of gray and white clouds that rise from the right side and spread across the top of the canvas.
Hawk, from The Picture Book of Realistic Paintings of Hokusai (Hokusai shashin gafu)
Belt clasp
Donderbus buitgemaakt op Lombok in 1894
American Barque "Jane Tudor," Conway Bay
John Samuel Sherburne
Armorer (Yoroi takumi), from the illustrated book "Picture Book of the Amusements of the East (Ehon Azuma asobi)"
Mme. Bidetrenoulleau
Man en vrouw bovenin de Tokyo Tower
Courting flute (siyotanka)
Charles and Lavinia Stratton
Apothecary jar
Bassoon
Vuursteen donderbus
The Wade Cup with Animated Script
A Philosopher Watching a Pair of Butterflies, from The Picture Book of Realistic Paintings of Hokusai (Hokusai shashin gafu)
The Connoisseur
Center table
Hakodadi Conference Room
The Vicarello Goblet
Unidentified Man
Lilliputian King, with John Drummond and Professor Cromwell
Hanger met cachet met de Dood
A Young Woman Buying a Pink from a Young Man
Fan painting with river landscape
Bowl with Inscription, "Sovereignty is God's"
Gezicht op bolwerk Oosterbeer met molen de Gooyer
Clarinet in D
Oksaal (koorafscheiding), afkomstig uit de kerk te Helvoirt
In the Omnibus
Panel with the god Zeus/Serapis/Ohrmazd and worshiper
Unidentified Man
Cylinder seal with cultic scene
Edward L. Davenport
Ornament voor de houten steel van een ge
Thomas Stone
The Large Plane Trees (Road Menders at Saint-Rémy)
The great Jewish bride
Unidentified Man
Dragon in foliage with lion and phoenix heads
An Artisan’s Shop, from the album The Mist of Sandara (Sandara kasumi)
The Rabbit Hunt
Unidentified Man
Bronze rod tripod stand
Portret van Dirk III, graaf van Holland
Alexander Campbell
Swivel musketoon