Mascarade à la Grecque; Suite des Vases; and [Cheminées]

Mascarade à la Grecque; Suite des Vases; and [Cheminées]

Ennemond Alexandre Petitot

Details

Medium
Etching
Dimensions
Overall: 17 5/16 x 11 7/8 x 13/16 in. (43.9 x 30.1 x 2 cm) plate: 6 3/4 x 8 7/8 in. (17.2 x 22.5 cm)
Origin
Italy
Department
Drawings and Prints
Holding institution
The Metropolitan Museum of Art
License
CC0-1.0
Credit
Harris Brisbane Dick Fund, 1940

Art Genome Taxonomy

12 tags

Artistic Disciplines

  • Architecture Both · 84%

    The museum classification includes Book Ornament & Architecture, and the image visibly incorporates a Greek-key frame, architectural moldings, a pedestal, and other architectural ornament.

Subject Matter

  • Human Figure Both · 99%

    A prominent frontal female figure occupies the center of the composition, corresponding to the museum subject Women.

  • Animals Visual · 90%

    Two animal heads, apparently equine or similarly stylized, project from the middle register on either side of the figure.

  • Flora Both · 98%

    Leafy and floral forms are extensively incorporated into the looping garlands and the central costume ornament; the museum record lists Garlands as a subject.

Styles and Movements

  • Neoclassicism Interpretive · 78%

    The Greek-key motif, classical architectural vocabulary, garlands, and title referring to a Greek masquerade support a Neoclassical reading, although the museum record supplies no formal style designation.

Visual Qualities

  • Symmetrical Visual · 99%

    The arrangement is organized around a strong vertical axis, with balanced architectural, botanical, drapery, and animal motifs on the two sides.

Medium and Techniques

  • Etching/Engraving Both · 99%

    The Metropolitan Museum of Art identifies the medium as etching, and the image visibly consists of dense intaglio linework and cross-hatching.

  • Prints Metadata · 99%

    The work is held in the Drawings and Prints department and cataloged as a book-related printed plate.

  • Work on Paper Both · 97%

    The object is cataloged as a book ornament and print, while the image visibly appears on a paper sheet surrounding the plate.

  • Hatching Visual · 98%

    The background and many costume and ornamental passages are rendered through closely spaced intersecting hatch lines.

Time Periods

  • 18th Century Art Metadata · 99%

    The museum dates the work to 1764–1771, placing it within the eighteenth century.

Geographic Regions

  • Italian Art Metadata · 91%

    The museum record gives Italy as the place of origin, while identifying Petitot as French.

Source & rights

Ennemond Alexandre Petitot. Mascarade à la Grecque; Suite des Vases; and [Cheminées]. The Metropolitan Museum of Art.