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Sixteenth Arhat, Cūḍapanthaka (from the Sixteen Arhats)

慈眼大師像

Tathagata Buddha

Portrait of Momonoi Naoaki

Buddhist Deities

Green Tara

Amitabha Triad, Tokyo National Museum

The Assembly of Tejaprabha Buddha

牡丹花肖柏像（重要文化財、東京国立博物館蔵）

Manjushri

Vase of Flowers

Ōtsu-e of a Youth Holding Irises (Yarō)

Depicts Zen monk Huike (慧可) thinking. By painter Shi Ke (Chinese: 石恪), from Five Dynasties and Ten Kingdoms Period to Northern Song (about 10th century)

松下達摩図

『新三十六歌仙図帖』より

Part of the series "Portraits of actors at three theaters in Edo". This print depicts the actor Sawamura Sojuro III as Ogishi Kurando. This is a first period print and designated collectively together with 26 other prints from the series as Important Cultural Property of Japan.

Vase of Flowers with Grasshopper, Marine Life, and Garden Rock

Cho Jae-ho from Punhyang Cho Family

Hell Courtesan

Chinese Bird on Snow-Laden Branch

Lakeside Retreat

Girl Arranging Flowers

Gazing at a Waterfall

The Beach at Sumiyoshi from the Tales of Ise

Thanka with Buddha

Ingelijste muurschildering voorstellende Xiwangmu en dienaressen

Thangka with the Seventh Bodhisattva

Summer Flowers

Monkey Hanging on to a Branch

Nakamura Fukusuke I as Kumagai Jirō Naozane on a Folding Fan

Grapevine in the Wind

Goddess Riding a Dragon, from The Picture Book of Realistic Paintings of Hokusai (Hokusai shashin gafu)

Duck in Flight

Painting from Flowers and Grasses

Pleasure Boat on the Sumida River

Hen and Bamboo, by Luo Chuang, Tokyo National Museum, Japan

Part of the series "Portraits of actors at three theaters in Edo". This print depicts the actor Sakata Hangoro III as the villain Fujikawa Mizuemon. This is a first period print and designated collectively together with 26 other prints from the series as Important Cultural Property of Japan.

Crossing at Sano

暮れて月いとおもしろきに、宮の亮、女房にあひて、とりわきたるよろこびも啓せさせむとにやあらむ、妻戸のわたりも御湯殿のけはひに濡れ、人の音もせざりければ、この渡殿の東のつまなる宮の内侍の局に立ち寄りて、「ここにや」と案内したまふ。宰相は中の間に寄りて、まだ鎖さぬ格子の上押し上げて、「おはすや」などあれど、いらへもせぬに、な大夫の、「ここにや」とのたまふにさへ、聞きしのばむもことごとしきやうなれば、はかなきいらへなどす。いと思ふことなげなる御けしきどもなり。

Fragment van een muurschildering

On this folio from Walters manuscript W.604, King Qizil Arslan welcomes the poet Nizami.

Monkeys in a Cherry Tree

這幅作品被命名為《昆侖松鶴》。昆侖是指神仙們居住的神山——昆侖山。據推測位於中國西部，是中國的大河——黃河的源頭。松和鶴都是長壽的象徵，是和神仙故事頗有關聯的題材。畫面右上方有畫家的署名，並寫著送給一位叫做李懷素的人。以昆侖山上的松樹以及聚集在此的仙鶴為繪畫題材的這幅作品主題極為吉祥，作為賀壽之禮極為相稱。作者呂健是活躍於十六世紀到十七世紀的人物。其曾祖父呂紀是一位著名的宮廷畫家。呂紀有很多構圖周密的大型花鳥圖作品，其華麗的色彩和細膩的筆法不僅在中國，也在朝鮮半島和日本大受追捧，呂紀的繪畫風格在東亞地區到了廣泛傳播。呂健不僅認真學習呂紀的花鳥畫，似乎還將其轉化成了更加瀟灑而又惹人憐愛的表現。這幅作品中姿態優美地彎曲著長頸的仙鶴以及以淡綠色輕輕暈開的松葉都充分表現出了呂健的審美觀。淡淡的墨影巧妙地表現出水面上湧起的波浪，以極具透明感的白色顏料細緻描繪的羽毛線條等卓越的描寫技術也是看點所在。

Symbols of Longevity: Deer under Peach and Pine (Pine) (right)

Birds and Flowers

Autumn Maples with Poem Slips

Mandarin ducks and cotton rose hibiscus

Birds and Flowers

Chrysanthemums by the Water

Jean Hey, known as the Master of Moulins, was a leading painter in 15th-century France. Here, he captured the moment the archangel Gabriel announced to Mary that she would give birth to a son. The painting once formed the right side of an altarpiece, with the left side depicting Mary’s own Immaculate Conception and a central section, now lost, featuring the enthroned Virgin and Child.

Portrait of Emperor Jahangir

Scholar admiring plum blossoms

Peahen and hibiscus

Canopy with Dragon among Flowers

Puppies

Flowers and Goldfish

Monkeys

Ivy Lane

Returning Sails off a Distant Shore, from Eight Views of Xiao-Xiang

Portrait of Victor Ritter von Bauer

Irises

Lions and Tigers in Peony and Bamboo

Sparrows on Blossoming Plum

Mt. Fuji through Pines

Camellia by Water

Madonna and Child

Heron on a Willow Branch

Bridal Robe (Hwarot)

马远《寒江独钓图》（图片经过较温和的亮化处理）

Plum Blossoms

Amida Falls in the Far Reaches of the Kisokaido (Kisoji no oku Amidagataki), from the series "A Tour of Waterfalls in Various Provinces (Shokoku taki meguri)"

Saint in Red Cloak

Asavari Ragini, page from a Garland of Musical Ragas (Ragamala) Set

Books and Scholars’ Accoutrements

The Flood of Noah (Genesis 7:11-24)

Birds and Flowers

Khambavati Ragini: Page from a Dispersed Ragamala Series (Garland of Musical Modes)

A Stallion

Exhibit in the Jordan Schnitzer Museum of Art, University of Oregon - Eugene, Oregon, USA.

A Philosopher Watching a Pair of Butterflies, from The Picture Book of Realistic Paintings of Hokusai (Hokusai shashin gafu)

Mount Asama, byobu by Aodo Denzen, Tokyo National Museum, Japan

Insects and Flowers, Ming dynasty, 14th-15th century, color on silk, Tokyo National Museum

Standing Saint

This is a painting of a pastoral scene near the water with a ship and buildings in the background. The artwork is in the style of American folk art, presented in an oval frame. The image depicts a serene landscape by the water, with figures engaged in activities such as gathering flowers in the center. The foliage is in shades of green and brown, spreading above under a lightly clouded, blue sky. On the left side, a ship is anchored near the shore, with buildings visible in the distance. The water has soft waves, contrasting with the rocky ground in the foreground. The pastel colors create a calm and reflective mood, evoking tranquility and connection with nature.

Flowers and Birds in a Spring Landscape

Gibbons in a Landscape

screen by Fukae Roshu "Narrow ivy road". Six-fold screen, color on gold leafed paper, Important Cultural Property

Farmer Returning Home in Autumn

An Artisan’s Shop, from the album The Mist of Sandara (Sandara kasumi)

"Sketching a Garden" from the series "Streaked Mist (Yae gasumi)", Woodblock print

A Disconsolate Lady on a Terrace with Attendants

A woman and nude child, both with pale skin, sit in front of a deep landscape in this vertical painting. Shown from about the knees up, the woman’s body is angled slightly to our right, and she supports the baby under his bottom with her left hand, on our right. She wears a long-sleeved, crimson-red dress with a sheer, nearly translucent fabric around her shoulders. Fern-green drapery, nearly matching the color of the grassy landscape, is gathered behind her hips, and a deep lapis-blue cloth lies across her lap. Her blond hair is pulled back. She has a straight nose, rosy cheeks, and her pink lips are closed. Her head tilts to our left, and she gazes down and to our right with brown eyes. Her right hand, on our left, rests in her lap, and she holds the baby with her other hand. The blond baby half sits, half stands on the woman’s lap so one foot rests on the hand in the woman’s lap. He reaches his arms around her neck and turns to look over his left shoulder, also gazing down and to our right. Thin, gold halos above their heads are barely visible against the pale blue sky. An expanse of green grass extends behind the pair leading to a cluster of trees to our left and buildings on a distant hill to our right. Hazy blue hills line the horizon in the distance below a blue, nearly cloudless sky.

The laurel branch is a traditional Medici emblem.

Grapevine and Squirrels

Woman Reading a Letter