Related

Summer Flowers

Flowers and Grasses

Flowers and Trees of the Four Seasons (left screen)

Birds and Flowers

Birds and Flowers

Mandarin ducks and cotton rose hibiscus

Geese, Reeds, and Water

Monkey Hanging on to a Branch

Birds and Flowers

Autumn Evening with Full Moon on Musashino Plain

Duck in Flight

Chinese Bird on Snow-Laden Branch

Sparrows on Blossoming Plum

Vase of Flowers

Flowers and Birds in a Spring Landscape

Peahen and hibiscus

Winter and Summer Flowers

Monkeys in a Cherry Tree

這幅作品被命名為《昆侖松鶴》。昆侖是指神仙們居住的神山——昆侖山。據推測位於中國西部，是中國的大河——黃河的源頭。松和鶴都是長壽的象徵，是和神仙故事頗有關聯的題材。畫面右上方有畫家的署名，並寫著送給一位叫做李懷素的人。以昆侖山上的松樹以及聚集在此的仙鶴為繪畫題材的這幅作品主題極為吉祥，作為賀壽之禮極為相稱。作者呂健是活躍於十六世紀到十七世紀的人物。其曾祖父呂紀是一位著名的宮廷畫家。呂紀有很多構圖周密的大型花鳥圖作品，其華麗的色彩和細膩的筆法不僅在中國，也在朝鮮半島和日本大受追捧，呂紀的繪畫風格在東亞地區到了廣泛傳播。呂健不僅認真學習呂紀的花鳥畫，似乎還將其轉化成了更加瀟灑而又惹人憐愛的表現。這幅作品中姿態優美地彎曲著長頸的仙鶴以及以淡綠色輕輕暈開的松葉都充分表現出了呂健的審美觀。淡淡的墨影巧妙地表現出水面上湧起的波浪，以極具透明感的白色顏料細緻描繪的羽毛線條等卓越的描寫技術也是看點所在。

Winter Scene with Plum Trees and Pheasants

Vase of Flowers with Grasshopper, Marine Life, and Garden Rock

Flowers and Goldfish

Mount Fuji with Cherry Trees in Bloom

Birds and Flowers

Symbols of Longevity: Deer under Peach and Pine (Pine) (right)

Paulownias and Chrysanthemums

Howling Wolf in a Deep Mountain Valley

Grapevine in the Wind

Hen and Bamboo, by Luo Chuang, Tokyo National Museum, Japan

Chrysanthemums by the Water

Grapevine

Grapevine and Squirrels

Mt. Fuji through Pines

Scholar admiring plum blossoms

Monkeys

Heron on a Willow Branch

Summer Night

Fishing in a Springtime Valley

Lions and Tigers in Peony and Bamboo

Ivy Lane

Gibbons in a Landscape

Phoenixes and Paulownia

Birds and Flowers

Birds and Flowers of the Four Seasons

Lakeside Retreat

Returning Sails off a Distant Shore, from Eight Views of Xiao-Xiang

Farmer Returning Home in Autumn

Insects and Flowers, Ming dynasty, 14th-15th century, color on silk, Tokyo National Museum

The Four Seasons

Plum Blossoms

Chrysanthemums by a Stream

Autumn Maples with Poem Slips

Peacocks and Bamboo

Fragment textiel

screen by Fukae Roshu "Narrow ivy road". Six-fold screen, color on gold leafed paper, Important Cultural Property

Painting from Flowers and Grasses

Mount Asama, byobu by Aodo Denzen, Tokyo National Museum, Japan

Cuckoo Flying under a Full Moon

Blooming Plum Tree, from The Picture Book of Realistic Paintings of Hokusai (Hokusai shashin gafu)

Sunset over Autumn Mountains

Girl Arranging Flowers

Ōtsu-e of a Youth Holding Irises (Yarō)

Fox, from The Picture Book of Realistic Paintings of Hokusai (Hokusai shashin gafu)

Twee textielfragmenten op een blad, borduursel en druk op zijde

Hawk, from The Picture Book of Realistic Paintings of Hokusai (Hokusai shashin gafu)

Fish in a Lotus Pond

Gazing at a Waterfall

Crossing at Sano

Dragon in foliage with lion and phoenix heads

Depicts Zen monk Huike (慧可) thinking. By painter Shi Ke (Chinese: 石恪), from Five Dynasties and Ten Kingdoms Period to Northern Song (about 10th century)

Pleasure Boat on the Sumida River

"Dancing Dervishes", Folio from a Divan of Hafiz

Velvet Fragment with Design from Nizami of Ganja's Khusrau and Shirin

A Young Prince on Horseback

A Stallion

Portrait of Momonoi Naoaki

Bullfinch and Weeping Cherry (Uso, shidarezakura), from an untitled series of flowers and birds

『新三十六歌仙図帖』より

"The Concourse of the Birds", Folio 11r from a Mantiq al-Tayr (Language of the Birds)

Yoroboshi, by Shimomura Kanzan, Tokyo National Museum, Japan

Irises

On this folio from Walters manuscript W.653, a middle-aged woman stands in a landscape, holding a vase of flowers. The salmon pink margins are stenciled with animal and floral forms. The catchword at the lower left indicates that the following folio is missing.

The Greedy Dog

Morning Glories and Tree-frog, from an untitled series of Large Flowers

Cranes on snow-covered pine

Angel (Peri) Riding a Composite Camel

Bell-Flower and Dragonfly, from an untitled series of large flowers

This drawing, Walters manuscript leaf W.749, was executed in Safavid Iran, most probably in the late 10th century AH/AD 16th, in Qazvin or Isfahan. Above, a farmer plows; below, a seated young man watches a produce seller weigh his purchase. On the rocks in the center foreground is inscribed the name of one of the most famous painters in Iran in the 11th century AH/AD 17th, Riza 'Abbasi (active 1001-1044 AH/AD 1591-1592 to 1634). As the handwriting does not match that of the artist, an admirer of Riza's work seems to have attributed the drawing to him. The execution and the bucolic subject matter of this drawing relate closely to the oeuvre of the Persian artist Muhammadi Haravi (active late 10th century AH/AD 16th), who worked in Qazvin. It is possible that this composition was conceived as a manuscript page.

Dragon and Tiger

Iris and Grasshopper, from an untitled series of large flowers

Cotton Roses and Sparrow, from an untitled series of Large Flowers

This illustration from Walters manuscript W.644 depicts Zulaykha in a blue-domed litter on a camel led by a cameleer. The retinue is entering the capital of Egypt.

Fragment textiel

Chrysanthemum and Horsefly, from an untitled series of Large Flowers

Leaf from Album of Persian Calligraphy

Hydrangea and Swallow, from an untitled series of large flowers

Winter and Spring Landscape

Buddhist Deities

"Black Buck", Folio from the Shah Jahan Album