Related

Returning Sails off a Distant Shore, from Eight Views of Xiao-Xiang

Lakeside Retreat

Heron on a Willow Branch

Chinese Bird on Snow-Laden Branch

Ōtsu-e of a Youth Holding Irises (Yarō)

這幅作品被命名為《昆侖松鶴》。昆侖是指神仙們居住的神山——昆侖山。據推測位於中國西部，是中國的大河——黃河的源頭。松和鶴都是長壽的象徵，是和神仙故事頗有關聯的題材。畫面右上方有畫家的署名，並寫著送給一位叫做李懷素的人。以昆侖山上的松樹以及聚集在此的仙鶴為繪畫題材的這幅作品主題極為吉祥，作為賀壽之禮極為相稱。作者呂健是活躍於十六世紀到十七世紀的人物。其曾祖父呂紀是一位著名的宮廷畫家。呂紀有很多構圖周密的大型花鳥圖作品，其華麗的色彩和細膩的筆法不僅在中國，也在朝鮮半島和日本大受追捧，呂紀的繪畫風格在東亞地區到了廣泛傳播。呂健不僅認真學習呂紀的花鳥畫，似乎還將其轉化成了更加瀟灑而又惹人憐愛的表現。這幅作品中姿態優美地彎曲著長頸的仙鶴以及以淡綠色輕輕暈開的松葉都充分表現出了呂健的審美觀。淡淡的墨影巧妙地表現出水面上湧起的波浪，以極具透明感的白色顏料細緻描繪的羽毛線條等卓越的描寫技術也是看點所在。

Fishing in a Springtime Valley

Depicts Zen monk Huike (慧可) thinking. By painter Shi Ke (Chinese: 石恪), from Five Dynasties and Ten Kingdoms Period to Northern Song (about 10th century)

松下達摩図

Pleasure Boat on the Sumida River

Grapevine in the Wind

Scholar admiring plum blossoms

Sparrows on Blossoming Plum

Crossing at Sano

Excellent Ox, Tokyo National Museum, Japan

Duck in Flight

Sunset Glow over a Fishing Village, from Eight Views of Xiao-Xiang

The Four Seasons

Farmer Returning Home in Autumn

Hen and Bamboo, by Luo Chuang, Tokyo National Museum, Japan

Geese, Reeds, and Water

Vase of Flowers

Summer Flowers

Monkey Hanging on to a Branch

Flowers and Birds in a Spring Landscape

Four Motifs from the Eight Views of Xiao-Xiang

Birds and Flowers

Portrait of Momonoi Naoaki

Gazing at a Waterfall

Mandarin ducks and cotton rose hibiscus

『新三十六歌仙図帖』より

Plum Blossoms

Cuckoo Flying under a Full Moon

screen by Fukae Roshu "Narrow ivy road". Six-fold screen, color on gold leafed paper, Important Cultural Property

Monkeys

牡丹花肖柏像（重要文化財、東京国立博物館蔵）

Enclosed Valley

Peahen and hibiscus

Winter Scene with Plum Trees and Pheasants

Summer Night

Monkeys in a Cherry Tree

Fox, from The Picture Book of Realistic Paintings of Hokusai (Hokusai shashin gafu)

Winter and Summer Flowers

Kajikazawa in Kai Province (Koshu Kajikazawa), from the series "Thirty-six Views of Mount Fuji (Fugaku sanjurokkei)"

Ivy Lane

Birds and Flowers

A Philosopher Watching a Pair of Butterflies, from The Picture Book of Realistic Paintings of Hokusai (Hokusai shashin gafu)

Under the Wave off Kanagawa (Kanagawa oki nami ura), also known as The Great Wave, from the series "Thirty-Six Views of Mount Fuji (Fugaku sanjurokkei)"

Estérel Village

Sunset over Autumn Mountains

Tama River in Musashi Province (Bushu Tamagawa), from the series "Thirty-six Views of Mount Fuji (Fugaku sanjurokkei)"

Blooming Plum Tree, from The Picture Book of Realistic Paintings of Hokusai (Hokusai shashin gafu)

Painting from Flowers and Grasses

Birds and Flowers

Hotei Smoking his Pipe, from The Picture Book of Realistic Paintings of Hokusai (Hokusai shashin gafu)

Fish in a Lotus Pond

Mt. Fuji through Pines

Japan; Illustrated book; Illustrated Books

Under the Wave off Kanagawa (Kanagawa oki nami ura), also known as The Great Wave, from the series "Thirty-Six Views of Mount Fuji (Fugaku sanjūrokkei)"

Gedicht op de zilveren bruiloft van Ludolph Simon de With en Maria de Wit, 15 augustus 1771

Whaling off the Coast of the Goto Islands (Goto kujira tsuki), from the series "One Thousand Pictures of the Ocean (Chie no umi)"

Birds and Flowers

Fan painting with river landscape

Birds and Flowers

Japan; Illustrated book; Illustrated Books

Combat for the Colors

The Windmill

Under the Wave off Kanagawa (Kanagawa oki nami ura), or The Great Wave, from the series Thirty-six Views of Mount Fuji (Fugaku sanjūrokkei)

Marshland

Adolph Heinrich Joseph Sutro

This painting shows a person fishing in a small blue-gray boat, situated to the left of center. The individual's back is to us, and they hold a fishing rod that extends from the center of the painting into the water on the far right. The person is wearing a tan shirt, tan pants with a brown belt, and a wide-brimmed tan hat. There are thick, dark green and blue trees in the background; the water reflects dark greens and blues, as well as shades of tan and white from the boat and person. The brushstrokes are loose, and different colors of paint blend softly with one another.

Farmhouse on the Slope of a Hill

Symbols of Longevity: Deer under Peach and Pine (Pine) (right)

慈眼大師像

Girl Arranging Flowers

Fishing Boats at Choshi in Shimosa (Soshu Choshi) from the series "One Thousand Pictures of the Ocean (Chie no umi)"

Winter and Spring Landscape

Peonies

This is a painting of a pastoral scene near the water with a ship and buildings in the background. The artwork is in the style of American folk art, presented in an oval frame. The image depicts a serene landscape by the water, with figures engaged in activities such as gathering flowers in the center. The foliage is in shades of green and brown, spreading above under a lightly clouded, blue sky. On the left side, a ship is anchored near the shore, with buildings visible in the distance. The water has soft waves, contrasting with the rocky ground in the foreground. The pastel colors create a calm and reflective mood, evoking tranquility and connection with nature.

Insects and Flowers, Ming dynasty, 14th-15th century, color on silk, Tokyo National Museum

Presentation Drawing of "The Statue of Liberty Illuminating the World"

Autumn Maples with Poem Slips

Chrysanthemums by the Water

Grapevine and Squirrels

Denshin kaishu Hokusai manga nihen

Grapevine

A Mild Breeze on a Fine Day (Gaifu kaisei), from the series "Thirty-six Views of Mount Fuji (Fugaku sanjurokkei)"

This painting shows a person in a rowboat on calm water, fishing. The boat is positioned horizontally across the painting, and the person in it faces the left, looking forward. Their left hand holds the side of the boat while the right holds a long fishing pole that is placed over their shoulder. They wear long-sleeved brown garment and a tan hat with cloth panels that cover their neck and chin. Their skin is a light red color, and they appear to have a gray mustache. In the background there are dense dark green trees, and in the upper left corner a sliver of glowing sky in shades of orange and yellow is visible. Around the boat is dark blue water, with a hint of the yellow sky reflected in the bottom left corner.

Irises

Hunting Scene

Madame Case

Hawk, from The Picture Book of Realistic Paintings of Hokusai (Hokusai shashin gafu)

Boys in a Dory

Saint Sebastian

Spring and Autumn Farming (Autumn)

A view across a wide, brightly lit field scattered with broken pieces of stone is framed to the left and right by crumbling stone temples in this horizontal painting. The sunlight is infused with a soft pink glow, which warms the cream-white stone with a pale blush. The temple on our left sits on a low rise, and a row of at least nine columns topped with an entablature faces our right. Several of the columns are broken off, and part of the entablature and the entire roof is missing, from what we can see. Fragments of pediments and wheel-like sections of columns tumble down from its front steps and back along its side, cascading into and across most of the field before us. The rocky terrain is carpeted in celery-green growth speckled with sage green and areas of rust red in the lower left and right corners. Barely visible in the center of the field, are two men, barely taller than the fragments they inspect. One man wears an apricot-orange suit and bowler hat over blond hair. He kneels with his back to us as he writes or sketches on a piece of paper. A second man stands to his right, also with his back to us, dressed in a long pleated, white tunic with a red cap, jacket, and knee-high boots. To our right and farther back than the other temple, a brick-red tower stands next to another columned arcade. A third temple there, or perhaps another part of that building complex, has columns carved into the shape of six identical, robed women, facing our left. Beyond the ruins, the field slopes down to a peach-colored plain that ends at a wide, topaz-blue body of water with mountains in the far distance along the low horizon line. A petal-pink haze rises from the water and mountains and almost fills the blue-gray sky above. The artist has signed and dated the painting in the lower left, “S.R. Gifford 1880.”

暮れて月いとおもしろきに、宮の亮、女房にあひて、とりわきたるよろこびも啓せさせむとにやあらむ、妻戸のわたりも御湯殿のけはひに濡れ、人の音もせざりければ、この渡殿の東のつまなる宮の内侍の局に立ち寄りて、「ここにや」と案内したまふ。宰相は中の間に寄りて、まだ鎖さぬ格子の上押し上げて、「おはすや」などあれど、いらへもせぬに、な大夫の、「ここにや」とのたまふにさへ、聞きしのばむもことごとしきやうなれば、はかなきいらへなどす。いと思ふことなげなる御けしきどもなり。

Mount Fuji with Cherry Trees in Bloom

Flowers and Trees of the Four Seasons (left screen)